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    • Rules of the Game: Watching the World Cup Final in a Tehran Cinema

      Arthur Rankin
      October 2010
      Feature Articles
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    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
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      Laleen Jayamanne
      January 2023
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      Bruce Jackson
      January 2023
    • More than Mimicry: On Puppets and Interdependency in Annette and The Double Life of Véronique

      Indigo Bailey
      January 2023
    • After Structural Film: The Conceptual films of Morgan Fisher

      Arindam Sen
      January 2023
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      Dirk de Bruyn
      January 2023
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      Arthur Rankin
      March 2019
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      Maria Giovanna Vagenas
      March 2023
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      Tara Judah
      January 2023
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      Maria Giovanna Vagenas
      January 2023
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      Toby Wu
      January 2023
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      David A. Gerstner
      January 2023
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      Arindam Sen
      January 2023
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      Arthur Rankin
      February 2007
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      Sherry Johnson
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      Giampiero Frasca
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      Jeremy Carr
      October 2022
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      Hal Young
      October 2022
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      Sara Delshad
      October 2022
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      Sanya Osha
      May 2022
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      Arthur Rankin
      May 2022
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      Jacob Agius
      October 2022
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      Joy McEntee
      May 2022
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      Wheeler Winston Dixon
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      Mark Lager
      May 2022
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      Jessica Balanzategui
      January 2022
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      The 13th Clermont­Ferrand International Short Film Festival

      Arthur Rankin
      April 2001
      Festival Reports
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    • Fire Within: The 60th Viennale

      Leonardo Goi
      January 2023
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      Kohei Usuda
      January 2023
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      Marc Raymond
      January 2023
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      Glenn D'Cruz
      January 2023
    • All the Pain and Exploitation: 66th London Film Festival

      Tara Judah
      January 2023
    • BABY, THE RAIN MUST FALL … on the Claude Sautet retrospective at the 70th San Sebastian International Film Festival

      Neil Young
      January 2023
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    • A Cinema of Poetry book review

      Between Poetry and Film: A Cinema of Poetry: Aesthetics of the Italian Art Film by Joseph Luzzi

      Arthur Rankin
      June 2015
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    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
    • Dennis Lim’s Tale of Cinema: A Meta-Monograph

      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
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      Corey P. Cribb
      October 2022
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      Emmanuel Bonin
      July 2022
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      The Wold Shadow

      Arthur Rankin
      July 2004
      CTEQ Annotations on Film
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    • CYCLO (Tran Anh Hung, 1995)

      Andrew Le
      April 2023
    • Pickpocket (Robert Bresson, 1959)

      Emma Fajgenbaum
      March 2023
    • I Remember: Amarcord (Federico Fellini, 1973)

      Jacob Agius
      February 2023
    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
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Author Arthur Rankin

Arthur Rankin

Arthur Rankin teaches in the Department of Arts, English, and Humanities, Louisiana State University at Alexandria.

Identity in Elia Kazan’s Splendor in the Grass

Arthur Rankin
March 2012
CTEQ Annotations on Film
Elia Kazan’s Splendor in the Grass (1961) concerns the problems encountered by two teenagers – Wilma Dean (“Deanie”) Loomis (Natalie Wood) and Bud Stamper (Warren Beatty) – living in Kansas at the end of the 19...
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The Child Archetype in Ingmar Bergman’s Fanny and Alexander

Arthur Rankin
March 2009
CTEQ Annotations on Film
Fanny and Alexander (1982 Sweden/France/West Germany 188 mins) Prod Co: Cinematograph Prod: Jörn Donner Dir, Scr: Ingmar Bergman Phot: Sven Nykvist Ed: Sylvia Ingemarsson Art Dir: Anna Asp Mus: Daniel Be...
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Power and the Mythic Gaze in Fritz Lang’s Dr. Mabuse, der Spieler

Arthur Rankin
August 2008
CTEQ Annotations on Film
Dr. Mabuse, der Spieler (1922 Germany 270 mins) Prod Co: Uco-Film GmbH Prod: Erich Pommer Dir: Fritz Lang Scr: Thea von Harbou, based on the novel by Norbert Jacques Phot: Carl Hoffmann Art Dir: Otto Hun...
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Painterly Moments in Roman Polanski’s Tess

Arthur Rankin
March 2008
CTEQ Annotations on Film
Tess (1979 France/UK 177 mins) Prod Co: Renn/Burrill Prod: Claude Berri Dir: Roman Polanski Scr: Roman Polanski, Gerard Brach, John Brownjohn based on the novel Tess of the d’Urbervilles by Thomas Hardy ...
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Tendentious Innocence: Chaplin’s Use of Doubling in City Lights and The Idle Class

Arthur Rankin
November 2007
Feature Articles
Insightful reading of Chaplin’s cinema in the light of Freud’s ideas in his Jokes and Their Relation to the Unconscious.

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