• Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
Search
Senses of Cinema logo
  • Features
    Random
    • article placeholder

      Antonioni’s L’avventura and Deleuze’s Time-image

      Raymond Vouillamoz
      October 2003
      Feature Articles
    Recent
    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
    • The New-Ark: trying to disavow anti-blackness

      Andrew Brooks
      October 2020
    • Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020
    • Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

      Steffanie Ling
      October 2020
  • Festival Reports
    Random
    • article placeholder

      On the Occasion of Remembering the Golden Gate: The 49th San Francisco International Film Festival

      Raymond Vouillamoz
      November 2006
      Festival Reports
    Recent
    • Dreaming of the Mountains: The 9th Dharamshala International Film Festival

      Sucheta Chakraborty
      January 2021
    • Ghost Cities: The 58th Viennale

      Leonardo Goi
      January 2021
    • Queer and Australian Features at the 2020 Adelaide Film Festival

      Stuart Richards
      January 2021
    • Korean Cinema’s Self-Portrait: The 25th Busan International Film Festival

      Marc Raymond
      January 2021
    • Live Through This: The 2020 Adelaide Film Festival

      Saige Walton
      January 2021
    • “Sense of Place”: The 33rd Tokyo International Film Festival

      Kohei Usuda
      January 2021
  • Book Reviews
    Random
    • The Long Game: Conversations with Independent Iconoclasts Roger Corman, George A. Romero, and Charles Burnett

      Raymond Vouillamoz
      November 2012
      Book Reviews
    Recent
    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
    • When Everything Seemed Possible: London’s Arts Labs and the 60s Avant-Garde by David Curtis

      Wheeler Winston Dixon
      January 2021
    • “Memories Are Made of This”: Juliane Lorenz and Lothar Schirmer’s R.W. Fassbinder: Film Stills, 1966-1982

      Eric Gudas
      January 2021
    • Beneath the Tuxedo Elegance: Cary Grant: The Making of a Hollywood Legend, by Mark Glancy

      Tom Ryan
      January 2021
    • Anarchist Cinema: A Dream of Resistance: The Cinema of Kobayashi Masaki by Stephen Prince

      Karthick Ram Manoharan
      January 2021
    • Trade Follows the Film: Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson

      Daniel Fairfax
      October 2020
  • CTEQ
    Random
    • article placeholder

      La Baie des Anges

      Raymond Vouillamoz
      July 2002
      CTEQ Annotations on Film
    Recent
    • Stairways to Paradise: Youssef Chahine and Alexandria…Why?

      David Melville
      October 2020
    • At Home Among Strangers (Свой среди чужих, чужой среди своих, Nikita Mikhalkov, 1974)

      Darragh O’Donoghue
      October 2020
    • German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

      Donovan Renn
      October 2020
    • Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

      David Heslin
      October 2020
    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020
    • A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

      Martyn Bamber
      October 2020
  • Great Directors
    Random
    • Sturges, Preston

      Raymond Vouillamoz
      July 2004
      Great Directors
    Recent
    • Scott, Tony

      Jeremy Carr
      October 2020
    • Menzel, Jiří

      Brendan Black
      October 2020
    • Wise, Robert

      Adrian Schober
      April 2020
    • Fernández, Emilio “Indio”

      Abel Muñoz Hénonin
      April 2020
    • Fei Mu

      Jasper Mäkinen
      October 2019
    • Huston, John

      Bruce Jackson
      July 2019
  • World Poll
  • Support Senses
  • Shop
  • Subscribe
  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Latest
  • Past Issues
  • Special Dossiers
  • Interviews
  • Podcast
  • Advertisers
  • Proposals
  • Call for Submissions
more articles... more articles... more articles... more articles... more articles...

Author Raymond Vouillamoz

Raymond Vouillamoz

Raymond Vouillamoz has worked since the 1960s as a journalist, director and producer. He was Head of Fiction and Head of Entertainment at Télévision Suisse Romande, then Head of Fiction at La Cinq and Director of Programming at France 3. From 1993 to 2003 he was Director of Programming and News at TSR. In 2014 he published his memoirs, Zapping Intime (Lausanne: Favre).

Recollections of Coproducing Two Videos by Jean-Luc Godard for Prime-Time on Télévision Suisse Romande: Voyage à travers un film (Sauve qui peut (la vie)) (1981) and Scénario du film Passion (1982)

Raymond Vouillamoz
July 2020
Feature Articles
Spécial Cinéma Spécial Cinéma was a weekly programme on Télévision Suisse Romande (TSR, public broadcaster in French-speaking Switzerland). First broadcast on September 25, 1974 it came to an end in the spring...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

© Senses of Cinema 2019

Staff Members

Editors:

Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

Contributing Partner

Donate to Senses

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff