Hitting Rock Bottom: Representing Capital in Late Neoliberal Cinema Jensen Suther April 2020 Feature Articles The winner of this year’s Best Picture award at the Oscars was a South Korean film about class resentment, economic desperation, and the parasitic dependence of the upper social strata on our world’s basement d...
The Art of Murder: What We Have to Learn from The House That Jack Built Jensen Suther March 2019 Feature Articles I. The reception of Lars von Trier’s The House That Jack Built (2018) has, in effect, rendered the film nearly impossible to watch. Initial press reports focused exclusively on the nearly one-hundred walk-ou...