Invested in Expression or in Its Destruction?: The Politics of Space and Representation in Chantal Akerman’s Cinema Zain Jamshaid September 2012 Feature Articles The objective of this article is to examine the hyperrealist, feminist tactics of Chantal Akerman’s early 1970s films Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles(1975) and, especially, Je tu il elle (19...
L’eclisse Christopher Sharrett March 2012 CTEQ Annotations on Film Michelangelo Antonioni’s name seems to have fallen somewhat into disrepute in US film culture over the last several decades, his main concerns – alienation and the collapse of communication – the subject of a c...
