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    • In Memoriam: Miklós Jancsó (1921-2014)

      Kat Ellinger
      March 2014
      Feature Articles
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    • The Experimental Propagandist: Frank Capra and the Shape of Truth

      Richard Sowada
      January 2022
    • Heil Darling: a story of lips that haven’t laughed

      Pablo Gonçalo
      January 2022
    • The Night Shift: Woman as Outlaw Hero in The Man I Love

      Rob Nixon
      January 2022
    • Smooth Digital Reveries: On Proto-Vaporwave and The Flying Luna Clipper

      Dechlan Cochran
      January 2022
    • Promising Young Woman and the cinematic renegotiation of gender in rape-revenge

      Joy McEntee
      January 2022
    • Streaming paracinema: Charles Band, Full Moon Features and auteurism on third tier SVOD services

      Andrew Lynch and Alexa Scarlata
      January 2022
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    • Recovering the Phantom Limb: An Interview with Jennifer Reeder

      Kat Ellinger
      March 2019
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    • Pom Bunsermvicha interview: “Being part of a family“

      Maja Korbecka
      January 2022
    • Leaning into the Challenge: Interview with Scattered co-creators Logan Mucha and Kate Darrigan

      Stuart Richards
      January 2022
    • “The cinema remains alive when it is diverse”: Interview with Jean-Gabriel Périot

      Daniel Fairfax
      January 2022
    • Do you feel lonely standing here? A conversation with Na Jiazuo

      Łukasz Mańkowski
      January 2022
    • A Joyride through Technological Change: Interview with David Cox

      Dirk de Bruyn
      January 2022
    • Sunken Film: Bill Morrison Talks The Village Detective: a song cycle

      Andrew Northrop
      July 2021
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      Kazan, Elia

      Kat Ellinger
      December 2016
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      Jeremy Carr
      January 2022
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      Tom Cunliffe
      January 2022
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      Charles Fairbanks
      January 2022
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      Dan Golding
      July 2021
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      Jeremy Carr
      July 2021
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      Hal Young
      May 2021
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    • Marty Finally Comes to Bologna: Cinema Ritrovato XXXII

      Kat Ellinger
      October 2018
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    • Thessaloniki International Film Festival: Rewriting the Rules of the Game

      Maria Giovanna Vagenas
      February 2022
    • The Pivot to Asia: The 34th Tokyo International Film Festival

      Kohei Usuda
      February 2022
    • Come Together: The 59th Viennale

      Leonardo Goi
      January 2022
    • From White Clouds, Wild Delights: The 18th Golden Apricot Yerevan International Film Festival

      Carmen Gray
      January 2022
    • AFI FEST-AFM: The Perils of Online

      Bérénice Reynaud
      January 2022
    • Looking for Love at HitchCon 2021

      Amelia Leonard and Jacob Agius
      January 2022
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      Kat Ellinger
      December 2012
      Book Reviews
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    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021
    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by John Barrios

      Adrian Schober
      July 2021
    • Foraging in a Transforming Mediascape: Cinemas Dark and Slow in Digital India, by Lalitha Gopalan

      Megan Carrigy
      July 2021
    • Time Machines: After Kubrick: A Filmmaker’s Legacy, edited by Jeremi Szaniawski

      Joy McEntee
      May 2021
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    • G’day Comrade: Cecil Holmes’s Three in One (1956)

      Kat Ellinger
      April 2020
      CTEQ Annotations on Film
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    • Shockproof (Douglas Sirk, 1949): The Insanity of Romantic Desire

      Wheeler Winston Dixon
      May 2022
    • The Grotesque Loves of Jealousy, Italian Style (Ettore Scola, 1970)

      Tiia Kelly
      May 2022
    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022
    • Fritz Lang’s Spione (1928)

      Shari Kizirian
      May 2022
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Author Kat Ellinger

Kat Ellinger

Kat Ellinger is the Editor-in-Chief at Diabolique Magazine. She has also written for BFI, Senses of Cinema, Fangoria and Scream Magazine, and is the author of Daughters of Darkness (Auteur, 2018), and All the Colours of Sergio Martino (Arrow Films, 2018).

The Strange Colour of Your Body’s Tears

Vice and Vision: Magnifying Sergio Martino for The Strange Colour of Your Body’s Tears (2013)

Kat Ellinger
June 2018
Split/Screen Cattet/Forzani
The sequence when Barbara explodes on the glass body is like the flashback in The Strange Vice of Mrs Wardh. It’s a scene that really struck me and we tried to magnify it – not redo it because there’s no point,...
Curious Alice (1971)

The Curious Tale of Psychedelic Alice: Alice in Acidland (1969) and Curious Alice (1971)

Kat Ellinger
March 2018
Alice in Wonderland
The reason why a socially awkward, conservative Anglican Deacon and Oxford mathematician became a leading pop cultural icon in the swinging sixties is one of the most curious stories surrounding Alice in Wonder...
This Night I'll Possess Your Corpse

This Night I’ll Possess Your Corpse (Esta Noite Encarnarei no Teu Cadáver, José Mojica Marins, 1967)

Kat Ellinger
March 2017
Love Letters: 1967
Coffin Joe: cultural icon, counter-cultural statement, sadistic lord of carnival horror. Once seen, rarely forgotten, often underappreciated, Zé do Caixão (Coffin Joe is a loose English translation) was the cre...

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César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

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