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    • April and August: Moonrise Kingdom

      Sophie Violet Gilmore
      July 2012
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
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      Colette de Castro
      July 2026
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      Salvador Carrasco
      July 2026
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      Pritish Das
      July 2026
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      Leonard Schwartz
      July 2026
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      Jens Andermann
      May 2026
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      Sophie Violet Gilmore
      August 2023
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      Đăng Tùng Bạch
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      Arindam Sen
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      Sophie Violet Gilmore
      May 2021
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      January 2026
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      Sophie Violet Gilmore
      December 2014
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      Marc Raymond
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
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      Maja Korbecka
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      Botagoz Koilybayeva
      May 2026
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      Sophie Violet Gilmore
      May 2023
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      Mark Seton
      July 2026
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      Ragib Rahman
      July 2026
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      Jiahan Olivia Lin
      July 2026
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      Wheeler Winston Dixon
      May 2026
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      Ashish Dwivedi
      May 2026
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      Scott Robinson
      May 2026
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      They Who Step on the Tiger's Tail

      Sophie Violet Gilmore
      April 2001
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      Shari Kizirian
      October 2026
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      Daniel Phuoc Wilson
      October 2026
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      Brad Weismann
      October 2026
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      Austin Lancaster
      October 2026
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      Inge Fossen
      September 2026
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      Alexia Kannas
      September 2026
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Author Sophie Violet Gilmore

Sophie Violet Gilmore

Sophie Violet Gilmore is a PhD candidate in Film and Visual Studies at Harvard University. She holds an MA in Art History from the University of Otago, New Zealand. Her interests include algorithmic culture, Hollywood production in Polynesia, and H.P Lovecraft.

Gollum, Caesar, Thanos: The Algorithmic Body Across Twenty Years of Motion Capture

Sophie Violet Gilmore
January 2023
The Geometry of Movement: Computer-Generated Imagery in Film
“We wants it. We needs it. Must have the precious.” It is 2002, and this now iconic line has just been croaked by gangly ring-fetishist Gollum in Peter Jackson’s The Lord of the Rings: The Two Towers. Or rathe...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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