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  • Dossiers
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    • Sous la páve, le pláge!: Lesbian Vampires Vs the Situationist International

      George Clark
      April 2004
      Feature Articles
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    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
    • Values of Baz Luhrmann’s Elvis: A Carnival Ride

      Laleen Jayamanne
      January 2023
    • Fellini’s Memory: Amarcord

      Bruce Jackson
      January 2023
    • More than Mimicry: On Puppets and Interdependency in Annette and The Double Life of Véronique

      Indigo Bailey
      January 2023
    • After Structural Film: The Conceptual films of Morgan Fisher

      Arindam Sen
      January 2023
    • This Body Keeps the Score: the films of Saidin Salkic

      Dirk de Bruyn
      January 2023
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      Tiger Tanaka - Interview with Japanese Cult Director Hiroyuki "Sabu" Tanaka

      George Clark
      November 2000
      Interviews
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    • Afterwater: A Conversation with Dane Komljen

      Maria Giovanna Vagenas
      March 2023
    • Splice Here A Projected Odyssey: An Interview with Rob Murphy

      Tara Judah
      January 2023
    • Piaffe: Interview with Ann Oren

      Maria Giovanna Vagenas
      January 2023
    • Flesh Memories: Yeo Siew Hua’s Expanded Cinema in The Once and Future

      Toby Wu
      January 2023
    • In Search of Lost Time: An Interview with Christophe Honoré

      David A. Gerstner
      January 2023
    • Slow Fireworks: The Films of Amy Halpern

      Arindam Sen
      January 2023
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      George Clark
      December 2012
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      Giampiero Frasca
      January 2023
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      Sherry Johnson
      January 2023
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      Jeremy Carr
      October 2022
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      Hal Young
      October 2022
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      Sara Delshad
      October 2022
    • Smith, Jack: Travails of an Underground Artist

      Sanya Osha
      May 2022
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      George Clark
      January 2022
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      Jacob Agius
      October 2022
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      Joy McEntee
      May 2022
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      Wheeler Winston Dixon
      May 2022
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      Jeremy Carr
      May 2022
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      Mark Lager
      May 2022
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      Images from Afar: AFI Los Angeles International Film Festival

      George Clark
      February 2005
      Festival Reports
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    • Fire Within: The 60th Viennale

      Leonardo Goi
      January 2023
    • The Kids Aren’t Alright: The 27th Busan International Film Festival

      Marc Raymond
      January 2023
    • A Report on the Exhibition Threshold (works by Dirk de Bruyn, Guy Grabowsky & Mat Hughes)

      Glenn D'Cruz
      January 2023
    • Politics, Isolation, Pandemic: The 35th Tokyo International Film Festival

      Kohei Usuda
      January 2023
    • All the Pain and Exploitation: 66th London Film Festival

      Tara Judah
      January 2023
    • BABY, THE RAIN MUST FALL … on the Claude Sautet retrospective at the 70th San Sebastian International Film Festival

      Neil Young
      January 2023
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      For the Sake of Argument: Responding to Jake Wilson

      George Clark
      July 2002
      Book Reviews
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    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
    • Dennis Lim’s Tale of Cinema: A Meta-Monograph

      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
    • Do we need Digital Tarkovsky?

      Corey P. Cribb
      October 2022
    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022
  • CTEQ
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      L'Amoureuse

      George Clark
      July 2000
      CTEQ Annotations on Film
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    • Pickpocket (Robert Bresson, 1959)

      Emma Fajgenbaum
      March 2023
    • I Remember: Amarcord (Federico Fellini, 1973)

      Jacob Agius
      February 2023
    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
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Author George Clark

George Clark

George Clark is a writer, curator and artist. He currently works on touring programs of artists’ film and video at the Independent Cinema Office.

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Cinema and Beyond: The 53rd International Short Film Festival Oberhausen

George Clark
November 2007
Festival Reports
3-8 May 2007 The International Short Film Festival Oberhausen is the longest running short film festival in the world. The festival, now in its 53rd year, can be characterised by its constant questioning...
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Hell, Purgatory and Heaven: Surviving the 48th London Film Festival

George Clark
February 2005
Festival Reports
October 20–November 4, 2004 Subtitles allow viewers to believe that they are in some way in their own country. But for this film it's annoying because the viewer who reads subtitles is not listening to th...
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Aspects of Change: The 58th Edinburgh International Film Festival

George Clark
October 2004
Festival Reports
All film festivals are somewhat outside of culture. They operate to test films on a prospective market, to showcase films from underexposed countries, to celebrate the art form. The concept of a cultural sh...
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World and Experimental Cinema at the 47th London Film Festival

George Clark
February 2004
Festival Reports
22 October - 6 November The 47th London Film Festival came on strong this year. It commenced two weeks earlier than in previous years. Now it runs parallel with the London- based independent film festiva...
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Arnold, Brehm, Deutsch and Tscherkassky: Four Contemporary Austrian Avant-garde Filmmakers

George Clark
October 2003
Peter Tscherkassky & the Austrian Avant-Garde
Analysing in turn the aesthetics, thematics and politics of each of these filmmakers' work, Clark presents a comprehensive view of contemporary Austrian avant-garde cinema.
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The Establishment of Form – A Report on the 57th Edinburgh International Film Festival

George Clark
October 2003
Festival Reports
Now in its 57th year, the Edinburgh International Film Festival (EIFF) is the longest running film festival in the UK. It occupies a firm place amongst the plethora of events that hit Edinburgh each summer,...
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Perspectives on the Ethereal: The 46th London Film Festival

George Clark
January 2003
Festival Reports
(6 - 21, November 2002) The London Film Festival has taken place at the National Film Theatre on the South Bank, a hub for current redevelopment, for the last 46 years. It recently expanded to encompass ...
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An Overview of Shoot Shoot Shoot – The First Decade of the London Film-Makers’ Co-operative and British Avant-Garde Film 1966-1976

George Clark
July 2002
Feature Articles
This pioneering season is currently touring the world, and is hitting Brisbane, Melbourne and Perth throughout July.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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