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      Carlo Di Palma: An Appreciation and a Remembrance

      Chris Carter
      October 2004
      Feature Articles
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    • Port of Dreams, Portals of Displacement: Angela Schanelec’s Marseille and the Narrative Cinema of Exile

      Arielle Friend
      May 2025
    • The Straight Shooter: Reassessing David Lynch’s The Straight Story

      Salvador Carrasco
      May 2025
    • The Fluidity of Muxe Identity in El secreto del río

      Malinalli López Arreguín
      May 2025
    • Kiarostami’s Way: The Art of Return

      Alborz Mahboobkhah
      May 2025
    • David Lynch Obituary

      Alexia Kannas
      January 2025
    • Making Mandalas: Illusion and Cinematic Introspection in Kore-eda Hirokazu’s Monster

      Yiju Huang
      January 2025
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    • Closing the Gap Between Self and Self: A Conversation with Nina Menkes

      Chris Carter
      May 2022
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    • Changing the narrative, with Naser Shakhtour

      Amanda Barbour
      May 2025
    • An Interview with Alireza Khatami

      Gary M. Kramer
      May 2025
    • What We Lose Without a Moral Compass: An Interview with Bohdan Sláma about Shadow Country and his recent movies

      Hamed Sarrafi
      May 2025
    • An Interview Miguel Gomes about his short films

      Shan Tong
      May 2025
    • An Interview with Florian Pochlatko about his debut How to Be Normal and the Oddness of the Other World

      Gary M. Kramer
      May 2025
    • “In the End, There is No Black Body On the Floor:” An Interview with Anna Muylaert

      Gerd Gemünden & Silvia Spitta
      May 2025
  • Great Directors
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    • Armstrong, Gillian

      Chris Carter
      October 2002
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      Eli Vannata
      November 2024
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      Matt Losada
      August 2024
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      Melanie Williams
      August 2024
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      Tony Williams
      August 2024
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      Sherry Johnson
      May 2024
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      Frankie Kanatas
      January 2024
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      Chris Carter
      January 2022
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      Tony Williams
      May 2025
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      Tony Williams
      May 2025
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      Mark Lager
      November 2024
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      Jaimey Fisher
      August 2024
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      Gabrielle Stecher
      November 2023
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      Eloise Ross
      August 2023
  • Festival Reports
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    • Five Metaphors for a Film Festival: The 56th Sydney Film Festival

      Chris Carter
      December 2009
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    • Abstracted and Emotional Architectures – IFFR 2025

      Dirk de Bruyn
      May 2025
    • A Long Look at Shorts: Beijing International Short Film Festival 2024

      Zifei Wang
      May 2025
    • Not Shy… But a Little Coy, All the Same: A Panoramic View of the 75th Berlinale and 39th Teddies

      Cerise Howard
      May 2025
    • Identity, Displacement and Perspective: The Black Europe Film Festival of Minneapolis/Saint Paul

      Vanessa Nyarko
      May 2025
    • A Changing of the Guard? Some Thoughts on New German Films at the 75th International Berlin Film Festival

      Marco Abel
      May 2025
    • Dreams and Nightmares: The 2025 Berlinale

      Daniel Fairfax
      May 2025
  • Book Reviews
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    • The Confessions of a Justified Filmgoer

      Chris Carter
      March 2013
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    • Stepping on the Laugh: Grégoire Halbout’s Hollywood Screwball Comedy

      Scott Robinson
      May 2025
    • More Perspiration than Aspiration: The Last Action Heroes, by Nick de Semlyen

      Tony McKibbin
      May 2025
    • Phillip Lopate’s Second Affair with Art House Cinema

      Troy Michael Bordun
      May 2025
    • Buried Treasures: Silver Screens and Golden Dreams: A Social History of Burmese Cinema, by Jane M. Ferguson

      Duncan Caillard
      January 2025
    • Unsettling Relations in Janice Loreck’s Provocations in Women’s Filmmaking

      Tiia Kelly
      January 2025
    • A Title Announcing a Review: A Complicated Passion: The Life and Work of Agnès Varda, by Carrie Rickey

      Wheeler Winston Dixon
      January 2025
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    • The Woman Suffers: South Australia’s greatest film production

      Chris Carter
      September 2023
      CTEQ Annotations on Film
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    • Iron and Steele – The Pit and the Pendulum

      David Melville
      May 2025
    • Corpse Bride: The Horrible Dr. Hichcock

      Ian Olney
      May 2025
    • Lemmings: Tale 1: Arcadia

      John Hill
      April 2025
    • The Cruelty of Time: Amour

      Alex Williams
      April 2025
    • Cinema of Reflexivity: Hegemonic Masculinity and the Logic of Terror in Haneke’s The White Ribbon

      Sandra E. Lim
      March 2025
    • The Honeymoon Killers

      Martyn Bamber
      March 2025
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Author Chris Carter

Chris Carter

Chris Carter is a PhD candidate in Film, Screen & Animation, Creative Industries Faculty, Queensland University of Technology Brisbane, Australia.

An Analysis of the Character Animation in Disney’s Tangled

Chris Carter
July 2013
Feature Articles
Introduction In the short time since PIXAR Animation created the first 3D computer animated feature film, Toy Story (John Lasseter, 1995), 3D computer graphics (CG) have replaced the classical 2D realist styli...

Re-Imagining Animation: The Changing Face of the Moving Image by Paul Wells and Johnny Hardstaff

Chris Carter
December 2010
Book Reviews
Advances in digital technology have caused a radical shift in moving image culture. This has occurred in both modes of production and sites of exhibition, resulting in a blurring of boundaries that previously d...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Nace Zavrl

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