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    • Zodiac

      Zodiac and the Ends of Cinema

      Paola Voci
      March 2016
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    • The Experimental Propagandist: Frank Capra and the Shape of Truth

      Richard Sowada
      January 2022
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      Pablo Gonçalo
      January 2022
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      Rob Nixon
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      Dechlan Cochran
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      Joy McEntee
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      Andrew Lynch and Alexa Scarlata
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      Paola Voci
      October 2019
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      Maja Korbecka
      January 2022
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      Stuart Richards
      January 2022
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      Daniel Fairfax
      January 2022
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      Łukasz Mańkowski
      January 2022
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      Dirk de Bruyn
      January 2022
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      Andrew Northrop
      July 2021
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      Paola Voci
      October 2003
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      Jeremy Carr
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      Charles Fairbanks
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      Dan Golding
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      Hal Young
      May 2021
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      Report from the AFI Film Festival: Bruno The Dog and Other Dreamers

      Paola Voci
      February 2004
      Festival Reports
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      Maria Giovanna Vagenas
      February 2022
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      Kohei Usuda
      February 2022
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      Leonardo Goi
      January 2022
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      Carmen Gray
      January 2022
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      Bérénice Reynaud
      January 2022
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      Amelia Leonard and Jacob Agius
      January 2022
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      Archiving the Unforgettable: “Night and Fog”: A Film in History, by Sylvie Lindeperg

      Paola Voci
      December 2015
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      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021
    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by John Barrios

      Adrian Schober
      July 2021
    • Foraging in a Transforming Mediascape: Cinemas Dark and Slow in Digital India, by Lalitha Gopalan

      Megan Carrigy
      July 2021
    • Time Machines: After Kubrick: A Filmmaker’s Legacy, edited by Jeremi Szaniawski

      Joy McEntee
      May 2021
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    • J’entends plus la guitare film review

      The Cost of Living: Philippe Garrel’s J’entends plus la guitare

      Paola Voci
      September 2015
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    • Shockproof (Douglas Sirk, 1949): The Insanity of Romantic Desire

      Wheeler Winston Dixon
      May 2022
    • The Grotesque Loves of Jealousy, Italian Style (Ettore Scola, 1970)

      Tiia Kelly
      May 2022
    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022
    • Fritz Lang’s Spione (1928)

      Shari Kizirian
      May 2022
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Author Paola Voci

Paola Voci

Paola Voci has a B.A. in Chinese Language and Literature, Venice University 1991; Diploma in Film Theory and Practice, Beijing Film Academy 1991; M.A. in East Asian Studies, Indiana University 1997; PhD in Chinese, Indiana University 2002. Her area of research combines East Asian Studies (in particular, Chinese language and culture), film and media studies, and visual culture.

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Quasi-Documentary, Cellflix and Web Spoofs: Chinese Movies’ Other Visual Pleasures

Paola Voci
November 2006
Film & History Conference Papers
In China, as elsewhere, new locations and new media have redefined the experience of watching a moving image, beyond the cinematic experience. (1) The visual works that one can view outside movie theatres g...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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