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      Performing the Documentary, or Making It To the Other Bank

      Richard Porton
      July 2003
      Feature Articles
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    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
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      Laleen Jayamanne
      January 2023
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      Bruce Jackson
      January 2023
    • More than Mimicry: On Puppets and Interdependency in Annette and The Double Life of Véronique

      Indigo Bailey
      January 2023
    • After Structural Film: The Conceptual films of Morgan Fisher

      Arindam Sen
      January 2023
    • This Body Keeps the Score: the films of Saidin Salkic

      Dirk de Bruyn
      January 2023
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    • Encounter at the Editing Table – The Film Archive as a Memory of One's Own Existence

      Richard Porton
      July 2019
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      Maria Giovanna Vagenas
      January 2023
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      Toby Wu
      January 2023
    • In Search of Lost Time: An Interview with Christophe Honoré

      David A. Gerstner
      January 2023
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      Arindam Sen
      January 2023
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      Hamed Sarrafi
      January 2023
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      Tara Judah
      January 2023
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      Richard Porton
      March 2003
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      Sherry Johnson
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      Giampiero Frasca
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      Jeremy Carr
      October 2022
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      Hal Young
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      Sara Delshad
      October 2022
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      Sanya Osha
      May 2022
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      Richard Porton
      May 2022
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      Jacob Agius
      October 2022
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      May 2022
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      Jeremy Carr
      May 2022
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      Mark Lager
      May 2022
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      Jessica Balanzategui
      January 2022
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      Richard Porton
      March 2013
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      Leonardo Goi
      January 2023
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      Kohei Usuda
      January 2023
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      Marc Raymond
      January 2023
    • A Report on the Exhibition Threshold (works by Dirk de Bruyn, Guy Grabowsky & Mat Hughes)

      Glenn D'Cruz
      January 2023
    • All the Pain and Exploitation: 66th London Film Festival

      Tara Judah
      January 2023
    • BABY, THE RAIN MUST FALL … on the Claude Sautet retrospective at the 70th San Sebastian International Film Festival

      Neil Young
      January 2023
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      Richard Porton
      September 2012
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      Abel Muñoz Hénonin
      January 2023
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      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
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      Corey P. Cribb
      October 2022
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      Emmanuel Bonin
      July 2022
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      Richard Porton
      March 2011
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      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
    • Nosferatu: Eine Symphonie des Grauens (Nosferatu: A Symphony of Horror, F.W. Murnau, 1922)

      Martyn Bamber
      November 2022
    • Sunrise: A Song of Two Humans (F.W. Murnau, 1927)

      Jacob Agius
      October 2022
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Author Richard Porton

Richard Porton

Richard Porton is a member of Cineaste’s editorial board and the author of Film and the Anarchist Imagination (Verso).

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The State of the World According to the 2006 Thessaloniki Film Festival

Richard Porton
February 2007
Festival Reports
17–26 November 2006 Many international film festivals feel understandably compelled to both fulfil their missions as showcases for world cinema and cater, as best they can, to the needs of the local comm...
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Defining Independence: Independence Days at International Thessaloniki Film Festival

Richard Porton
May 2006
Festival Reports
November 18–27, 2005 “Independent Cinema” is one of the most slippery categories in the lexicon of contemporary film criticism. The Thessaloniki International Film Festival recently explored the many ant...

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