• Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Great Actors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
Search
Senses of Cinema logo
  • Dossiers
  • Features
    Random
    • Cinema and the Classroom: Education in the Work of Eric Rohmer

      Dan Sallitt
      April 2010
      Eric Rohmer Dossier, Feature Articles, Special Dossiers
    Recent
    • Port of Dreams, Portals of Displacement: Angela Schanelec’s Marseille and the Narrative Cinema of Exile

      Arielle Friend
      May 2025
    • The Straight Shooter: Reassessing David Lynch’s The Straight Story

      Salvador Carrasco
      May 2025
    • The Fluidity of Muxe Identity in El secreto del río

      Malinalli López Arreguín
      May 2025
    • Kiarostami’s Way: The Art of Return

      Alborz Mahboobkhah
      May 2025
    • David Lynch Obituary

      Alexia Kannas
      January 2025
    • Making Mandalas: Illusion and Cinematic Introspection in Kore-eda Hirokazu’s Monster

      Yiju Huang
      January 2025
  • Interviews
    Random
    • “I like characters who can’t express themselves sometimes”: An Interview with Kazik Radwanski

      Dan Sallitt
      May 2024
      Interviews
    Recent
    • Changing the narrative, with Naser Shakhtour

      Amanda Barbour
      May 2025
    • An Interview with Alireza Khatami

      Gary M. Kramer
      May 2025
    • What We Lose Without a Moral Compass: An Interview with Bohdan Sláma about Shadow Country and his recent movies

      Hamed Sarrafi
      May 2025
    • An Interview Miguel Gomes about his short films

      Shan Tong
      May 2025
    • An Interview with Florian Pochlatko about his debut How to Be Normal and the Oddness of the Other World

      Gary M. Kramer
      May 2025
    • “In the End, There is No Black Body On the Floor:” An Interview with Anna Muylaert

      Gerd Gemünden & Silvia Spitta
      May 2025
  • Great Directors
    Random
    • Benning, Sadie

      Dan Sallitt
      October 2003
      Great Directors
    Recent
    • Zetterling, Mai

      Eli Vannata
      November 2024
    • Guzmán, Patricio

      Matt Losada
      August 2024
    • Box, Muriel

      Melanie Williams
      August 2024
    • Aleksandrov, Grigori Vasilyevich

      Tony Williams
      August 2024
    • Greenaway, Peter

      Sherry Johnson
      May 2024
    • Dalianidis, Yannis

      Frankie Kanatas
      January 2024
  • Great Actors
    Random
    • Garbo, Greta

      Dan Sallitt
      May 2022
      Great Actors
    Recent
    • Yeoh, Michelle

      Tony Williams
      May 2025
    • Gelovani, Mikheil

      Tony Williams
      May 2025
    • Delon, Alain

      Mark Lager
      November 2024
    • Nicholson, Jack

      Jaimey Fisher
      August 2024
    • Taylor, Elizabeth

      Gabrielle Stecher
      November 2023
    • Stanwyck, Barbara

      Eloise Ross
      August 2023
  • Festival Reports
    Random
    • The Unspeakable finds Voice: The 48th International Film Festival Rotterdam

      Dan Sallitt
      March 2019
      Festival Reports
    Recent
    • Abstracted and Emotional Architectures – IFFR 2025

      Dirk de Bruyn
      May 2025
    • A Long Look at Shorts: Beijing International Short Film Festival 2024

      Zifei Wang
      May 2025
    • Not Shy… But a Little Coy, All the Same: A Panoramic View of the 75th Berlinale and 39th Teddies

      Cerise Howard
      May 2025
    • Identity, Displacement and Perspective: The Black Europe Film Festival of Minneapolis/Saint Paul

      Vanessa Nyarko
      May 2025
    • A Changing of the Guard? Some Thoughts on New German Films at the 75th International Berlin Film Festival

      Marco Abel
      May 2025
    • Dreams and Nightmares: The 2025 Berlinale

      Daniel Fairfax
      May 2025
  • Book Reviews
    Random
    • Reagan at the Movies: Make My Day: Movie Culture in the Age of Reagan, by J. Hoberman

      Dan Sallitt
      July 2020
      Book Reviews
    Recent
    • More Perspiration than Aspiration: The Last Action Heroes, by Nick de Semlyen

      Tony McKibbin
      May 2025
    • Stepping on the Laugh: Grégoire Halbout’s Hollywood Screwball Comedy

      Scott Robinson
      May 2025
    • Phillip Lopate’s Second Affair with Art House Cinema

      Troy Michael Bordun
      May 2025
    • Buried Treasures: Silver Screens and Golden Dreams: A Social History of Burmese Cinema, by Jane M. Ferguson

      Duncan Caillard
      January 2025
    • Unsettling Relations in Janice Loreck’s Provocations in Women’s Filmmaking

      Tiia Kelly
      January 2025
    • A Title Announcing a Review: A Complicated Passion: The Life and Work of Agnès Varda, by Carrie Rickey

      Wheeler Winston Dixon
      January 2025
  • CTEQ
    Random
    • India: Matri Bhumi

      Dan Sallitt
      March 2025
      CTEQ Annotations on Film
    Recent
    • Iron and Steele – The Pit and the Pendulum

      David Melville
      May 2025
    • Corpse Bride: The Horrible Dr. Hichcock

      Ian Olney
      May 2025
    • Lemmings: Tale 1: Arcadia

      John Hill
      April 2025
    • The Cruelty of Time: Amour

      Alex Williams
      April 2025
    • Cinema of Reflexivity: Hegemonic Masculinity and the Logic of Terror in Haneke’s The White Ribbon

      Sandra E. Lim
      March 2025
    • The Honeymoon Killers

      Martyn Bamber
      March 2025
  • Support Senses
  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Latest
  • Past Issues
  • World Poll
  • Podcast
  • Advertisers
  • Proposals
  • Call for Contributions
  • Shop
  • Subscribe
more articles... more articles... more articles... more articles... more articles...

Author Dan Sallitt

Dan Sallitt

Dan Sallitt is an American critic and filmmaker.

Cinephilia and Technology

Dan Sallitt
May 2021
What Will Become of Cinema? Postcards for the Future
When I first fell in love with the cinema at age 17, I was primarily interested in classic Hollywood films, and my main sources of access were independent television networks that filled the gaps in their sched...

Too Big to Fail: The 34th Toronto International Film Festival

Dan Sallitt
December 2009
Festival Reports
Firmly established as the pre-eminent film event in North America, the Toronto International Film Festival (TIFF) seems less compromised than comfortable. Rumours of a few years ago that TIFF was cutting back o...
article placeholder

The Responsibilities of Power: The 32nd Toronto International Film Festival

Dan Sallitt
November 2007
Festival Reports
6-15 September 2007 Each year, the Toronto International Film Festival (TIFF) seems a little grander, more populated, more aware of its world-class status. Good planning and the Herculean effort of an ar...
article placeholder

Towards World Domination: The 30th Toronto International Film Festival

Dan Sallitt
February 2006
Festival Reports
September 8–17, 2005 Returning to the Toronto Film Festival after missing last year’s event, I noticed that the enterprise had moved a few more notches toward world domination. North American filmgoers c...
article placeholder

My Own Private Toronto: The 2003 Toronto Film Festival

Dan Sallitt
December 2003
Festival Reports
The gap between the public face of the Toronto Film Festival and the experience of festival-goers continues to widen. Improbably enough, mild-mannered Toronto has come to signify movie stars and red carpets...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

Staff Members

Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Nace Zavrl

Contributing Partner

Donate to Senses

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

 

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff