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      Saër Maty Bâ
      September 2013
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      Thomas Austin
      May 2023
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      Peter Verstraten
      May 2023
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      Santasil Mallik
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      Khatuna Maisashvili
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      Laleen Jayamanne
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      Saër Maty Bâ
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      Saër Maty Bâ
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      Sian Mitchell
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      Carmen Gray
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      Will DiGravio
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      Tara Judah
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      Jay Kuehner
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      Bérénice Reynaud
      May 2023
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      Film Curatorship: Archives, Museums, and the Digital Marketplace edited by Paolo Cherchi Usai, David Francis, Alexander Horwath and Michael Loebenstein

      Saër Maty Bâ
      July 2010
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      Holly Willis
      May 2023
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      Sam Woolfe
      May 2023
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      Abel Muñoz Hénonin
      January 2023
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      Marc Raymond
      January 2023
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      Pujita Guha
      January 2023
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      Tom Boniface-Webb
      October 2022
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      A City of Sadness

      Saër Maty Bâ
      May 2003
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      Jacob Agius
      May 2023
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      Alex Williams
      May 2023
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      Amelia Leonard
      May 2023
    • Goodbye, Dragon Inn (Tsai Ming-liang, 2003)

      Andrew Le
      May 2023
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      Digby Houghton
      May 2023
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      Jessica Balanzategui
      May 2023
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Author Saër Maty Bâ

Saër Maty Bâ

Dr Saër Maty Bâ is a Teaching Fellow of Film at the University of St Andrews where he convenes modules in Film History, World Cinema, and Film Theory.

Building Bridges: The Cinema of Jean Rouch edited by Joram ten Brink

Saër Maty Bâ
December 2009
Book Reviews
Joram ten Brink’s interest in French Ethnographer-Cinéaste Jean Rouch’s (1918-2004) work “resurfaced” after the latter’s death in Africa. In October 2004, he organised the highly successful conference Building ...

Transnational Mission, International Dynamics: A Report on the International Film Festival Workshop

Saër Maty Bâ
July 2009
Festival Reports
4 April 2009 Centre for Film Studies (CFS), University of St Andrews, Scotland This workshop was a knowledge-transfer and outreach event, part of Dynamics of World Cinema: Transnational Channels of Global ...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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