Jean-Pierre Melville: Encounters with Conscience Pedro Blas Gonzalez July 2006 Special Dossiers, Three Auteurs Philosophical meditations on the existential and moral landscape of Melville’s cinema.
The Last Man: An Epitaph for Sam Peckinpah Benjamin Kerstein July 2006 Special Dossiers, Three Auteurs “His femininity is the femininity of the witness. Of the artist. Of the eye behind the camera.” A radical reappraisal of Peckinpah’s œuvre.
Otto Preminger and the End of Classical Cinema John Orr July 2006 Special Dossiers, Three Auteurs One of Hollywood’s finest exponents of mise en scène, Preminger, it can justly be argued, is instrumental in defining the transition from classical to modernist cinema.
