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      M. Night Shyamalan: A Preliminary Report

      Richard Martin
      March 2008
      Feature Articles
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    • Horse-People and White Voices: Neoliberalism and Race in Sorry to Bother You

      Thomas Austin
      May 2023
    • The Exorcism of Sinister Ghosts: Saralisa Volm’s The Silent Forest

      Peter Verstraten
      May 2023
    • Spectatorial Labour: The Political Vision of Sergei Loznitsa’s Documentaries

      Santasil Mallik
      May 2023
    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
    • Values of Baz Luhrmann’s Elvis: A Carnival Ride

      Laleen Jayamanne
      January 2023
    • Fellini’s Memory: Amarcord

      Bruce Jackson
      January 2023
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    • Family as a Film Collective: An interview with Huang Ji and Ryûji Otsuka

      Richard Martin
      May 2023
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      Maria Giovanna Vagenas
      May 2023
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      Brigitta Wagner
      May 2023
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      Purple Romero
      May 2023
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      Hamed Sarrafi
      May 2023
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      Silvia Spitta & Gerd Gemünden
      May 2023
    • Korean Chinese, Borderland, and Transborder Encounters: A Conversation with Zhang Lu

      Yanjie Wang
      May 2023
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      Richard Martin
      July 2002
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      Jeremy Carr
      May 2023
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      Benjamin Kooyman
      May 2023
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      Sherry Johnson
      January 2023
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      Giampiero Frasca
      January 2023
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      Jeremy Carr
      October 2022
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      Hal Young
      October 2022
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      Richard Martin
      January 2022
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      Wheeler Winston Dixon
      May 2023
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      Jacob Agius
      October 2022
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      Joy McEntee
      May 2022
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      May 2022
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      Jeremy Carr
      May 2022
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      Mark Lager
      May 2022
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    • StopTrik from Head to Toe and the Eisenstein International Network

      Richard Martin
      January 2020
      Festival Reports
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      Sian Mitchell
      May 2023
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      Carmen Gray
      May 2023
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      Will DiGravio
      May 2023
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      Jay Kuehner
      May 2023
    • All the world’s a stage IFFR Critics’ Choice 9: PLAY

      Tara Judah
      May 2023
    • Sundance 2023 – Hybridity and Transgressive Heroes

      Bérénice Reynaud
      May 2023
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      Russian Soul, Eurotrance: Instant Light: Tarkovsky Polaroids edited by Giovanni Chiaramonte and Andrei A. Tarkovsky

      Richard Martin
      February 2005
      Book Reviews
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    • Bloody, Raging Females: Five Books Examine Contemporary Feminist Horror Films

      Holly Willis
      May 2023
    • Cinematic Bottom-Feeding: Why It’s OK to Love Bad Movies, by Matthew Strohl

      Sam Woolfe
      May 2023
    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
    • Dennis Lim’s Tale of Cinema: A Meta-Monograph

      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
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      Cabin in the Sky

      Richard Martin
      October 2003
      CTEQ Annotations on Film
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      Jacob Agius
      May 2023
    • Afflictions of Pain and Desire: The River (Tsai Ming-liang, 1997)

      Alex Williams
      May 2023
    • The Wayward Cloud (Tsai Ming-liang, 2005)

      Amelia Leonard
      May 2023
    • Goodbye, Dragon Inn (Tsai Ming-liang, 2003)

      Andrew Le
      May 2023
    • The Skywalk is Gone (Tsai Ming-liang, 2002)

      Digby Houghton
      May 2023
    • What Time is it There? (Tsai Ming-liang, 2001)

      Jessica Balanzategui
      May 2023
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Author Richard Martin

Richard Martin

Richard Martin is the author of The Architecture of David Lynch (Bloomsbury, 2014). He currently teaches at King’s College London and Tate Modern, and writes for the Tate Research Department. http://www.richardgmartin.org

Be Young, Be Dope, Be Proud: The 58th BFI London Film Festival

Richard Martin
December 2014
Festival Reports
Debut films are often about youth, and about living on the edge. From The 400 Blows to Breathless, from Badlands to Kids, first features repeatedly channel the freedoms and frustrations of being young, via an a...
Sweet Smell of Success (Alexander Mackendrick, 1957)

More Rapture! The Big Screen: The Story of the Movies and What They Did To Us by David Thomson

Richard Martin
September 2013
Book Reviews
When I was halfway through reading David Thomson’s new book, I saw Vincente Minnelli’s musical The Band Wagon (1953) in Potsdamer Platz, Berlin. It felt like a perfect David Thomson moment. The Band Wagon immer...

The Uses of Guilt: The Cinema of Michael Haneke: Europe Utopia edited by Ben McCann and David Sorfa

Richard Martin
November 2012
Book Reviews
There’s a scene in Michael Haneke’s Code Unknown (2000) that epitomises both the brilliance and the frustrations that mark his entire body of work. It takes place on the Parisian Métro, where a woman named Anne...

Designs for Life: David Lynch by Justus Nieland

Richard Martin
September 2012
Book Reviews
If Inland Empire, released in 2006, has proved one of the strangest films of the last decade, David Lynch’s activities since then have only increased the mystery surrounding its director. In recent years, Lynch...

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