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    • Murder in the Cathedral

      Cinema and Poetry: T. S. Eliot’s Murder in the Cathedral

      George Clark
      September 2016
      Feature Articles
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    • Bigger than life, or stranger: Pedro Costa’s Vitalina Varela: Part II

      Thomas Austin
      May 2022
    • Fire Machines: Titane and the Pyrotechnics of Love

      Emmalea Russo
      May 2022
    • Cringing Violently: Reparative Watching, Phenomenology and Discomfort in Australian Cinema

      Caitlin Wilson
      May 2022
    • Deleuzian Rumblings: Residue by Desire Machine Collective

      Vedant Srinivas
      May 2022
    • Acts of Faith: On Benedetta (Paul Verhoeven, 2021)

      Peter Verstraten
      May 2022
    • ‘Is The Power of the Dog a New Zealand film? National Identity, Genre and Jane Campion’

      Alfio Leotta & Missy Molloy
      May 2022
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    • Laying Bare the Anzac Legend: Interview with Köken Ergun

      George Clark
      October 2019
      Interviews
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    • Human is only human when vulnerable: An Interview With Michel Franco

      Savina Petkova
      May 2022
    • ‘I Was Taunting the Western’: An Interview with Alejandra Márquez Abella

      Silvia Spitta & Gerd Gemünden
      May 2022
    • “The Act of Filming is an Inner and Physical Journey in Itself”: Interview with Helke Misselwitz

      Victor Paz
      May 2022
    • Information as a music video, comedy as a diagram: Beny Wagner & Sasha Litvintseva in conversation

      Madeleine Collier
      May 2022
    • Interview with Albert Birney & Kentucker Audley

      Nolan Kelly
      May 2022
    • The Creative Leap to Fluid Consciousness: An Encounter with Ashley McKenzie

      Brigitta Wagner
      May 2022
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      George Clark
      January 2003
      Great Directors
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      Sanya Osha
      May 2022
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      Darragh O’Donoghue
      May 2022
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      Jeremy Carr
      January 2022
    • Lau, Kar-leung

      Tom Cunliffe
      January 2022
    • Tahimik, Kidlat 

      Charles Fairbanks
      January 2022
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      Dan Golding
      July 2021
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      George Clark
      May 2022
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      Joy McEntee
      May 2022
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      Wheeler Winston Dixon
      May 2022
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      Jeremy Carr
      May 2022
    • Cage, Nicolas

      Jessica Balanzategui
      January 2022
  • Festival Reports
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    • A Prisoner of the Palace: The 49th New York Film Festival Remains Comfortably Installed

      George Clark
      December 2011
      Festival Reports
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    • Day by Day: IFFR 2022

      Madeleine Collier
      May 2022
    • Absence and Presence at Internationale Kurzfilmtage Oberhausen. 68.

      Tara Judah
      May 2022
    • Stuck in traffic: IFFR 2022

      Tara Judah
      May 2022
    • From Within the Umbra of History: A Few Things about the Films of Rainer Komers, Sohrab Hura and Sylvia Schedelbauer

      Anuj Malhotra
      May 2022
    • Film Goes On (?): The 23rd Jeonju International Film Festival

      Marc Raymond
      May 2022
    • Play-Doc 2022: António Campos, a secret filmmaker

      Ricardo Vieira Lisboa
      May 2022
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    • New Zealand Cinema: Interpreting the Past, edited by Alistair Fox, Barry Keith Grant, and Hilary Radner

      George Clark
      March 2012
      Book Reviews
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    • How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan

      Kyle Barrowman
      May 2022
    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021
    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by Richard Barrios

      Adrian Schober
      July 2021
    • Foraging in a Transforming Mediascape: Cinemas Dark and Slow in Digital India, by Lalitha Gopalan

      Megan Carrigy
      July 2021
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      Roma

      George Clark
      March 2002
      CTEQ Annotations on Film
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    • Shockproof (Douglas Sirk, 1949): The Insanity of Romantic Desire

      Wheeler Winston Dixon
      May 2022
    • The Grotesque Loves of Jealousy, Italian Style (Ettore Scola, 1970)

      Tiia Kelly
      May 2022
    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022
    • Fritz Lang’s Spione (1928)

      Shari Kizirian
      May 2022
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Author George Clark

George Clark

George Clark is a writer, curator and artist. He currently works on touring programs of artists’ film and video at the Independent Cinema Office.

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Cinema and Beyond: The 53rd International Short Film Festival Oberhausen

George Clark
November 2007
Festival Reports
3-8 May 2007 The International Short Film Festival Oberhausen is the longest running short film festival in the world. The festival, now in its 53rd year, can be characterised by its constant questioning...
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Hell, Purgatory and Heaven: Surviving the 48th London Film Festival

George Clark
February 2005
Festival Reports
October 20–November 4, 2004 Subtitles allow viewers to believe that they are in some way in their own country. But for this film it's annoying because the viewer who reads subtitles is not listening to th...
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Aspects of Change: The 58th Edinburgh International Film Festival

George Clark
October 2004
Festival Reports
All film festivals are somewhat outside of culture. They operate to test films on a prospective market, to showcase films from underexposed countries, to celebrate the art form. The concept of a cultural sh...
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World and Experimental Cinema at the 47th London Film Festival

George Clark
February 2004
Festival Reports
22 October - 6 November The 47th London Film Festival came on strong this year. It commenced two weeks earlier than in previous years. Now it runs parallel with the London- based independent film festiva...
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Arnold, Brehm, Deutsch and Tscherkassky: Four Contemporary Austrian Avant-garde Filmmakers

George Clark
October 2003
Peter Tscherkassky & the Austrian Avant-Garde
Analysing in turn the aesthetics, thematics and politics of each of these filmmakers' work, Clark presents a comprehensive view of contemporary Austrian avant-garde cinema.
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The Establishment of Form – A Report on the 57th Edinburgh International Film Festival

George Clark
October 2003
Festival Reports
Now in its 57th year, the Edinburgh International Film Festival (EIFF) is the longest running film festival in the UK. It occupies a firm place amongst the plethora of events that hit Edinburgh each summer,...
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Perspectives on the Ethereal: The 46th London Film Festival

George Clark
January 2003
Festival Reports
(6 - 21, November 2002) The London Film Festival has taken place at the National Film Theatre on the South Bank, a hub for current redevelopment, for the last 46 years. It recently expanded to encompass ...
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An Overview of Shoot Shoot Shoot – The First Decade of the London Film-Makers’ Co-operative and British Avant-Garde Film 1966-1976

George Clark
July 2002
Feature Articles
This pioneering season is currently touring the world, and is hitting Brisbane, Melbourne and Perth throughout July.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

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