• Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Great Actors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
Search
Senses of Cinema logo
  • Dossiers
  • Features
    Random
    • article placeholder

      Performing the Documentary, or Making It To the Other Bank

      Joseph Natoli
      July 2003
      Feature Articles
    Recent
    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
    • Bee and Bresson: Pickpocket and its Painting

      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
  • Interviews
    Random
    • “Can You Prefigure Reality?”: A Conversation with Christoph Hochhäusler on his new film, Bis ans Ende der Nacht (Till the End of the Night)

      Joseph Natoli
      August 2023
      Interviews
    Recent
    • An Interview with Giulio Bertelli

      Gary M. Kramer
      July 2026
    • Mahboobeh Kalaee: Creation as Antidote to Destruction during American and Israeli airstrikes

      Amanda Barbour
      July 2026
    • Time and Tide: In Conversation with Director Vee Shi and Cinematographer-Producer Nicholson Ren

      Tùng Bạch Đăng
      July 2026
    • Lee Anne Schmitt: An Anthropology of Americanism

      Arindam Sen
      July 2026
    • “What is a complete image of oil?”: An Interview with Sanaz Sohrabi

      Botagoz Koilybayeva
      July 2026
    • Interview with Pierre le Gall

      Gary M. Kramer
      July 2026
  • Great Directors
    Random
    • Chantal Akerman

      Akerman, Chantal

      Joseph Natoli
      February 2018
      Great Directors
    Recent
    • Ferrara, Abel

      Florian Zappe
      July 2026
    • Khavn

      Patrick F. Campos
      July 2026
    • Yuasa, Masaaki

      Nicholas Buccheri
      July 2026
    • Corbucci, Sergio

      Sherry Johnson
      May 2026
    • Fisher, Terence

      Steve Johnson
      January 2026
    • Dutt, Guru

      Ashish Dwivedi
      November 2025
  • Great Actors
    Random
    • Nicholson, Jack

      Joseph Natoli
      August 2024
      Great Actors
    Recent
    • Kuz’mina, Elena

      Tony Williams
      May 2026
    • Lindsay, Margaret

      Andy Hageman
      January 2026
    • Lavant, Denis

      Indigo Bailey
      November 2025
    • Swinton, Tilda

      Colette de Castro
      July 2025
    • Yeoh, Michelle

      Tony Williams
      May 2025
    • Gelovani, Mikheil

      Tony Williams
      May 2025
  • Festival Reports
    Random
    • Pan African Film Festival 2017

      Pan African Film Festival 2017

      Joseph Natoli
      June 2017
      Festival Reports
    Recent
    • Korean Cinephilia and Its Possible Futures: The 27th Jeonju International Film Festival

      Marc Raymond
      July 2026
    • What is the honour of cinema? – The 79th Cannes Film Festival

      Daichi Ogi
      July 2026
    • Coming of age does not happen overnight: IndieLisboa turns 23

      Susana Bessa
      July 2026
    • The hottest ticket in town: the 40th Il Cinema Ritrovato

      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
    • Sundance 2026: Watching on the go

      Botagoz Koilybayeva
      May 2026
  • Book Reviews
    Random
    • Trafic at 30, End of a Film Journal

      Joseph Natoli
      July 2022
      Book Reviews
    Recent
    • Feeling the Screen Story’s Pulse: Karen Peralman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
  • CTEQ
    Random
    • Wings of Desire

      Joseph Natoli
      March 2026
      CTEQ Annotations on Film
    Recent
    • Filmmaking at the end of the world: The Quiet Earth

      Gregory Bennett
      August 2026
    • Porno, Disco, and Summer of Sam: Spike Lee on Sexuality

      Desirae Embree
      July 2026
    • 4 Little Girls

      Darragh O’Donoghue
      July 2026
    • A Pedagogy of Resistance: From Double Consciousness to the Unified Self in Spike Lee’s Malcolm X

      Sandra E. Lim
      July 2026
    • 25th Hour

      Michael Green
      July 2026
    • School Daze-d and Confused

      Sebastian Carrasco
      July 2026
  • Support Senses
  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Latest
  • Past Issues
  • World Poll
  • Podcast
  • Advertisers
  • Proposals
  • Call for Contributions
  • Shop
  • Subscribe
more articles... more articles... more articles... more articles... more articles...

Author Joseph Natoli

Joseph Natoli

Joseph Natoli is the author of numerous books, the more recent of which are This is a Picture, and Not the World: Movies and a Post-9/11 America (Suny Press, 2007), Memory’s Orbit: Film & Culture 1999-2000, (Suny Press, 2003) and Postmodernism: The Key Figures (eds. Hans Bertens & Joseph Natoli, Blackwell, 2002).

“#Hashtag: Hunger Games Catches Fire, Audience Entertained”

Joseph Natoli
June 2014
Feature Articles
"The risk of a drift toward oligarchy is real and gives little reason for optimism." Thomas Piketty (1) "So what do you think, now that the whole world wants to sleep with you?" Hunger Games: Catching Fire...

Captain Phillips: Colliding with the Real

Joseph Natoli
December 2013
Feature Articles
"One of the most remarkable things about us is also one of the easiest to overlook: each time we collide with the real, we deepen our understanding of the world and become more fully a part of it." (1) There i...

“So Have Things Gone”: A Place Beyond the Pines

Joseph Natoli
July 2013
Feature Articles
"Life is short, art long, opportunity fleeting, experience treacherous, judgment difficult." –Hippocrates Manifold are thy shapings, Providence! Many a hopeless matter gods arrange. What we expected never c...

The Yet Unclaimed Baggage of Robert Zemeckis’ Flight

Joseph Natoli
December 2012
Feature Articles
In a mock recreation of the conditions in the air that pilot William “Whip” Whitaker, played by Denzel Washington in the film Flight (2012), faced, all of the ten tested crashed the plane and killed all aboard,...

The Artist: Mystification Beyond Artistry

Joseph Natoli
April 2012
Feature Articles
Joseph Natoli discusses the incongruous presence of a black and white, silent film evoking Hollywood’s “golden age” in an era of hi-tech culture that has displaced all that age represents.

Cowboys & Aliens: The Exhaustion of History & the Re-Genesis of Illusions

Joseph Natoli
October 2011
Feature Articles
Joseph Natoli digs into this genre-blending hybrid of a film, which inadvertently has much to say about America’s fading sense of history.

True Grit: Digerati Go Western? Millennials Go “Back in the Day”?

Joseph Natoli
March 2011
Feature Articles
Joseph Natoli ponders what history and the past mean in the age of social networking.

The America Endangered in The American: A Dark Allegory

Joseph Natoli
December 2010
Feature Articles
On the surface, Anton Corbijn’s film is a pared down tale of a professional gunsmith-for-hire adrift in Europe, but in Joseph Natoli’s allegorical reading the film also has its finger on the pulse of a conflicted and disorientated nation.

The Perils of Being Up in the Air

Joseph Natoli
April 2010
Feature Articles
Joseph Natoli dissects Jason Reitman’s Up in the Air as an allegory of the post-9/11 world. An allegory fraught with all manner of contradictions and paradoxes.

The Deep Morals of Inglourious Basterds

Joseph Natoli
September 2009
Feature Articles
Is Tarantino’s latest just another pastiche of postmodern cinéphilic references? Perhaps not. Joseph Natoli looks for the moral compass in the director’s blood soaked war saga.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

Staff Members

Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

Contributing Partner

Donate to Senses

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

 

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff