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    • The Crew: Antonioni’s Australian film that was not to be

      Kent Jones
      March 2015
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    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
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      Andrew Brooks
      October 2020
    • Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
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      Salvador Carrasco
      October 2020
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      Steffanie Ling
      October 2020
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      Kent Jones
      October 2020
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      Sucheta Chakraborty
      January 2021
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      Leonardo Goi
      January 2021
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      Stuart Richards
      January 2021
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      Marc Raymond
      January 2021
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      Saige Walton
      January 2021
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      Kohei Usuda
      January 2021
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      Kent Jones
      June 2012
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    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
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      Wheeler Winston Dixon
      January 2021
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      Eric Gudas
      January 2021
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      Tom Ryan
      January 2021
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      Karthick Ram Manoharan
      January 2021
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      Daniel Fairfax
      October 2020
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      Kent Jones
      February 2015
      CTEQ Annotations on Film
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      David Melville
      October 2020
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      Darragh O’Donoghue
      October 2020
    • German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

      Donovan Renn
      October 2020
    • Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

      David Heslin
      October 2020
    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020
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      Martyn Bamber
      October 2020
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      Kent Jones
      May 2002
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      Jeremy Carr
      October 2020
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      Brendan Black
      October 2020
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      Adrian Schober
      April 2020
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      Abel Muñoz Hénonin
      April 2020
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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more articles... more articles... more articles... more articles... more articles...

Author Kent Jones

Kent Jones

Kent Jones is a programmer at the Walter Reade Theater at Lincoln Center in New York. He is the author of L'Argent (BFI, 1999) and a forthcoming book on Hou Hsaio-hsien. He is also the co-writer of Il Dolce Cinema (2001), a documentary on Italian cinema directed by Martin Scorsese.

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To Live or Clarify the Moment: Rick Linklater’s Waking Life

Kent Jones
March 2002
Essays/on/Films
In his latest film, Linklater's inquiries into reality and perception continue a tradition of American philosophizing that makes him, in Jones' view, America's Tarkovsky.
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The Magnificent Anderson: The House of Mirth

Kent Jones
June 2001
Essays/on/Films
It's well-known that Ernst Lubitsch had an autocratic way with actors, modelling gestures for them in order to get the precise timing and physical articulation of emotions. An interesting approach to cinema...
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Bresson

Kent Jones
June 2000
CTEQ Annotations on Film
A refreshingly original approach to appreciating Bresson.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

© Senses of Cinema 2019

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Editors:

Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

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