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      Manjari Kaul
      June 2018
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      Tara Lomax
      October 2022
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      Mark Freeman & Eloise Ross
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      Joy McEntee
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      Salvador Carrasco
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      July 2002
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      Nolan Kelly
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      Andrew Northrop
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      Susana Bessa
      October 2022
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      Jaimey Fisher
      October 2022
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      Jake Pitre
      October 2022
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      Understanding Genre in a Globalized World: World Cinema through Global Genres, by William V. Costanzo

      Manjari Kaul
      December 2015
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      Tom Boniface-Webb
      October 2022
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      Corey P. Cribb
      October 2022
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      Emmanuel Bonin
      July 2022
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      Kyle Barrowman
      May 2022
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      Tony McKibbin
      January 2022
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      January 2022
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      Manjari Kaul
      February 2001
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    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
    • Nosferatu: Eine Symphonie des Grauens (Nosferatu: A Symphony of Horror, F.W. Murnau, 1922)

      Martyn Bamber
      November 2022
    • Sunrise: A Song of Two Humans (F.W. Murnau, 1927)

      Jacob Agius
      October 2022
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Tagged Les dames du Bois de Boulogne

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Les dames du Bois de Boulogne

Les dames du Bois de Boulogne

Manjari Kaul
March 2012
CTEQ Annotations on Film
“Only the conflicts that take place inside the characters give a film its real movement.” - Robert Bresson (1) “Destiny is tragic but I prefer a fate we choose to one forced upon us.” -Agnès (Elina Labourd...

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