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Features
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- Vienna’s Prater District on Film, or: Looking at the World Again
  Martina Lunzer
  
  April 2009
  
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- Criminals Against Decoration: Modernism as a Heist
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  October 2020
- The New-Ark: trying to disavow anti-blackness
  Andrew Brooks
  
  October 2020
- Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell
  Zoë Almeida Goodall
  
  October 2020
- What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience
  Luise Moerke
  
  October 2020
- Come and See The Painted Bird: A Filmmaker’s Plea
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  October 2020
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  Steffanie Ling
  
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Festival Reports
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- The 16th T-Mobile New Horizons International Film Festival: In Search of Emerging Auteur Cinema
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- The 34th Cinema Ritrovato Has Full Resuscitation under COVID
  Roger Macy
  
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  Alexandra Heller-Nicholas
  
  October 2020
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  Leonardo Goi
  
  October 2020
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  Jake Pitre
  
  October 2020
- Locarno 2020: The Open Doors Experience
  Maria Giovanna Vagenas
  
  October 2020
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  Bérénice Reynaud
  
  July 2020
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- The Young Desire It: A Review of The Devil’s Playground by Christos Tsiolkas
  Bérénice Reynaud
  
  March 2003
  
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  Ivan Cerecina
  
  June 2001
  
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  March 2017
  
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  October 2020
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  October 2020
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  April 2020
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  Abel Muñoz Hénonin
  
  April 2020
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  Jasper Mäkinen
  
  October 2019
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  Bruce Jackson
  
  July 2019
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Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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Editors:

Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

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Staff

Vienna’s Prater District on Film, or: Looking at the World Again

Criminals Against Decoration: Modernism as a Heist

The New-Ark: trying to disavow anti-blackness

Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

Come and See The Painted Bird: A Filmmaker’s Plea

Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

The 16th T-Mobile New Horizons International Film Festival: In Search of Emerging Auteur Cinema

The 34th Cinema Ritrovato Has Full Resuscitation under COVID

Women at the 2020 Toronto International Film Festival

Lest We Forget: the 31st FID Marseille

A Vitalising Cinema in an Agitated Age: The 58th New York Film Festival

Locarno 2020: The Open Doors Experience

Your Daughters Come Back to You: The 28th Pan African Film and Arts Festival

The Young Desire It: A Review of The Devil’s Playground by Christos Tsiolkas

Trade Follows the Film: Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson

War, Community, and the Cinema: Front Lines of Community: Hollywood Between War and Democracy by Hermann Kappelhof and Five Came Back: A Story of Hollywood and the Second World War by Mark Harris

The Perfect Conditional: Philippe Garrel by Michael Leonard

Creating the Appearance of Being: The Art of American Screen Acting 1960 to Today, by Dan Callahan

The Restless Spectator: Anxious Cinephilia: Pleasure and Peril at the Movies, by Sarah Keller

Engaged Vision: Critical Mass: Social Documentary in France from the Silent Era to the New Wave, by Steven Ungar

Dead Man

Stairways to Paradise: Youssef Chahine and Alexandria…Why?

At Home Among Strangers (Свой среди чужих, чужой среди своих, Nikita Mikhalkov, 1974)

German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

Of East and West and High and Low: Lemonade Joe (1964)

A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

Hopper, Dennis

Scott, Tony

Menzel, Jiří

Wise, Robert

Fernández, Emilio “Indio”

Fei Mu

Huston, John