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      Andrew James Horton
      August 2023
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      Max Bowens & Candice Strongwater
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      Colette de Castro
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      Salvador Carrasco
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      Pritish Das
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      Leonard Schwartz
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      Tùng Bạch Đăng
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      Arindam Sen
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      Marc Raymond
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      Daichi Ogi
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      Susana Bessa
      July 2026
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      Stefan Solomon
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      Maja Korbecka
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      Botagoz Koilybayeva
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      Lost Souls: The Soul of Film Theory by Sarah Cooper

      Andrew James Horton
      March 2016
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      Mark Seton
      July 2026
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      Ragib Rahman
      July 2026
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      Jiahan Olivia Lin
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      Wheeler Winston Dixon
      May 2026
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      Ashish Dwivedi
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      Scott Robinson
      May 2026
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      Andrew James Horton
      July 2024
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      Inge Fossen
      September 2026
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      Alexia Kannas
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      Darragh O’Donoghue
      September 2026
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      Kyle Sossamon
      September 2026
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      Ian Olney
      September 2026
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      Kristian Ramsden
      September 2026
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more articles... more articles... more articles... more articles... more articles...

Author Andrew James Horton

Andrew James Horton

Andrew James Horton is Editor-in-Chief of Kinoeye.

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Bleak Optimism: Balkan film at the 45th Thessaloniki International Film Festival

Andrew James Horton
February 2005
Festival Reports
November 19–28, 2004 Even before the 1990s, the Balkans was infamous for inter-ethnic tensions, and the word Balkanisation was a derogatory term to describe disintegration into squabbling factions unab...
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Making a Song and Dance of It – 34th Hungarian Film Week

Andrew James Horton
March 2003
Festival Reports
28 January – 4 February When cinema first appeared at the end of the 19th century, there was a huge debate as to whether it could be considered a valid art form or just a rather gimmicky form of sideshow...
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An Industry of Philanthropy – Balkan film at the 43rd International Thessaloniki Film Festival

Andrew James Horton
January 2003
Festival Reports
8-17 November 2002 Festival website: www.filmfestival.gr “I have always thought that European cinema should protect themselves…” said Nae Caranfil introducing his latest film Filantropica (Philanthropy...
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Ordinary Lives in Extraordinary Times – Márta Mészáros interviewed

Andrew James Horton
October 2002
Feature Articles
Long-time director Meszáros talks about filmmaking both during and post the Communist regime.
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Inhaling a Unique Atmosphere – Central and East European Film at the 37th Karlovy Vary

Andrew James Horton
October 2002
Festival Reports
4-13 July 2002 Festival website: www.iffkv.cz In the 1970s and ‘80s, a film in competition at the Karlovy Vary International Film Festival was lucky to gain any more than a handful of viewers. But now t...
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The 13th Trieste Film Festival: “Alpe Adria Cinema”

Andrew James Horton
March 2002
Festival Reports
Though geographically located in Italy, the Trieste Film Festival showcases many films from the former communist countries.
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The Outskirts Becoming the Centre – Balkan Film at the 42nd International Thessaloniki Film Festival

Andrew James Horton
December 2001
Festival Reports
Greek cinema sits alongside its international counterparts in this major East European festival.
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A Window Both Ways – Central and East European Film at the 36th Karlovy Vary International Film Festival

Andrew James Horton
September 2001
Festival Reports
A comprehensive and highly informative overview of what is an important European film festival, especially symbolic is its balanced programming between films from the West and the East.
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A Report on the 48th Pula Film Festival and the Current State of the Croatian Film Industry

Andrew James Horton
July 2001
Festival Reports
The Pula Film Festival, 22-30 June 2001 The film ended, and the spotlights came on. As the director (along with several other members of the crew) mounted the stage, the Festival audience burst into spon...
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Just Who Owns the Shop? Identity and Nationality in Obchod na korze

Andrew James Horton
December 2000
Eastern European Cinema
Czech or Slovak? When consideration of a film's origin becomes a complicated affair.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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