Hugo, Remediation, and the Cinema of Attractions, or, The Adaptation of Hugo Cabret Jennifer Clement and Christian B. Long July 2012 Feature Articles It’s obvious that Martin Scorsese’s movie Hugo (2011) showcases its director’s great love of cinema and cinema history. Less obvious, perhaps, is the film’s love of books. Hugo adapts Brian Selznick’s bestselli...
Scorsese by Ebert by Roger Ebert Matthew Sorrento July 2009 Book Reviews As the internet age opened up a cosmos’ worth of publication room, film writing grew as if every solar system deserved its own life-form. Many old-time critics lament the net as the demise of criticism, althoug...
Scorsese’s Alibis? Scorsese’s Men: Melancholia and the Mob by Mark Nicholls Tim Groves October 2004 Book Reviews Male melancholy, according to Adrian Martin, is one of those places where cinema has a rendezvous with its destiny. Perhaps this is why cinephiles often pay particular attention to figures such as Travis Bickle...
