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  • Dossiers
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    • April and August: Moonrise Kingdom

      Saige Walton
      July 2012
      Feature Articles
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
    • Bee and Bresson: Pickpocket and its Painting

      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
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    • Gazing into the Abyss: An interview with Wei Shujun

      Saige Walton
      January 2024
      Interviews
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    • An Interview with Giulio Bertelli

      Gary M. Kramer
      July 2026
    • Mahboobeh Kalaee: Creation as Antidote to Destruction during American and Israeli airstrikes

      Amanda Barbour
      July 2026
    • Time and Tide: In Conversation with Director Vee Shi and Cinematographer-Producer Nicholson Ren

      Đăng Tùng Bạch
      July 2026
    • Lee Anne Schmitt: An Anthropology of Americanism

      Arindam Sen
      July 2026
    • “What is a complete image of oil?”: An Interview with Sanaz Sohrabi

      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      Saige Walton
      July 2002
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      Florian Zappe
      July 2026
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      Patrick F. Campos
      July 2026
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      Nicholas Buccheri
      July 2026
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      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Saige Walton
      May 2023
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      Tony Williams
      May 2026
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      Andy Hageman
      January 2026
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      Indigo Bailey
      November 2025
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      Colette de Castro
      July 2025
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      Tony Williams
      May 2025
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      Tony Williams
      May 2025
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    • For the Love of Docs: The 9th Independent Film Festival of Boston

      Saige Walton
      June 2011
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      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
    • Coming of age does not happen overnight: IndieLisboa turns 23

      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      Godard after Farocki: Questions left open and questions unasked in Volker Pantenburg’s Film as Theory

      Saige Walton
      June 2015
      Book Reviews
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    • Feeling the Screen Story’s Pulse: Karen Pearlman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
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      Road House

      Saige Walton
      July 2001
      CTEQ Annotations on Film
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    • Trouble in Paradise: Ikarie XB 1’s Music and Sound

      Austin Lancaster
      October 2026
    • Lisa and the Devil

      Inge Fossen
      September 2026
    • The Girl Who Knew Too Much

      Alexia Kannas
      September 2026
    • Rabid Dogs

      Darragh O’Donoghue
      September 2026
    • Playful Provocation: Hypermediacy in Mario Bava’s Danger: Diabolik

      Kyle Sossamon
      September 2026
    • Kill, Baby… Kill!

      Ian Olney
      September 2026
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Author Saige Walton

Saige Walton

Saige Walton is a Senior Lecturer in Screen Studies and Associate Director of the Creative People, Products and Places (CP3) research centre at the University of South Australia. She is the author of Cinema’s Baroque Flesh: Film, Phenomenology and the Art of Entanglement (Amsterdam University Press, 2016). Her current book project deals with the embodiment and ethics of a contemporary cinema of poetry.

Small but Mighty, the Power of the Donkey: Adelaide International Film Festival

Saige Walton
January 2023
Festival Reports
Dubbed a “celebration of the imagination”, AFF expanded its scope in 2022 to include new venues across the city (Her Majesty’s Theatre, the Capri Theatre Goodwood), also touring films in regional sites and loca...

Live Through This: The 2020 Adelaide Film Festival

Saige Walton
January 2021
Festival Reports
In a year marked by apocalyptic imagery and an eerie sense of the science-fictional, the Adelaide Film Festival’s decision to open its socially distanced festival with the world premiere of Seth Larney’s sci-fi...

#Youmustsee: The 2018 Adelaide International Film Festival

Saige Walton
December 2018
Festival Reports
The last Adelaide Film Festival under the stewardship of Artistic Director Amanda Duthie proved to be a decidedly populist affair— a programming bent that was anticipated by the Festival’s own mid-year invitati...
Adelaide Film Festival 2017

Between the Breaths: The 2017 Adelaide Film Festival

Saige Walton
December 2017
Festival Reports
Paying homage to the birth year of punk rock as well as the persistence of a rebellious sensibility in the contemporary, the Adelaide Film Festival styled itself as ‘punk’ this year. “Vive Le Punk!” was the fes...
Adelaide film festival review

Ghostly Wanderings Between Cinema and the Gallery: 2015 Adelaide Film Festival

Saige Walton
December 2015
Festival Reports
Sleepwalkers, sleepers, phantoms, psychics, spectres and memories of the dearly departed suffused the Adelaide Film Festival (AFF) this year. While festival attendees flocked to pit their trivia knowledge again...

Gestures of Intimacy: Claire Denis’ I Can’t Sleep

Saige Walton
June 2012
CTEQ Annotations on Film
No doubt those who are familiar with Claire Denis’ work will be well aware of how her films are invested in and expressive of the material connections that unite and divide bodies in the world. Similarly, in he...
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Cinema and Sensation: French Film and the Art of Transgression by Martine Beugnet

Saige Walton
April 2009
Book Reviews
Those familiar with French director Claire Denis will be aware of the exquisite sensuality of her cinema. Whether coming together with another body in the world through the shared space and flesh of desire, or ...
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“Cinema as I see-I hear-I feel”: The Material Image: Art and the Real in Film by Brigitte Peucker

Saige Walton
November 2007
Book Reviews
The shift towards more sensuous modes of scholarship has been producing exciting interdisciplinary work across the fields of cultural anthropology, film, art history, architecture, design and new media. At the ...
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Icons of Grief: Val Lewton’s Home Front Pictures by Alexander Nemerov

Saige Walton
November 2006
Book Reviews
In Bedlam (Mark Robson, 1946), Val Lewton’s last production for RKO-Radio Pictures, there is a justly famous sequence in which a young boy – his body slathered in pure gold – must recite a speech for the aristo...
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Horizons West: Directing the Western from John Ford to Clint Eastwood by Jim Kitses

Saige Walton
February 2006
Book Reviews
The original publication of Jim Kitses’ Horizons West in 1969 revealed the heavy impact of auteurism on the development of genre criticism. Thanks to the French New Wave, André Bazin and other writers affiliate...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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