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    • Salò, or the 120 Days of Sodom as Pasolini's Film on Film

      Paolo Russo
      April 2020
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      Khatuna Maisashvili
      January 2023
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      Laleen Jayamanne
      January 2023
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      Bruce Jackson
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      Indigo Bailey
      January 2023
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      Arindam Sen
      January 2023
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      Dirk de Bruyn
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      Paolo Russo
      January 2022
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      Tara Judah
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      Toby Wu
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      David A. Gerstner
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      Arindam Sen
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      Hamed Sarrafi
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      Paolo Russo
      December 2012
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      Sherry Johnson
      January 2023
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      Giampiero Frasca
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      Jeremy Carr
      October 2022
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      Hal Young
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      Sara Delshad
      October 2022
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      Sanya Osha
      May 2022
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      Paolo Russo
      May 2022
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      Jacob Agius
      October 2022
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      Mark Lager
      May 2022
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      Jessica Balanzategui
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      New York Film Festival 2003 – A Report

      Paolo Russo
      December 2003
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      Leonardo Goi
      January 2023
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      Kohei Usuda
      January 2023
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      Marc Raymond
      January 2023
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      Glenn D'Cruz
      January 2023
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      Tara Judah
      January 2023
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      Neil Young
      January 2023
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    • Steven Spielberg: A Life in Films

      From Reverence to Spielberg: Steven Spielberg: A Life in Films by Molly Haskell

      Paolo Russo
      June 2017
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    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
    • Dennis Lim’s Tale of Cinema: A Meta-Monograph

      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
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      Corey P. Cribb
      October 2022
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      Emmanuel Bonin
      July 2022
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      Chocolat

      Paolo Russo
      November 2001
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    • I Remember: Amarcord (Federico Fellini, 1973)

      Jacob Agius
      February 2023
    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
    • Nosferatu: Eine Symphonie des Grauens (Nosferatu: A Symphony of Horror, F.W. Murnau, 1922)

      Martyn Bamber
      November 2022
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Author Paolo Russo

Paolo Russo

Paolo Russo is Senior Lecturer in Film Studies at Oxford Brookes University. His most recent publications include: ‘Suso Cecchi d’Amico’ (Palgrave Macmillan 2015), ‘Migration told through noir convention in Tornatore’s The Unknown Woman and Garrone’s Gomorrah’ (Peter Lang 2015), ‘Pain Is in the Mind: Dream Narrative in Inception and Shutter Island’ (Routledge 2014), and the 2014 issue of Quaderni del CSCI on Italian screenwriters. Paolo is also a professional screenwriter.

Pasolini Salo

Beyond Perverse Allegiance: The Problem of Viewers’ Engagement in Pier Paolo Pasolini’s Salò or The 120 Days of Sodom (Issue 77, December 2015)

Paolo Russo
October 2019
Highlights from 20 years of Senses of Cinema
Originally published in Senses of Cinema issue 77, December 2015. “Perhaps the most successful representation of physical cruelty in the history of cinema.” – Gilbert Adair, 1979 In a lengthy letter to the ...
Pasolini Salò

Beyond Perverse Allegiance: The Problem of Viewers’ Engagement in Pier Paolo Pasolini’s Salò or The 120 Days of Sodom

Paolo Russo
December 2015
The Legacy of Pier Paolo Pasolini
“Perhaps the most successful representation of physical cruelty in the history of cinema.” – Gilbert Adair, 1979 In a lengthy letter to the Director of Public Prosecutions, James Ferman, the then Chief Exami...

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