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    • No Country for Old Men, Visual Regime, Mental Image and Narrative Slowness

      the editors
      October 2011
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      Mark Lager
      May 2021

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      Robert Alpert
      May 2021

    • Boy with Flag and Black British experience in Akomfrah’s Handsworth Songs and McQueen’s Red, White and Blue

      Thomas Austin
      May 2021

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      Adam Wyatt
      May 2021

    • “Cinematic Comrades”: Bong Joon-ho’s Auteurism and Song Kang-ho’s Performance

      Nandana Bose
      May 2021

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      Salvador Carrasco
      May 2021
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      "Monologue is my preferred means of discourse." A Bricolage Interview with Richard Wolstencroft in absentia

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      Madeleine Collier
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      Tara Judah
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      Maria Giovanna Vagenas
      May 2021

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      Carmen Gray
      May 2021

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      Bérénice Reynaud
      May 2021

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      Josh Hartnett Definitely Wants to Do This…: True Stories from a Life in the Screen Trade by Bruce Beresford

      the editors
      March 2008
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      Joy McEntee
      May 2021

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      Jennifer Ruth
      May 2021

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      Holly Willis
      January 2021

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      Wheeler Winston Dixon
      January 2021

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      Eric Gudas
      January 2021

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      the editors
      March 2019
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      Andrew Brooks
      April 2021

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      Eloise Ross
      April 2021

    • Shimizu Redivivus: Nakinureta haru no onna yo (A Woman Crying in Spring, Hiroshi Shimizu, 1933)

      Joseph Sgammato
      April 2021

    • Pit Stop: Billy Wilder’s Mauvaise graine (1934)

      Adrian Danks
      April 2021

    • “This is You, You Bastards”: Ace in the Hole (1951)

      Deborah Allison
      April 2021

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      Karli Lukas
      April 2021
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    • Hodges, Mike

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      July 2006
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      Hal Young
      May 2021

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      Isabella Mahoney
      May 2021

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      William “Bill” Blick
      May 2021

    • Scott, Tony

      Jeremy Carr
      October 2020

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      Brendan Black
      October 2020

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      Adrian Schober
      April 2020
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Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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