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    • Stopping up the Works: Weir's The Plumber and Social Class Conflict

      Marko Bauer
      November 2017
      Feature Articles
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    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
    • Values of Baz Luhrmann’s Elvis: A Carnival Ride

      Laleen Jayamanne
      January 2023
    • Fellini’s Memory: Amarcord

      Bruce Jackson
      January 2023
    • More than Mimicry: On Puppets and Interdependency in Annette and The Double Life of Véronique

      Indigo Bailey
      January 2023
    • After Structural Film: The Conceptual films of Morgan Fisher

      Arindam Sen
      January 2023
    • This Body Keeps the Score: the films of Saidin Salkic

      Dirk de Bruyn
      January 2023
  • Interviews
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    • Pom Bunsermvicha interview: “Being part of a family“

      Marko Bauer
      January 2022
      Interviews
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    • Splice Here A Projected Odyssey: An Interview with Rob Murphy

      Tara Judah
      January 2023
    • Piaffe: Interview with Ann Oren

      Maria Giovanna Vagenas
      January 2023
    • Flesh Memories: Yeo Siew Hua’s Expanded Cinema in The Once and Future

      Toby Wu
      January 2023
    • In Search of Lost Time: An Interview with Christophe Honoré

      David A. Gerstner
      January 2023
    • Slow Fireworks: The Films of Amy Halpern

      Arindam Sen
      January 2023
    • About Time: Interview with Cyril Schäublin

      Hamed Sarrafi
      January 2023
  • Great Directors
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    • Naruse, Mikio

      Marko Bauer
      May 2003
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    • Fosse, Bob

      Sherry Johnson
      January 2023
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      Giampiero Frasca
      January 2023
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      Jeremy Carr
      October 2022
    • Craven, Wes

      Hal Young
      October 2022
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      Sara Delshad
      October 2022
    • Smith, Jack: Travails of an Underground Artist

      Sanya Osha
      May 2022
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      Marko Bauer
      October 2022
      Great Actors
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    • Lansbury, Angela

      Joy McEntee
      May 2022
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      Wheeler Winston Dixon
      May 2022
    • Garbo, Greta

      Jeremy Carr
      May 2022
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      Mark Lager
      May 2022
    • Cage, Nicolas

      Jessica Balanzategui
      January 2022
  • Festival Reports
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    • “Life is Not a Walk Across a Field”: the 43rd International Film Festival Rotterdam

      Marko Bauer
      March 2014
      Festival Reports
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    • Fire Within: The 60th Viennale

      Leonardo Goi
      January 2023
    • The Kids Aren’t Alright: The 27th Busan International Film Festival

      Marc Raymond
      January 2023
    • A Report on the Exhibition Threshold (works by Dirk de Bruyn, Guy Grabowsky & Mat Hughes)

      Glenn D'Cruz
      January 2023
    • Politics, Isolation, Pandemic: The 35th Tokyo International Film Festival

      Kohei Usuda
      January 2023
    • All the Pain and Exploitation: 66th London Film Festival

      Tara Judah
      January 2023
    • BABY, THE RAIN MUST FALL … on the Claude Sautet retrospective at the 70th San Sebastian International Film Festival

      Neil Young
      January 2023
  • Book Reviews
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    • New Vampire Cinema by Ken Gelder

      Marko Bauer
      June 2013
      Book Reviews
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    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
    • Dennis Lim’s Tale of Cinema: A Meta-Monograph

      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
    • Do we need Digital Tarkovsky?

      Corey P. Cribb
      October 2022
    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022
  • CTEQ
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    • Le Mystère Picasso

      Marko Bauer
      November 2011
      CTEQ Annotations on Film
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    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
    • Nosferatu: Eine Symphonie des Grauens (Nosferatu: A Symphony of Horror, F.W. Murnau, 1922)

      Martyn Bamber
      November 2022
    • Sunrise: A Song of Two Humans (F.W. Murnau, 1927)

      Jacob Agius
      October 2022
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Author Marko Bauer

Marko Bauer

Marko Bauer is a freelance writer exploring the freedom of useless thought and unwaged labour.

Pump and Dump: The Wolf of Wall Street

Marko Bauer
October 2014
Feature Articles
The Wolf of Wall Street (Martin Scorsese, 2013) is a repulsive affair. A hybrid of Wall Street (Oliver Stone, 1987) and American Pie (Chris and Paul Weitz, 1999) it comes short of the former as well as the latt...

Thank God We Don’t Have a Pope: Habemus Papam, Moretti’s Apocalypse

Marko Bauer
March 2013
Feature Articles
“As nihilism becomes more and more the norm, the symbols of emptiness spread much more terror than those of power do.” – Ernst Jünger One nearly misses Habemus Papam (We Have a Pope, 2011) for the reason abse...

Pure West: Drive, nostalgia for postmodernism

Marko Bauer
July 2012
Feature Articles
It is a one way street and there, Walter Benjamin says: “What, in the end, makes advertisements so superior to criticism? Not what the moving red neon sign says – but the fiery pool reflecting it in the aspha...

“Even God Was Overcome by Laziness”: An interview with Aleksandr Sokurov

Marko Bauer
December 2011
Feature Articles
A true poet of the cinema, the director of, amongst others, Russian Ark and The Sun, talks philosophy, religion, aesthetics and the Russian soul.

Son of Atlantis: prologues and epilogues with Sokurov

Marko Bauer, Luka Umek and Dasa Cerar
December 2011
Feature Articles
Using interview footage of Sokurov and combining it with other elements, the filmmakers produce a contemplative video-essay on the director.

Like Tears in… Brain

Marko Bauer
December 2011
Feature Articles
“The brain is the flesh.” Using ‘Artaud-Deleuze’ as a guide, Marko Bauer traverses the cerebral territory of Gaspar Noé’s film. Enter at your peril.

“Films are vulgar. And this vulgarity, I love it”: An Interview with Arnaud Desplechin

Marko Bauer
October 2010
Feature Articles
In this free-form interview the director of A Christmas Tale, King and Queens, amongst others, discusses everything from Truffaut and Godard, Stanley Cavell and disaster movies, Nietzsche and Italo Calvino, Jean Gabin and hip-hop, and more.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

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César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

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