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      the editors
      May 2023
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      Alexia Kannas
      January 2025

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      Yiju Huang
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      Richard L. MacDonald
      January 2025

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      Jeremi Szaniawski
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      Rob Nixon
      November 2024

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      Donald Brackett
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      Botagoz Koilybayeva
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      Hamed Sarrafi
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      the editors
      October 2003
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      Eli Vannata
      November 2024

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      Matt Losada
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      Melanie Williams
      August 2024

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      Tony Williams
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      Sherry Johnson
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      the editors
      May 2023
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      Mark Lager
      November 2024

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      Jaimey Fisher
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      Gabrielle Stecher
      November 2023

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      Eloise Ross
      August 2023

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      Jacob Agius
      October 2022

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      Joy McEntee
      May 2022
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      the editors
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      Nolan Kelly
      January 2025

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      Nasheed Qamar Faruqi
      January 2025

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      Joshua Bogatin
      January 2025

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      Olivia Popp
      January 2025

    • In Search of Audiences: The 65th Thessaloniki International Film Festival

      Petro Alexiou
      January 2025

    • “Art is Alive, Independent and Political”: Georgian cinema in Kutaisi and Tallinn

      Carmen Gray
      January 2025
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      the editors
      December 2009
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    • Buried Treasures: Silver Screens and Golden Dreams: A Social History of Burmese Cinema, by Jane M. Ferguson

      Duncan Caillard
      January 2025

    • Unsettling Relations in Janice Loreck’s Provocations in Women’s Filmmaking

      Tiia Kelly
      January 2025

    • A Title Announcing a Review: A Complicated Passion: The Life and Work of Agnès Varda, by Carrie Rickey

      Wheeler Winston Dixon
      January 2025

    • Her, To a Great Extent, Shared: On Marguerite Duras’s My Cinema

      Hannah Bonner
      November 2024

    • Annals of Light in Hannah Goodwin’s Stardust: Cinematic Archives at the End of the World

      M. Sellers Johnson
      November 2024

    • Reverse Shot: Twenty Years of Film Criticism in Four Movements: The Way of the Dinosaur

      Tony McKibbin
      November 2024
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      the editors
      June 2011
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      John Hill
      April 2025

    • The Cruelty of Time: Amour

      Alex Williams
      April 2025

    • Cinema of Reflexivity: Hegemonic Masculinity and the Logic of Terror in Haneke’s The White Ribbon

      Sandra E. Lim
      March 2025

    • The Honeymoon Killers

      Martyn Bamber
      March 2025

    • Chinatown

      Alexia Kannas
      March 2025

    • Just Good Friends, or “It’s OK with me”: Robert Altman and The Long Goodbye

      Adrian Danks
      March 2025
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Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Nace Zavrl

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