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    • Merle Oberon: She walked in beauty …

      Andrew Northrop
      September 2009
      Feature Articles
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    • Respecting the Lives of Others: Bergman Island, Hommage and Anaïs in Love

      Anthony McKibbin
      August 2022
    • Protestploitation ’70: Revisiting Zabriskie Point and Strawberry Statement

      Selen Ozturk
      July 2022
    • More than a Wink: The Nature of Reality in Blow-Up and Las Babas del Diablo

      Will Hair
      July 2022
    • Suicide and Genius: Insights into One Episode of Akira Kurosawa’s Dreams

      Matthew Michaud & Justin Richardson
      July 2022
    • Interrogating Identity: The Fractal Self in Le petit soldat

      Michael James Beck
      July 2022
    • Bigger than life, or stranger: Pedro Costa’s Vitalina Varela: Part III

      Thomas Austin
      July 2022
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      Tiger Tanaka - Interview with Japanese Cult Director Hiroyuki "Sabu" Tanaka

      Andrew Northrop
      November 2000
      Interviews
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    • “Resistance is the driving force of the film”: An Interview with Davy Chou

      Maja Korbecka
      July 2022
    • The Plains: Conversation with David Easteal

      Maria Giovanna Vagenas
      July 2022
    • Human is only human when vulnerable: An Interview With Michel Franco

      Savina Petkova
      May 2022
    • ‘I Was Taunting the Western’: An Interview with Alejandra Márquez Abella

      Silvia Spitta & Gerd Gemünden
      May 2022
    • “The Act of Filming is an Inner and Physical Journey in Itself”: Interview with Helke Misselwitz

      Victor Paz
      May 2022
    • Information as a music video, comedy as a diagram: Beny Wagner & Sasha Litvintseva in conversation

      Madeleine Collier
      May 2022
  • Great Directors
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    • Chang Cheh

      Andrew Northrop
      December 2003
      Great Directors
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    • Smith, Jack: Travails of an Underground Artist

      Sanya Osha
      May 2022
    • Desai, Manmohan

      Darragh O’Donoghue
      May 2022
    • Curtiz, Michael

      Jeremy Carr
      January 2022
    • Lau, Kar-leung

      Tom Cunliffe
      January 2022
    • Tahimik, Kidlat 

      Charles Fairbanks
      January 2022
    • Lucas, George

      Dan Golding
      July 2021
  • Great Actors
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    • Caine, Michael

      Andrew Northrop
      May 2022
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    • Lansbury, Angela

      Joy McEntee
      May 2022
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      Jeremy Carr
      May 2022
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      Mark Lager
      May 2022
    • Cage, Nicolas

      Jessica Balanzategui
      January 2022
  • Festival Reports
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    • Wellman, Wajda and Restored Italian Divas: The 28th Cinema Ritrovato Festival

      Andrew Northrop
      September 2014
      Festival Reports
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    • Sundance Film Festival 2022

      Bérénice Reynaud
      August 2022
    • Is this the real life? Is this just fantasy? The 56th Karlovy Vary International Film Festival

      Cerise Howard
      August 2022
    • Normality: The 2022 Cannes Film Festival

      Daniel Fairfax
      August 2022
    • 36th Cinema Ritrovato Gets Covid in the Tail

      Roger Macy
      July 2022
    • Keeping the Fires Burning: A Week at the San Francisco Silent Film Festival

      Jonathan Mackris
      July 2022
    • New Territories and Old Dreams of Independence – Chinese and Hong Kong documentaries at the Taiwan International Documentary Festival

      Judith Pernin
      July 2022
  • Book Reviews
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      Can Theory See the City? Screening the City edited by Tony Fitzmaurice and Mark Shiel

      Andrew Northrop
      July 2004
      Book Reviews
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    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022
    • How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan

      Kyle Barrowman
      May 2022
    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021
    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by Richard Barrios

      Adrian Schober
      July 2021
  • CTEQ
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    • The Pinochet Case

      Andrew Northrop
      November 2012
      CTEQ Annotations on Film
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    • Shadows of Forgotten Ancestors (Sergei Parajanov, 1965)

      Wheeler Winston Dixon
      July 2022
    • Shockproof (Douglas Sirk, 1949): The Insanity of Romantic Desire

      Wheeler Winston Dixon
      May 2022
    • The Grotesque Loves of Jealousy, Italian Style (Ettore Scola, 1970)

      Tiia Kelly
      May 2022
    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022
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Author Andrew Northrop

Andrew Northrop

Andrew Northrop is a London-based film journalist. His writing and interviews have appeared in MUBI Notebook, BOMB Magazine, Hyperallergic, Little White Lies, Kinoscope, Cineaste Magazine and more.

Sunken Film: Bill Morrison Talks The Village Detective: a song cycle

Andrew Northrop
July 2021
Interviews
The cover of the October 2019 issue of FIAF’s Journal of Film Preservation sees Erlendur Sveinsson of the National Film Archive of Iceland standing over a long path of film evenly distributed over newspaper she...

Making Visible: The 2021 Cinéma du Réel

Andrew Northrop
May 2021
Festival Reports
An immediate glance at the International Selection of 2021’s Cinéma du Réel identifies familiar films from IDFA, International Film Festival Rotterdam and the Berlinale’s recent editions. The festival offers a ...

“Home, far away from Home”: Truong Minh Quý on The Tree House

Andrew Northrop
April 2020
Conversations with Filmmakers Across the Globe
In Vietnam, the Jarai people engage in a spiritual practice around tomb houses – small huts containing mementos from deceased community members. They form the basis for a formal experiment in Truong Minh Quý’s ...
Agnes Varda

Haptically Revisiting Agnès Varda’s Jacquot de Nantes

Andrew Northrop
December 2017
Feature Articles
Drawing on Agnès Varda’s practice of engaging characters dialectically with their environments, I intend to explore how Jacquot de Nantes (1991) and The Gleaners & I (2000) have codified skin as a phenomeno...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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