The Treasures and the Fakes: The Last Films of Orson Welles Benjamin Kerstein November 2007 Feature Articles Post-Citizen Kane: a career in ascent or decline? The question still divides Welles scholars. This essay appraises the latter stage of Welles’ majestic career.
The Last Man: An Epitaph for Sam Peckinpah Benjamin Kerstein July 2006 Special Dossiers, Three Auteurs “His femininity is the femininity of the witness. Of the artist. Of the eye behind the camera.” A radical reappraisal of Peckinpah’s œuvre.
