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      Maria Walsh
      January 2011
      2010 World Poll, Feature Articles
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      Andy Reischling
      October 2020
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      October 2020
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      Zoë Almeida Goodall
      October 2020
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      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
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      Salvador Carrasco
      October 2020
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      19th International Istanbul Film Festival

      Maria Walsh
      May 2000
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      Stuart Richards
      January 2021
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      Marc Raymond
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      Saige Walton
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      Kohei Usuda
      January 2021
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      Against Cinephiliphobia: Movie Mutations: The Changing Face of World Cinephilia edited by Jonathan Rosenbaum and Adrian Martin

      Maria Walsh
      July 2004
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      Tom Ryan
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      October 2020
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      David Heslin
      October 2020
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      Cerise Howard
      October 2020
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      October 2020
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      July 2004
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Author Maria Walsh

Maria Walsh

Maria Walsh is a Senior Lecturer in Art History and Theory at Chelsea College of Art and Design, London. She has published essays on the moving image in Screen, Angelaki, Senses of Cinema, filmwaves, and COIL. Her research interests include artist’s film and video, performative writing, feminisms and film phenomenology in a post-Deleuzian framework.

A Feminine Cinematics: Luce Irigaray, Women and Film by Caroline Bainbridge

Maria Walsh
December 2009
Book Reviews
I was intrigued when I spotted the flyer for A Feminine Cinematics: Luce Irigaray, Women and Film, as I had just been to a talk by Irigaray at the ICA, London, and had been struck, on this occasion, by how her ...
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Cinesexuality by Patricia MacCormack

Maria Walsh
July 2009
Book Reviews
Cinesexuality’s thesis is premised on a desire to want cinema as a lover. What this might mean alerts us firstly to the fact that the book is a title in the Ashgate series Queer Interventions. While cinesexuali...
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In and Out of the Blue: Love’s Secret

Maria Walsh
October 2004
The Suspended Narrative
A text written to accompany the 1999 film by Sarah Miles, which uses disjunctive techniques to capture the fantasy and frustration of romantic love.
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A City Under the Influence: The Place of the Audience: Cultural Geographies of Film Consumption by Mark Jancovich and Lucy Faire with Sarah Stubbings

Maria Walsh
July 2004
Book Reviews
The notion of “place” in The Place of the Audience: Cultural Geographies of Film Consumption revolves around two sites, the architectural site of film consumption, the cinema, and the geographical site of the c...
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Cinema in the Gallery – Discontinuity and Potential Space in Salla Tykkä’s Trilogy

Maria Walsh
October 2003
Cinema and the Gallery
Examining Salla Tykkä's trilogy, exhibited earlier this year, Walsh argues it's far removed from the deconstructionist mode of film installation, and that it instead explores ideas of spectatorship and emotion, narrative and genre in ways conducive to feminist aesthetics.
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Atlas of Emotion: Journeys in Art, Architecture, and Film by Giuliana Bruno

Maria Walsh
October 2003
Book Reviews
(New York: Verso, 2002) In Atlas of Emotion: Journeys in Art, Architecture, and Film, Giuliana Bruno wanders through the "field screens" of cinematic culture. She travels from the pre-cinematic montage of vi...

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