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    • The Railway Man

      Bringing the War Back Home: An Interview with Jonathan Teplitzky on The Railway Man

      Dan Sallitt
      December 2013
      Feature Articles
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
    • Bee and Bresson: Pickpocket and its Painting

      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
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      Dan Sallitt
      July 2025
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      Gary M. Kramer
      July 2026
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      Amanda Barbour
      July 2026
    • Time and Tide: In Conversation with Director Vee Shi and Cinematographer-Producer Nicholson Ren

      Tùng Bạch Đăng
      July 2026
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      Arindam Sen
      July 2026
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      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      Dan Sallitt
      October 2004
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      Florian Zappe
      July 2026
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      Patrick F. Campos
      July 2026
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      Nicholas Buccheri
      July 2026
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      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Dan Sallitt
      May 2026
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      Andy Hageman
      January 2026
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      Indigo Bailey
      November 2025
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      Colette de Castro
      July 2025
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      Tony Williams
      May 2025
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      Tony Williams
      May 2025
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      Mark Lager
      November 2024
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      Dan Sallitt
      December 2012
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    • Korean Cinephilia and Its Possible Futures: The 27th Jeonju International Film Festival

      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
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      Susana Bessa
      July 2026
    • The hottest ticket in town: the 40th Il Cinema Ritrovato

      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
    • Sundance 2026: Watching on the go

      Botagoz Koilybayeva
      May 2026
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    • Innocence Lost: Darkness in the Bliss-Out:  A Reconsideration of the Films of Steven Spielberg, by James Kendrick 

      Dan Sallitt
      September 2014
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    • Feeling the Screen Story’s Pulse: Karen Peralman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
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    • Outrage (1950): Ida Lupino’s Vision of Rape Trauma

      Dan Sallitt
      October 2018
      CTEQ Annotations on Film
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    • Filmmaking at the end of the world: The Quiet Earth

      Gregory Bennett
      August 2026
    • Porno, Disco, and Summer of Sam: Spike Lee on Sexuality

      Desirae Embree
      July 2026
    • 4 Little Girls

      Darragh O’Donoghue
      July 2026
    • A Pedagogy of Resistance: From Double Consciousness to the Unified Self in Spike Lee’s Malcolm X

      Sandra E. Lim
      July 2026
    • 25th Hour

      Michael Green
      July 2026
    • School Daze-d and Confused

      Sebastian Carrasco
      July 2026
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Author Dan Sallitt

Dan Sallitt

Dan Sallitt is an American critic and filmmaker.

Cinephilia and Technology

Dan Sallitt
May 2021
What Will Become of Cinema? Postcards for the Future
When I first fell in love with the cinema at age 17, I was primarily interested in classic Hollywood films, and my main sources of access were independent television networks that filled the gaps in their sched...

Too Big to Fail: The 34th Toronto International Film Festival

Dan Sallitt
December 2009
Festival Reports
Firmly established as the pre-eminent film event in North America, the Toronto International Film Festival (TIFF) seems less compromised than comfortable. Rumours of a few years ago that TIFF was cutting back o...
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The Responsibilities of Power: The 32nd Toronto International Film Festival

Dan Sallitt
November 2007
Festival Reports
6-15 September 2007 Each year, the Toronto International Film Festival (TIFF) seems a little grander, more populated, more aware of its world-class status. Good planning and the Herculean effort of an ar...
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Towards World Domination: The 30th Toronto International Film Festival

Dan Sallitt
February 2006
Festival Reports
September 8–17, 2005 Returning to the Toronto Film Festival after missing last year’s event, I noticed that the enterprise had moved a few more notches toward world domination. North American filmgoers c...
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My Own Private Toronto: The 2003 Toronto Film Festival

Dan Sallitt
December 2003
Festival Reports
The gap between the public face of the Toronto Film Festival and the experience of festival-goers continues to widen. Improbably enough, mild-mannered Toronto has come to signify movie stars and red carpets...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

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