Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles Jenny Chamarette May 2013 CTEQ Annotations on Film There is something very subversive about watching a woman, in an old-fashioned housecoat, lovingly dusting the ornaments in her glass cabinet, preparing a fresh batch of coffee, anxiously peeling potatoes, glan...
Invested in Expression or in Its Destruction?: The Politics of Space and Representation in Chantal Akerman’s Cinema Zain Jamshaid September 2012 Feature Articles The objective of this article is to examine the hyperrealist, feminist tactics of Chantal Akerman’s early 1970s films Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles(1975) and, especially, Je tu il elle (19...
