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      David Melville
      December 2011
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      Max Bowens & Candice Strongwater
      July 2026
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      Colette de Castro
      July 2026
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      Salvador Carrasco
      July 2026
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      Pritish Das
      July 2026
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      Leonard Schwartz
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      Jens Andermann
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      David Melville
      January 2021
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      Gary M. Kramer
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      Tùng Bạch Đăng
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      Arindam Sen
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      Botagoz Koilybayeva
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      David Melville
      May 2007
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      Patrick F. Campos
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      David Melville
      December 2017
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      Marc Raymond
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      Daichi Ogi
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
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      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      David Melville
      December 2009
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      Mark Seton
      July 2026
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      Ragib Rahman
      July 2026
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      Jiahan Olivia Lin
      July 2026
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      Wheeler Winston Dixon
      May 2026
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      Ashish Dwivedi
      May 2026
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      Scott Robinson
      May 2026
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      The Contiguous World of Luchino Visconti’s The Leopard (1963)

      David Melville
      February 2016
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      Darragh O’Donoghue
      September 2026
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      Kyle Sossamon
      September 2026
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      Ian Olney
      September 2026
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      Kristian Ramsden
      September 2026
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      Gregory Bennett
      August 2026
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      Desirae Embree
      July 2026
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Author David Melville

David Melville

David Melville teaches Film Studies and Literature for the University of Edinburgh Centre for Open Learning. He has a special interest in melodrama, fantasy fiction and the aesthetics of dreams.

The Strange Love of Martha Ivers

Open Game – Our Strange Love for Martha Ivers

David Melville
March 2016
CTEQ Annotations on Film
“You’re insane. You’re out of your mind. Me too! You see how close we are to each other?” - Kirk Douglas to Barbara Stanwyck in The Strange Love of Martha Ivers It is a dark and stormy night. The oldest and m...
L’Inhumaine film review

Remembering the Future: L’Herbier and L’Inhumaine

David Melville
September 2015
CTEQ Annotations on Film
‘On leaving the theatre one has the impression of having witnessed the birth of a new art.’- Adolf Loos What to say about a film that, ninety years on from its release, is still so far ahead of most of what ...

“Death Has No Master” – Roger Corman and The Masque of the Red Death

David Melville
May 2013
CTEQ Annotations on Film
There were delirious fancies such as the madman fashions. There were much of the beautiful, much of the wanton, much of the bizarre, something of the terrible, and not a little of what might have excited disgus...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

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Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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