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      More than Meets the Eye: The Mediation of Affects in Jane Campion's Sweetie

      Christos Tsiolkas
      December 1999
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    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
    • The New-Ark: trying to disavow anti-blackness

      Andrew Brooks
      October 2020
    • Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020
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      Steffanie Ling
      October 2020
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      Christos Tsiolkas
      March 2019
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      Sucheta Chakraborty
      January 2021
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      Leonardo Goi
      January 2021
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      Stuart Richards
      January 2021
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      Marc Raymond
      January 2021
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      Saige Walton
      January 2021
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      Kohei Usuda
      January 2021
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      The Decline of Sentiment: American Film in the 1920s by Lea Jacobs

      Christos Tsiolkas
      April 2009
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    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
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      Wheeler Winston Dixon
      January 2021
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      Eric Gudas
      January 2021
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      Tom Ryan
      January 2021
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      Karthick Ram Manoharan
      January 2021
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      Daniel Fairfax
      October 2020
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      Christos Tsiolkas
      March 2019
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      David Melville
      October 2020
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      Darragh O’Donoghue
      October 2020
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      Donovan Renn
      October 2020
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      David Heslin
      October 2020
    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020
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      Martyn Bamber
      October 2020
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      Christos Tsiolkas
      October 2003
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      Jeremy Carr
      October 2020
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      Brendan Black
      October 2020
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      Adrian Schober
      April 2020
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      Abel Muñoz Hénonin
      April 2020
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author Christos Tsiolkas

Christos Tsiolkas

Christos Tsiolkas is a novelist, playwright, critic and screenwriter. His novels include Loaded, Dead Europe and The Slap. He has been a passionate cineaste since Ivan Hutchinson led him through the looking glass when he was just a little boy.

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Bad Australian Cinema, or How Watching One Perfect Day Made Me Want to Make a Bomb

Christos Tsiolkas
April 2004
Australian Cinema
Just what do recent Australian feature films amount to? According to Tsiolkas, bar an exception or two, not very much at all, leaving him with only a call to action.
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The Atheist’s Shoah – Roman Polanski’s The Pianist

Christos Tsiolkas
May 2003
Feature Articles
An analysis of Polanski's film in light of the question: can narrative cinema, with sensitivity and vision, conjure the complexity of history and, specifically, the "unspeakable" tragedy of the Holocaust?
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11’09”01- September 11: The Rest is Silence

Christos Tsiolkas
January 2003
Feature Articles
Whilst appraising each episode and pointing to this film's unevenness, Christos argues overall for the importance of aesthetic responses to global political events like September 11.
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Through Clouds: A Discussion of Kandahar and Beneath Clouds

Christos Tsiolkas
May 2002
Feature Articles
A revealing, perceptive contrast of two recent 'road movies' from different sides of the globe.
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Meet John Cassavetes

Christos Tsiolkas
September 2001
Book Reviews
A review of Ray Carney's recent books on Cassavetes and a heartfelt homage to the director.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

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