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      Brother’s Intimacy: Patrice Chéreau’s Son frère

      Felicity Chaplin
      July 2004
      Feature Articles
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    • Respecting the Lives of Others: Bergman Island, Hommage and Anaïs in Love

      Anthony McKibbin
      August 2022
    • Protestploitation ’70: Revisiting Zabriskie Point and Strawberry Statement

      Selen Ozturk
      July 2022
    • More than a Wink: The Nature of Reality in Blow-Up and Las Babas del Diablo

      Will Hair
      July 2022
    • Suicide and Genius: Insights into One Episode of Akira Kurosawa’s Dreams

      Matthew Michaud & Justin Richardson
      July 2022
    • Interrogating Identity: The Fractal Self in Le petit soldat

      Michael James Beck
      July 2022
    • Bigger than life, or stranger: Pedro Costa’s Vitalina Varela: Part III

      Thomas Austin
      July 2022
  • Interviews
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    • The Plains: Conversation with David Easteal

      Felicity Chaplin
      July 2022
      Interviews
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    • “Resistance is the driving force of the film”: An Interview with Davy Chou

      Maja Korbecka
      July 2022
    • Human is only human when vulnerable: An Interview With Michel Franco

      Savina Petkova
      May 2022
    • ‘I Was Taunting the Western’: An Interview with Alejandra Márquez Abella

      Silvia Spitta & Gerd Gemünden
      May 2022
    • “The Act of Filming is an Inner and Physical Journey in Itself”: Interview with Helke Misselwitz

      Victor Paz
      May 2022
    • Information as a music video, comedy as a diagram: Beny Wagner & Sasha Litvintseva in conversation

      Madeleine Collier
      May 2022
    • The Creative Leap to Fluid Consciousness: An Encounter with Ashley McKenzie

      Brigitta Wagner
      May 2022
  • Great Directors
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    • Berlanga, Luis García

      Felicity Chaplin
      March 2003
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    • Smith, Jack: Travails of an Underground Artist

      Sanya Osha
      May 2022
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      Darragh O’Donoghue
      May 2022
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      Jeremy Carr
      January 2022
    • Lau, Kar-leung

      Tom Cunliffe
      January 2022
    • Tahimik, Kidlat 

      Charles Fairbanks
      January 2022
    • Lucas, George

      Dan Golding
      July 2021
  • Great Actors
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    • Garbo, Greta

      Felicity Chaplin
      May 2022
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    • Lansbury, Angela

      Joy McEntee
      May 2022
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      Wheeler Winston Dixon
      May 2022
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      Mark Lager
      May 2022
    • Cage, Nicolas

      Jessica Balanzategui
      January 2022
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      A World of Wounds: The 18th Human Rights Watch International Film Festival

      Felicity Chaplin
      November 2007
      Festival Reports
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    • Sundance Film Festival 2022

      Bérénice Reynaud
      August 2022
    • Is this the real life? Is this just fantasy? The 56th Karlovy Vary International Film Festival

      Cerise Howard
      August 2022
    • Normality: The 2022 Cannes Film Festival

      Daniel Fairfax
      August 2022
    • 36th Cinema Ritrovato Gets Covid in the Tail

      Roger Macy
      July 2022
    • Keeping the Fires Burning: A Week at the San Francisco Silent Film Festival

      Jonathan Mackris
      July 2022
    • New Territories and Old Dreams of Independence – Chinese and Hong Kong documentaries at the Taiwan International Documentary Festival

      Judith Pernin
      July 2022
  • Book Reviews
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    • The Aesthetic Mobilities of Lyotard’s Film-Philosophy: Acinemas: Lyotard’s Philosophy of Film, by Graham Jones and Ashley Woodward (eds.)

      Felicity Chaplin
      October 2018
      Book Reviews
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    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022
    • How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan

      Kyle Barrowman
      May 2022
    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021
    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by Richard Barrios

      Adrian Schober
      July 2021
  • CTEQ
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    • Lying About Homework (Abbas Kiarostami, 1989)

      Felicity Chaplin
      July 2020
      CTEQ Annotations on Film
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    • Shadows of Forgotten Ancestors (Sergei Parajanov, 1965)

      Wheeler Winston Dixon
      July 2022
    • Shockproof (Douglas Sirk, 1949): The Insanity of Romantic Desire

      Wheeler Winston Dixon
      May 2022
    • The Grotesque Loves of Jealousy, Italian Style (Ettore Scola, 1970)

      Tiia Kelly
      May 2022
    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022
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Author Felicity Chaplin

Felicity Chaplin

Felicity Chaplin is an academic and translator. She currently teaches cinema and culture in French Studies at Monash University, and European cinema at the Monash Prato campus in Italy. Her book, La Parisienne in cinema: between art and life (2017), is published by Manchester University Press. Her work appears in Australian Journal of French Studies, Celebrity Studies, Colloquy, Lola, Metro, Peephole, Screening the Past, and Senses of Cinema. Her book on Charlotte Gainsbourg will be published by Manchester University Press in 2019.

Revealing the Soul of a Cinematic Passeur: Mysteries of Cinema: Reflections on Film Theory, History and Culture 1982-2016, by Adrian Martin

Felicity Chaplin
March 2019
Book Reviews
Mysteries of Cinema, an anthology of the major essays by prolific and internationally-recognised Australian-born film critic Adrian Martin, takes its readers on a whirlwind journey through aesthetics, cinephili...

The Forgotten Auteur: Julien Duvivier by Ben McCann

Felicity Chaplin
June 2018
Book Reviews
“Duvivier is ripe for rediscovery”, declares Ben McCann in the opening to his book on French filmmaker Julien Duvivier and indeed the cineaste is a welcome addition to the French Film Directors series published...
troubled everyday

From the Banal to the Extreme… and Back Again: Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema by Alison Taylor

Felicity Chaplin
March 2018
Book Reviews
The sustained critical success of auteur directors like Michael Haneke and Lars von Trier, the emergence in the 1990s and 2000s of the “new extremism” particularly in French cinema, and the rise in recent years...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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