Disembodied voices that strain to conjure a melody; atmospheric percussion that sends a shiver through the soul; slithers of lounge guitar and sensual...
The sequence when Barbara explodes on the glass body is like the flashback in The Strange Vice of Mrs Wardh. It’s a scene that really struck me and we...
Throughout Hélène Cattet and Bruno Forzani’s 2009 debut feature Amer, the most prominent image is an extreme close-up of a pair of eyes. These are eye...
Hélène Cattet and Bruno Forzani explain that their modus operandi is to tell stories “in a sensual, physical way,” ensuring that they are enjoyed “as ...
Hélène Cattet and Bruno Forzani redefine the limits of cinematic grammar, and, further, of the cinematic body – a fascinating two-headed creature, wit...
The strange cinematic experiments of Hélène Cattet and Bruno Forzani grow over the graves of departed genres. Their shorts and their first two feature...
This dossier coincides with retrospectives of the work of Hélène Cattet and Bruno Forzani at the Melbourne International Film Festival and the Queensl...
Our planet has provided the most beautiful and ever changing natural landscapes in the form of mountains, oceans, forests and deserts. Human beings re...
Behind the success-story of filmmaking couple Hélène Cattet and Bruno Forzani is that of producer Ève Commenge. These three French expatriates have de...
Making a splash on the festival circuit with their feature debut Amer (2009), Hélène Cattet and Bruno Forzani stunned critics and audiences alike with...
The Strange Colour of Your Body’s Tears begins with droning noise over production company credits. The industrial rumbling develops into a rhythmic sw...
On 22 February 2018, Hélène Cattet and Bruno Forzani's Let the Corpses Tan was screened at Ciné Lumière in London's Institut Français Royaume-Uni, wit...
