• Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Great Actors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
Search
Senses of Cinema logo
  • Dossiers
  • Features
    Random

    • Features

      Rob Phillips
      September 2012
      Feature Articles
    Recent

    • “A long time ago….”: The Persistence and Longevity of ‘Star Wars’ at 45

      Tara Lomax
      October 2022

    • The Larrikin Girl: Challenging archetypes in Australian cinema

      Mark Freeman & Eloise Ross
      October 2022

    • Unrealisable woman: Tania in Stanley Kubrick’s Aryan Papers

      Joy McEntee
      October 2022

    • Anatomy of a Breakup or Her Life to Fix: The Worst Person in the World

      Salvador Carrasco
      October 2022

    • Respecting the Lives of Others: Bergman Island, Hommage and Anaïs in Love

      Anthony McKibbin
      August 2022

    • More than a Wink: The Nature of Reality in Blow-Up and Las Babas del Diablo

      Will Hair
      July 2022
  • Interviews
    Random

    • “You don’t get to hate it unless you love it”: Joe Talbot and Jimmie Fails on The Last Black Man in San Francisco

      Rob Phillips
      October 2019
      Interviews
    Recent

    • We Learn by Making: A Conversation with Alexandra Cuesta

      Andrew Northrop
      October 2022

    • Love Dog: Conversation with Bianca Lucas

      Maria Giovanna Vagenas
      October 2022

    • “Resistance is the driving force of the film”: An Interview with Davy Chou

      Maja Korbecka
      July 2022

    • The Plains: Conversation with David Easteal

      Maria Giovanna Vagenas
      July 2022

    • Human is only human when vulnerable: An Interview With Michel Franco

      Savina Petkova
      May 2022

    • ‘I Was Taunting the Western’: An Interview with Alejandra Márquez Abella

      Silvia Spitta & Gerd Gemünden
      May 2022
  • Great Directors
    Random

    • Straub, Jean-Marie & Huillet, Danièle

      Rob Phillips
      September 2009
      Great Directors
    Recent

    • Sorrentino, Paolo

      Jeremy Carr
      October 2022

    • Craven, Wes

      Hal Young
      October 2022

    • Dwoskin, Stephen

      Sara Delshad
      October 2022

    • Smith, Jack: Travails of an Underground Artist

      Sanya Osha
      May 2022

    • Desai, Manmohan

      Darragh O’Donoghue
      May 2022

    • Curtiz, Michael

      Jeremy Carr
      January 2022
  • Great Actors
    Random

    • Divine

      Rob Phillips
      October 2022
      Great Actors
    Recent

    • Lansbury, Angela

      Joy McEntee
      May 2022

    • Caine, Michael

      Wheeler Winston Dixon
      May 2022

    • Garbo, Greta

      Jeremy Carr
      May 2022

    • Magee, Patrick

      Mark Lager
      May 2022

    • Cage, Nicolas

      Jessica Balanzategui
      January 2022
  • Festival Reports
    Random
    • Cannes film festival

      A Festival of Two Halves: the 2016 Cannes Film Festival

      Rob Phillips
      July 2016
      Festival Reports
    Recent

    • Skies Over and Caves Under Kutaisi: Kutaisi International Short Film Festival

      Levan Tskhovrebadze
      October 2022

    • NYFF 60: Hide and Seek

      Nolan Kelly
      October 2022

    • Budapest Classics Film Marathon

      Andrew Northrop
      October 2022

    • Setting the World Ablaze: Notes from the 30th Curtas Vila do Conde International Film Festival

      Susana Bessa
      October 2022

    • The 75th Locarno Film Festival: Happy Birthday and Many Happy Returns

      Jaimey Fisher
      October 2022

    • (Fist) Bump in the Night at Fantasia 2022

      Jake Pitre
      October 2022
  • Book Reviews
    Random
    • article placeholder

      Women’s Cinema: The Contested Screen by Alison Butler

      Rob Phillips
      December 2002
      Book Reviews
    Recent

    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022

    • Do we need Digital Tarkovsky?

      Corey P. Cribb
      October 2022

    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022

    • How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan

      Kyle Barrowman
      May 2022

    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022

    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
  • CTEQ
    Random
    • Decalogue 5

      Dekalog, pięć

      Rob Phillips
      September 2013
      CTEQ Annotations on Film
    Recent

    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022

    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022

    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022

    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022

    • Nosferatu: Eine Symphonie des Grauens (Nosferatu: A Symphony of Horror, F.W. Murnau, 1922)

      Martyn Bamber
      November 2022

    • Sunrise: A Song of Two Humans (F.W. Murnau, 1927)

      Jacob Agius
      October 2022
  • Support Senses
  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Latest
  • Past Issues
  • World Poll
  • Podcast
  • Advertisers
  • Proposals
  • Call for Submissions
  • Shop
  • Subscribe
more articles... more articles... more articles... more articles... more articles...

Author Rob Phillips

Rob Phillips

Rob Phillips lives in Raleigh, North Carolina, where he teaches and is completing his graduate degree in English and film studies at North Carolina State University.

article placeholder

Why Women Rule: The 34th Telluride Film Festival

Rob Phillips
March 2008
Festival Reports
31 August – 3 September 2007 The 34th annual Telluride Film Festival concluded on Labor Day with a picnic on the lush, green lawn of Telluride’s Town Park amidst the picturesque, snow-topped San Juan...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

Staff Members

Editors:

César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

Contributing Partner

Donate to Senses

 

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

 

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff