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      Leah Anderst
      January 2022
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      Khatuna Maisashvili
      January 2023
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      Laleen Jayamanne
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      Bruce Jackson
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      Arindam Sen
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      Indigo Bailey
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      Dirk de Bruyn
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      Leah Anderst
      July 2019
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      Toby Wu
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      Arindam Sen
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      Leah Anderst
      August 2008
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      Between Seeing and Memory: A Report on the 62nd Venice Film Festival

      Leah Anderst
      February 2006
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      Leonardo Goi
      January 2023
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      Marc Raymond
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      Glenn D'Cruz
      January 2023
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      Kohei Usuda
      January 2023
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      Tara Judah
      January 2023
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      Neil Young
      January 2023
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      Stan Brakhage: Filmmaker edited by David E. James

      Leah Anderst
      July 2006
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      Abel Muñoz Hénonin
      January 2023
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      Marc Raymond
      January 2023
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      Pujita Guha
      January 2023
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      Tom Boniface-Webb
      October 2022
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      Corey P. Cribb
      October 2022
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      Emmanuel Bonin
      July 2022
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      Leah Anderst
      February 2005
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      Emma Fajgenbaum
      March 2023
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      Jacob Agius
      February 2023
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      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
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Author Leah Anderst

Leah Anderst

Leah Anderst is Assistant Professor of English at Queensborough Community College, CUNY, where she teaches courses in writing, literature, and film studies. Her work has appeared in Narrative, Orbis Litterarum, Senses of Cinema, Teaching English in the Two-Year College, and Quarterly Review of Film and Video. A collection of essays she edited, The Films of Eric Rohmer: French New Wave to Old Master, was published in March 2014 by Palgrave.

Perceval

Perceval le Gallois (Éric Rohmer, 1978): Channeling Chrétien de Troyes Through Cinema

Leah Anderst
March 2017
CTEQ Annotations on Film
Following the success of his Six Moral Tales, Éric Rohmer turned his attention backward into history, and with Perceval, to one of the earliest narratives in French literature. The story of Perceval originates ...

Memory’s Chorus: Stories We Tell and Sarah Polley’s Theory of Autobiography

Leah Anderst
December 2013
Feature Articles
Fig 1. Sarah Polley filming with a Super 8 camera in Stories We Tell Near the beginning of Sarah Polley’s newest film, Stories We Tell (2012), an autobiographical documentary about her family and her life h...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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