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      A Brief Introduction to the Beat (in) Film

      Richard Martin
      September 2000
      Feature Articles
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
    • Bee and Bresson: Pickpocket and its Painting

      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
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      Richard Martin
      August 2023
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      Gary M. Kramer
      July 2026
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      Amanda Barbour
      July 2026
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      Đăng Tùng Bạch
      July 2026
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      Arindam Sen
      July 2026
    • “What is a complete image of oil?”: An Interview with Sanaz Sohrabi

      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      Richard Martin
      October 2002
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      Florian Zappe
      July 2026
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      Patrick F. Campos
      July 2026
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      Nicholas Buccheri
      July 2026
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      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Richard Martin
      May 2025
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      Tony Williams
      May 2026
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      Andy Hageman
      January 2026
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      Indigo Bailey
      November 2025
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      Colette de Castro
      July 2025
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      Tony Williams
      May 2025
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      Mark Lager
      November 2024
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      Richard Martin
      May 2025
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      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      Experimental Cinema in the Digital Age (BFI 2001) by Malcolm Le Grice

      Richard Martin
      March 2002
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    • Feeling the Screen Story’s Pulse: Karen Pearlman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
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      Sensing the Past: Margot Nash’s Vacant Possession

      Richard Martin
      March 2016
      CTEQ Annotations on Film
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      Austin Lancaster
      October 2026
    • Lisa and the Devil

      Inge Fossen
      September 2026
    • The Girl Who Knew Too Much

      Alexia Kannas
      September 2026
    • Rabid Dogs

      Darragh O’Donoghue
      September 2026
    • Playful Provocation: Hypermediacy in Mario Bava’s Danger: Diabolik

      Kyle Sossamon
      September 2026
    • Kill, Baby… Kill!

      Ian Olney
      September 2026
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Author Richard Martin

Richard Martin

Richard Martin is the author of The Architecture of David Lynch (Bloomsbury, 2014). He currently teaches at King’s College London and Tate Modern, and writes for the Tate Research Department. http://www.richardgmartin.org

Be Young, Be Dope, Be Proud: The 58th BFI London Film Festival

Richard Martin
December 2014
Festival Reports
Debut films are often about youth, and about living on the edge. From The 400 Blows to Breathless, from Badlands to Kids, first features repeatedly channel the freedoms and frustrations of being young, via an a...
Sweet Smell of Success (Alexander Mackendrick, 1957)

More Rapture! The Big Screen: The Story of the Movies and What They Did To Us by David Thomson

Richard Martin
September 2013
Book Reviews
When I was halfway through reading David Thomson’s new book, I saw Vincente Minnelli’s musical The Band Wagon (1953) in Potsdamer Platz, Berlin. It felt like a perfect David Thomson moment. The Band Wagon immer...

The Uses of Guilt: The Cinema of Michael Haneke: Europe Utopia edited by Ben McCann and David Sorfa

Richard Martin
November 2012
Book Reviews
There’s a scene in Michael Haneke’s Code Unknown (2000) that epitomises both the brilliance and the frustrations that mark his entire body of work. It takes place on the Parisian Métro, where a woman named Anne...

Designs for Life: David Lynch by Justus Nieland

Richard Martin
September 2012
Book Reviews
If Inland Empire, released in 2006, has proved one of the strangest films of the last decade, David Lynch’s activities since then have only increased the mystery surrounding its director. In recent years, Lynch...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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