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  • Dossiers
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    • The Larrikin Girl: Challenging archetypes in Australian cinema

      Libertad Gills
      October 2022
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
    • Bee and Bresson: Pickpocket and its Painting

      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
  • Interviews
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      Nature of Keeping Awake: Hanif Kureishi and Collaborative Film-Making

      Libertad Gills
      November 2000
      Interviews
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    • An Interview with Giulio Bertelli

      Gary M. Kramer
      July 2026
    • Mahboobeh Kalaee: Creation as Antidote to Destruction during American and Israeli airstrikes

      Amanda Barbour
      July 2026
    • Time and Tide: In Conversation with Director Vee Shi and Cinematographer-Producer Nicholson Ren

      Tùng Bạch Đăng
      July 2026
    • Lee Anne Schmitt: An Anthropology of Americanism

      Arindam Sen
      July 2026
    • “What is a complete image of oil?”: An Interview with Sanaz Sohrabi

      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      Libertad Gills
      July 2003
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      Florian Zappe
      July 2026
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      Patrick F. Campos
      July 2026
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      Nicholas Buccheri
      July 2026
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      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Libertad Gills
      May 2026
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      Andy Hageman
      January 2026
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      Indigo Bailey
      November 2025
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      Colette de Castro
      July 2025
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      Tony Williams
      May 2025
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      Tony Williams
      May 2025
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      Mark Lager
      November 2024
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    • Vilnius Film Festival

      In Search of an Eastern European Identity – Vilnius Film Festival review

      Libertad Gills
      June 2017
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    • Korean Cinephilia and Its Possible Futures: The 27th Jeonju International Film Festival

      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
    • Coming of age does not happen overnight: IndieLisboa turns 23

      Susana Bessa
      July 2026
    • The hottest ticket in town: the 40th Il Cinema Ritrovato

      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
    • Sundance 2026: Watching on the go

      Botagoz Koilybayeva
      May 2026
  • Book Reviews
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    • What is New about “New Europe” in Contemporary European Cinema?: East, West and Centre:. Reframing Post-1989 European Cinema by Michael Gott and Todd Herzog (eds.)

      Libertad Gills
      September 2016
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    • Feeling the Screen Story’s Pulse: Karen Peralman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
  • CTEQ
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    • The Chronicle of Anna Magdalena Bach

      A Life Lived for Art: The Chronicle of Anna Magdalena Bach (Jean-Marie Straub and Danièle Huillet, 1968)

      Libertad Gills
      September 2017
      CTEQ Annotations on Film
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    • Filmmaking at the end of the world: The Quiet Earth

      Gregory Bennett
      August 2026
    • Porno, Disco, and Summer of Sam: Spike Lee on Sexuality

      Desirae Embree
      July 2026
    • 4 Little Girls

      Darragh O’Donoghue
      July 2026
    • A Pedagogy of Resistance: From Double Consciousness to the Unified Self in Spike Lee’s Malcolm X

      Sandra E. Lim
      July 2026
    • 25th Hour

      Michael Green
      July 2026
    • School Daze-d and Confused

      Sebastian Carrasco
      July 2026
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Author Libertad Gills

Libertad Gills

Libertad Gills is a filmmaker, researcher and lecturer of videographic criticism at the University of Leeds.

Cinema on the Border: The 20th Annual Berwick Film and Media Arts Festival

Libertad Gills
July 2025
Festival Reports
Berwick-upon-Tweed is a seaside town located on the border between England and Scotland. Such porous identity is reflected in the town’s only film festival, the Berwick Film and Media Arts Festival, which every...

Experimental Cinema in Times of Protest: IV Cámara Lúcida

Libertad Gills
January 2020
Festival Reports
Cámara Lúcida began in 2016 as a small gathering of friends in the city of Cuenca, Ecuador’s third most important city after Quito and Guayaquil. At the time, Francisco Álvarez, its founder and director, was a ...
DOCUMENTAMADRID 2017

Notes on DOCUMENTAMADRID, the 14th Madrid International Documentary Film Festival

Libertad Gills
June 2017
Festival Reports
The 14th Madrid International Documentary Film Festival was held in Matadero, a former slaughterhouse and livestock market built between 1908 and 1928, and commissioned by the Madrid City Council to the archite...

A Place for Underground Cinema Made in Ecuador: Notes from the Festival Ecuador Bajo Tierra II and Ronda de Negocios de DVD, Manta City

Libertad Gills
June 2013
Festival Reports
In January 2013 I flew to Manta, the largest fishing port in Ecuador, to attend the second annual Festival Ecuador Bajo Tierra. As its title suggests, it is a festival for Ecuadorian underground films, held in ...

“If Ecuador is the name of an imaginary line….”: The 8th Festival de Cine Cero Latitud

Libertad Gills
December 2010
Festival Reports
In most parts of Quito, Ecuador, the fact that you make, study or are passionate about cinema can only be understood as a hobby, a recreation, a pasttime. When I opened my bank account, for instance, the clerk ...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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