Author Bérénice Reynaud

Sundance 2022 espoused the to and fro of the volatile situation of the pandemic. The Festival was supposed to be hybrid: each film afforded several in-person screenings, duplicated by one remote screening for e...

The Perils November 2021: as I prepare, confident in my virtual screening accreditation, to make my film selection for the AFI Fest, a bad surprise is in store for me: virtual screenings represent only a fract...

I From the comfort of my home, and the peace of my computer, I didn’t miss the long lines in the cold, or my shoes soaked in dirty snow, nor did I miss the crowded trips in the shuttles fighting week-end traff...

AFI FEST Presented by Audi Two Invisible Wars Ensconced in the mountains of the Southern Caucasus, a disputed breakaway enclave within Azerbaijan, the small republic of Artsakh (formerly Nagorno-Karabakh) is...

The label of “auteur cinema”, whether poetic or political, is often the cloak under which African cinema is “discovered” and appreciated. We know the canon: Ousmane Sembene, Souleymane Cissé, Med Hondo, Djibril...

I believe in ghosts, vampires and public employees That a certain morning fly away from their houses. Because I am a man in love. — Luis Caicedo Places of Anger and Desire Female directors provided rewardi...

What are you looking at when you’re looking at me? As Sundance may be one of the last film festivals I will cover for a while, maybe it is a good time to probe what a festivalgoer’s pleasure is made of. 1. Do...

The Grain of the Real Always the champion of the most cutting-edge documentaries from Asia, the Vancouver International Film Festival (VIFF) presented two remarkable films by young Chinese women, which, albeit...

The Voice in the Church For the opening night of its 27th edition at the Directors Guild of America, the PanAfrican Art and Film Festival (PAFF), landed quite a coup by organising, a week before its internatio...

The Warden and the Young Man In 2012, Ava DuVernay made history by becoming the first black woman filmmaker to get a major award at Sundance. Since then, she has continued to change the way African American wo...

On Oct 30, the day before the American Film Market opened in Santa Monica, the Asian Society of Southern California had organised the US-China Entertainment Summit at the Skirball Center, allowing the speakers ...

Beyond the Great (Digital) Divide Posited at both ends of the aesthetic spectrum (French auteur cinema versus Sundance alum), Doubles Vies (Non-Fiction) and Can You Ever Forgive Me? engage in a conversation ab...