An apartment, several women, and much angst make up the elements to one of Rainer Werner Fassbinder’s most alluring and contentious films.
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Marsha McCreadie
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Marsha McCreadie teaches documentary film at Fordham University at Lincoln Center. Her book publications include Women on Film: the Critical Eye (Praeger, 1980), The Women Who Write the Movies (Birch Lane Press, 1995), Women Screenwriters Today: Their Lives and Words (Praeger, 2006), and most recently, Documentary Superstars: How they Are Inventing the Form (Allworth Press, 2009).
