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    • Aesthetic Nationalism in English-Canadian Cinema

      Trevor Mowchun
      December 2013
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    • Occupied Territory and Abolitionist Freeze Frames: Haile Gerima’s Bush Mama

      David Grundy
      July 2021

    • The Black And White Epic No Budget Digital Feature Film

      Rob Nilsson
      July 2021

    • A Cocktail of Lunacy and Love: Poetic Dimensions in Fabrice Du Welz’s “Ardennes” Trilogy

      Peter Verstraten
      July 2021

    • Collectif Jeune Cinéma at 50: A Subjective Conversation

      Raphaël Bassan, Théo Deliyannis and Viviane Vagh
      July 2021

    • Favouritism In The Field of Vision: Yorgos Lanthimos’ The Favourite

      Cam Scott
      July 2021

    • Too Soon, Too Late: The Temporality of Ecological Grief in Cinema

      Kasia Van Schaik
      July 2021
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    • Rome, Open City: A Conversation with Abel Ferrara

      Trevor Mowchun
      July 2019
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    • Sunken Film: Bill Morrison Talks The Village Detective: a song cycle

      Andrew Northrop
      July 2021

    • An Interview with the late Monte Hellman (1929-2021)

      Wheeler Winston Dixon
      July 2021

    • “I Myself am a Woman”: A Conversation with Han Shuai

      Maja Korbecka
      July 2021

    • Daydreaming Through Boundaries: A Conversation with Queena Li

      Łukasz Mańkowski
      May 2021

    • Ecofeminism With Marwa Arsanios

      Madeleine Collier
      May 2021

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      Justice Ayowale Whitaker
      May 2021
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      Trevor Mowchun
      July 2004
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      July 2021

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      Hal Young
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      William “Bill” Blick
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      Jeremy Carr
      October 2020
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      High Anxiety: The 41st Hong Kong International Film Festival

      Trevor Mowchun
      June 2017
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    • Towards New Horizons: The 74th Locarno Film Festival

      Maria Giovanna Vagenas
      October 2021

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      Alexandra Heller-Nicholas
      October 2021

    • Time Capsules: Manfred Kirchheimer at Play-Doc 2021

      Iván Villarmea Álvarez
      October 2021

    • 35th Cinema Ritrovato Inhabits Bologna with Joy and Pride

      Roger Macy
      October 2021

    • An Enclave for Chinese Art Cinema: The 13th Xining First International Film Festival

      Zhaoyu Zhu and Jiakai Nie
      October 2021

    • Alberto Lattuada at the 74th Locarno Film Festival

      Sofie Cato Maas
      October 2021
  • Book Reviews
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    • Cinema, the Art of Artificial Darkness: Artificial Darkness: An Obscure History of Modern Art and Media, by Noam Elcott

      Trevor Mowchun
      June 2018
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    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021

    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by John Barrios

      Adrian Schober
      July 2021

    • Foraging in a Transforming Mediascape: Cinemas Dark and Slow in Digital India, by Lalitha Gopalan

      Megan Carrigy
      July 2021

    • Time Machines: After Kubrick: A Filmmaker’s Legacy, edited by Jeremi Szaniawski

      Joy McEntee
      May 2021

    • The Politics of Ambiguity: After Authority: Global Art Cinema and Political Transition, by Kalling Heck

      Jennifer Ruth
      May 2021

    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
  • CTEQ
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    • “Death Has No Master” – Roger Corman and The Masque of the Red Death

      Trevor Mowchun
      May 2013
      CTEQ Annotations on Film
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    • The Strange Beast: Tropical Malady (Apichatpong Weerasethakul, 2004)

      Donovan Renn
      June 2021

    • Anthems and Illusions: On a Few Shorts By Apichatpong Weerasethakul

      Brian Darr
      June 2021

    • His Particle, Somewhere: Mekong Hotel (Apichatpong Weerasethakul, 2012)

      Duncan Caillard
      June 2021

    • Blissfully Yours (Apichatpong Weerasethakul, 2002)

      Thomas Moran
      June 2021

    • Worldly Desires (Apichatpong Weerasethakul, 2005)

      Darragh O’Donoghue
      June 2021

    • Not so unknown after all: Jean Cocteau: Autoportrait d’un inconnu (Autobiography of an Unknown) (Edgardo Cozarinsky, 1983)

      Jytte Holmqvist
      June 2021
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Author Trevor Mowchun

Trevor Mowchun

Trevor Mowchun is currently working on a Masters in Film Studies at Concordia University in Montreal. Forthcoming is a short book on the poetics of human finitude called The Folds of Wakefulness.

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Dreaming in Words: Gertrud

Trevor Mowchun
May 2008
CTEQ Annotations on Film
Gertrud (1964 Denmark 115 mins) Prod Co: Palladium Film Prod: Jørgen Nielson Dir: Carl Theodor Dreyer Scr: Carl Theodor Dreyer, based on the play by Hjalmar Söderberg Phot: Henning Bendtsen Ed: Edith Sch...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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César Albarrán-Torres • Amanda Barbour • Michelle Carey • Daniel Fairfax • Fiona Villella

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