• Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Great Actors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
Search
Senses of Cinema logo
  • Dossiers
  • Features
    Random
    • This Body Keeps the Score: the films of Saidin Salkic

      Ewa Rudling
      January 2023
      Feature Articles
    Recent
    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
    • Values of Baz Luhrmann’s Elvis: A Carnival Ride

      Laleen Jayamanne
      January 2023
    • Fellini’s Memory: Amarcord

      Bruce Jackson
      January 2023
    • More than Mimicry: On Puppets and Interdependency in Annette and The Double Life of Véronique

      Indigo Bailey
      January 2023
    • After Structural Film: The Conceptual films of Morgan Fisher

      Arindam Sen
      January 2023
    • “A long time ago….”: The Persistence and Longevity of ‘Star Wars’ at 45

      Tara Lomax
      October 2022
  • Interviews
    Random
    • “The cinema remains alive when it is diverse”: Interview with Jean-Gabriel Périot

      Ewa Rudling
      January 2022
      Interviews
    Recent
    • Afterwater: A Conversation with Dane Komljen

      Maria Giovanna Vagenas
      March 2023
    • Splice Here A Projected Odyssey: An Interview with Rob Murphy

      Tara Judah
      January 2023
    • Piaffe: Interview with Ann Oren

      Maria Giovanna Vagenas
      January 2023
    • Flesh Memories: Yeo Siew Hua’s Expanded Cinema in The Once and Future

      Toby Wu
      January 2023
    • In Search of Lost Time: An Interview with Christophe Honoré

      David A. Gerstner
      January 2023
    • Slow Fireworks: The Films of Amy Halpern

      Arindam Sen
      January 2023
  • Great Directors
    Random
    • Bava, Mario

      Ewa Rudling
      April 2004
      Great Directors
    Recent
    • Cimino, Michael

      Giampiero Frasca
      January 2023
    • Fosse, Bob

      Sherry Johnson
      January 2023
    • Sorrentino, Paolo

      Jeremy Carr
      October 2022
    • Craven, Wes

      Hal Young
      October 2022
    • Dwoskin, Stephen

      Sara Delshad
      October 2022
    • Smith, Jack: Travails of an Underground Artist

      Sanya Osha
      May 2022
  • Great Actors
    Random
    • Garbo, Greta

      Ewa Rudling
      May 2022
      Great Actors
    Recent
    • Divine

      Jacob Agius
      October 2022
    • Lansbury, Angela

      Joy McEntee
      May 2022
    • Caine, Michael

      Wheeler Winston Dixon
      May 2022
    • Magee, Patrick

      Mark Lager
      May 2022
    • Cage, Nicolas

      Jessica Balanzategui
      January 2022
  • Festival Reports
    Random
    • Nothing will be left but memories

      Ewa Rudling
      October 2022
      Festival Reports
    Recent
    • Fire Within: The 60th Viennale

      Leonardo Goi
      January 2023
    • The Kids Aren’t Alright: The 27th Busan International Film Festival

      Marc Raymond
      January 2023
    • A Report on the Exhibition Threshold (works by Dirk de Bruyn, Guy Grabowsky & Mat Hughes)

      Glenn D'Cruz
      January 2023
    • Politics, Isolation, Pandemic: The 35th Tokyo International Film Festival

      Kohei Usuda
      January 2023
    • All the Pain and Exploitation: 66th London Film Festival

      Tara Judah
      January 2023
    • BABY, THE RAIN MUST FALL … on the Claude Sautet retrospective at the 70th San Sebastian International Film Festival

      Neil Young
      January 2023
  • Book Reviews
    Random
    • Hidden Talent: The Emergence of Hollywood Agents by Tom Kemper

      Ewa Rudling
      December 2009
      Book Reviews
    Recent
    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
    • Dennis Lim’s Tale of Cinema: A Meta-Monograph

      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
    • Do we need Digital Tarkovsky?

      Corey P. Cribb
      October 2022
    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022
  • CTEQ
    Random
    • article placeholder

      Felicitous Rooms: Fritz Lang’s House by the River

      Ewa Rudling
      October 2005
      CTEQ Annotations on Film
    Recent
    • Pickpocket (Robert Bresson, 1959)

      Emma Fajgenbaum
      March 2023
    • I Remember: Amarcord (Federico Fellini, 1973)

      Jacob Agius
      February 2023
    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
  • Support Senses
  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Latest
  • Past Issues
  • World Poll
  • Podcast
  • Advertisers
  • Proposals
  • Call for Submissions
  • Shop
  • Subscribe
more articles... more articles... more articles... more articles... more articles...

Tagged Michel Fournier

Home
Michel Fournier
article placeholder

Michel pour mémoire

Ewa Rudling
April 2009
In Memoriam: Michel Fournier 1945-2008, Special Dossiers
In order to understand Michel Fournier’s personality, it helps to know that his silent, five-hour-long, abstract, black-and- white-feature, A quoi rêve le fétus? (Of What Does the Fœtus Dream?) (1), won a p...
article placeholder

Remembering Michel Fournier

Sally Shafto
April 2009
In Memoriam: Michel Fournier 1945-2008, Special Dossiers
This past January while in Paris I tried to contact Michel Fournier, Philippe Garrel’s legendary cameraman on six films, from Marie pour Mémoire (1968) to Athanor (1972). I was getting ready to go to Bordea...
article placeholder

Bel homme, adieu!

Patrick Deval
April 2009
In Memoriam: Michel Fournier 1945-2008, Special Dossiers
In April 1968, I was at the Hyères Film Festival to present my philosophical short film, Héracilite l’Obscur (1967). Philippe Garrel was there with his cameraman, Michel Fournier, to present their opus, Mar...

Read the Senses of Cinema World Poll 2021

PART 1

PART 2

PART 3

PART 4

PART 5

PART 6

PART 7

PART 8

Join Us

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

Staff Members

Editors:

César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

Contributing Partner

Donate to Senses

 

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

 

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff