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      Chains of Dreams: Carl Th. Dreyer

      Peter Rist
      November 2007
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    • Film Criticism and the Grotesque: A Very American Tár & an Oz Elvis

      Laleen Jayamanne
      August 2023
    • The aesthetics and politics of melodrama, reconsidered: Delitto d’amore / Crime of Love

      Thomas Austin
      August 2023
    • Horse-People and White Voices: Neoliberalism and Race in Sorry to Bother You

      Thomas Austin
      May 2023
    • The Exorcism of Sinister Ghosts: Saralisa Volm’s The Silent Forest

      Peter Verstraten
      May 2023
    • Spectatorial Labour: The Political Vision of Sergei Loznitsa’s Documentaries

      Santasil Mallik
      May 2023
    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
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    • About Time: Interview with Cyril Schäublin

      Peter Rist
      January 2023
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    • “Can You Prefigure Reality?”: A Conversation with Christoph Hochhäusler on his new film, Bis ans Ende der Nacht (Till the End of the Night)

      Marco Abel
      August 2023
    • The Klezmer Project (Adentro Mío Estoy Bailanado): A Conversation with Leandro Koch and Paloma Schachmann

      Maria Giovanna Vagenas
      August 2023
    • Chunky Shrapnel: A Conversation with John Angus Stewart

      C.S. Harper
      August 2023
    • A Cinematic Sojourn to the Land of Awe and Astonishment: Interview with Laura Citarella about El Pampero Cine and Trenque Lauquen

      Hamed Sarrafi
      August 2023
    • Here: An Interview with Bas Devos

      Maria Giovanna Vagenas
      May 2023
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      Brigitta Wagner
      May 2023
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      Peter Rist
      May 2002
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      Jeremy Carr
      May 2023
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      Benjamin Kooyman
      May 2023
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      Giampiero Frasca
      January 2023
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      Sherry Johnson
      January 2023
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      Jeremy Carr
      October 2022
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      Hal Young
      October 2022
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      Peter Rist
      May 2023
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      Eloise Ross
      August 2023
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      Jacob Agius
      October 2022
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      Joy McEntee
      May 2022
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      Jeremy Carr
      May 2022
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      Mark Lager
      May 2022
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      Peter Rist
      December 2011
      Festival Reports
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      Marc Raymond
      August 2023
    • Direct Cinephilia: Play-Doc 2023

      Fedor Tot
      August 2023
    • Stardust chronicle, a report from the 69th Internationale Kurzfilmtage Oberhausen

      Arindam Sen
      August 2023
    • Rising from the ashes: The 47th Hong Kong International Film Festival

      Maja Korbecka
      August 2023
    • The 22nd Transilvania International Film Festival: Open-world Stimulations

      Peter Virginas
      August 2023
    • Searching for Eros: the 76th Cannes Film Festival

      Savina Petkova
      August 2023
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      The Emergence of Cinematic Time: Modernity, Contingency, the Archive by Mary Ann Doane

      Peter Rist
      December 2003
      Book Reviews
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    • The Rebellious and the Rigorous: The Red Years of Cahiers du cinéma (1968-1973), by Daniel Fairfax

      Tony McKibbin
      August 2023
    • A Journey through Serge Daney’s Cinema House

      Emmanuel Bonin
      August 2023
    • Bloody, Raging Females: Five Books Examine Contemporary Feminist Horror Films

      Holly Willis
      May 2023
    • Cinematic Bottom-Feeding: Why It’s OK to Love Bad Movies, by Matthew Strohl

      Sam Woolfe
      May 2023
    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
    • Dennis Lim’s Tale of Cinema: A Meta-Monograph

      Marc Raymond
      January 2023
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    • The Marquise of O

      Die Marquise von O… (La Marquise d’O…, The Marquise of O, Éric Rohmer, 1976)

      Peter Rist
      March 2017
      CTEQ Annotations on Film
    Recent
    • Heave Ho! (Martin Frič, 1934)

      Faith Everard
      September 2023
    • Tomorrow I’ll Wake Up and Scald Myself with Tea (Jindřich Polák, 1977)

      Danica van de Velde
      September 2023
    • The Woman Suffers: “South Australia’s greatest film production” (Raymond Longford, 1918)

      Stephen Gaunson
      September 2023
    • The Sentimental Bloke (Raymond Longford, 1918)

      Darragh O’Donoghue
      September 2023
    • The Fading Kouros of Razzia sur la chnouf (Henri Decoin, 1955)

      Grant Bromley
      September 2023
    • Scenes from a Manhunt – Panique (Julien Duvivier, 1946)

      Rolland Man
      August 2023
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Author Peter Rist

Peter Rist

Peter Rist teaches film studies at Concordia University in Montreal, Québec, and writes regularly for www.offscreen.com.

“A Hundred Years Ago”: 1919 in Cinema, at Il Cinema Ritrovato, 32nd edition, Bologna, Italy, June 22-30, 2019

Peter Rist
January 2020
Festival Reports
It has become a tradition for the annual festival of rediscovered and restored films, Il Cinema Ritrovato in Bologna, Italy to focus one of its “Time Machine” programs on films from 100 years ago. With so many ...

Four Years of the Nitrate Picture Show, Part 2: The “Silver Screen”, Beautiful Black and White

Peter Rist
March 2019
Feature Articles
In Part 1 of this article, I discussed the history of my own film viewing experiences of cellulose nitrate colour prints. We now move to black and white. The true glory of silver nitrate is best appreciated ...

Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

Peter Rist
December 2018
Feature Articles
The rationale behind the Nitrate Picture Show is that film projection is the goal of film preservation. It is only in a theatre that film curators deliver their ultimate message, as other curators do when artwo...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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