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      Conrad Hall: A Tribute

      Felicity Chaplin
      January 2003
      Feature Articles
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    • Occupied Territory and Abolitionist Freeze Frames: Haile Gerima’s Bush Mama

      David Grundy
      July 2021

    • The Black And White Epic No Budget Digital Feature Film

      Rob Nilsson
      July 2021

    • A Cocktail of Lunacy and Love: Poetic Dimensions in Fabrice Du Welz’s “Ardennes” Trilogy

      Peter Verstraten
      July 2021

    • Collectif Jeune Cinéma at 50: A Subjective Conversation

      Raphaël Bassan, Théo Deliyannis and Viviane Vagh
      July 2021

    • Favouritism In The Field of Vision: Yorgos Lanthimos’ The Favourite

      Cam Scott
      July 2021

    • Too Soon, Too Late: The Temporality of Ecological Grief in Cinema

      Kasia Van Schaik
      July 2021
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      Nature of Keeping Awake: Hanif Kureishi and Collaborative Film-Making

      Felicity Chaplin
      November 2000
      Interviews
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    • Sunken Film: Bill Morrison Talks The Village Detective: a song cycle

      Andrew Northrop
      July 2021

    • An Interview with the late Monte Hellman (1929-2021)

      Wheeler Winston Dixon
      July 2021

    • “I Myself am a Woman”: A Conversation with Han Shuai

      Maja Korbecka
      July 2021

    • Daydreaming Through Boundaries: A Conversation with Queena Li

      Łukasz Mańkowski
      May 2021

    • Ecofeminism With Marwa Arsanios

      Madeleine Collier
      May 2021

    • Afro – Nouveau: The Rise of the African New Wave in Cinema

      Justice Ayowale Whitaker
      May 2021
  • Great Directors
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    • Jia Zhangke

      Felicity Chaplin
      March 2003
      Great Directors
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      Dan Golding
      July 2021

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      Jeremy Carr
      July 2021

    • Obayashi, Nobuhiko

      Hal Young
      May 2021

    • Lee, Spike

      Isabella Mahoney
      May 2021

    • Lumet, Sidney 

      William “Bill” Blick
      May 2021

    • Scott, Tony

      Jeremy Carr
      October 2020
  • Festival Reports
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      Fespaco and the Transformations of Pan-African Film Promotion

      Felicity Chaplin
      May 2003
      Festival Reports
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    • Towards New Horizons: The 74th Locarno Film Festival

      Maria Giovanna Vagenas
      October 2021

    • “I Wish I Were Here”: Women at the 2021 Toronto International Film Festival

      Alexandra Heller-Nicholas
      October 2021

    • Time Capsules: Manfred Kirchheimer at Play-Doc 2021

      Iván Villarmea Álvarez
      October 2021

    • 35th Cinema Ritrovato Inhabits Bologna with Joy and Pride

      Roger Macy
      October 2021

    • An Enclave for Chinese Art Cinema: The 13th Xining First International Film Festival

      Zhaoyu Zhu and Jiakai Nie
      October 2021

    • Alberto Lattuada at the 74th Locarno Film Festival

      Sofie Cato Maas
      October 2021
  • Book Reviews
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      Iron Roses: Lost Girls: The Phantasmagorgical Cinema of Jean Rollin, ed. Samm Deighan

      Felicity Chaplin
      March 2018
      Book Reviews
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    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021

    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by John Barrios

      Adrian Schober
      July 2021

    • Foraging in a Transforming Mediascape: Cinemas Dark and Slow in Digital India, by Lalitha Gopalan

      Megan Carrigy
      July 2021

    • Time Machines: After Kubrick: A Filmmaker’s Legacy, edited by Jeremi Szaniawski

      Joy McEntee
      May 2021

    • The Politics of Ambiguity: After Authority: Global Art Cinema and Political Transition, by Kalling Heck

      Jennifer Ruth
      May 2021

    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
  • CTEQ
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      Erotikon

      Felicity Chaplin
      April 2009
      CTEQ Annotations on Film
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    • The Strange Beast: Tropical Malady (Apichatpong Weerasethakul, 2004)

      Donovan Renn
      June 2021

    • Anthems and Illusions: On a Few Shorts By Apichatpong Weerasethakul

      Brian Darr
      June 2021

    • His Particle, Somewhere: Mekong Hotel (Apichatpong Weerasethakul, 2012)

      Duncan Caillard
      June 2021

    • Blissfully Yours (Apichatpong Weerasethakul, 2002)

      Thomas Moran
      June 2021

    • Worldly Desires (Apichatpong Weerasethakul, 2005)

      Darragh O’Donoghue
      June 2021

    • Not so unknown after all: Jean Cocteau: Autoportrait d’un inconnu (Autobiography of an Unknown) (Edgardo Cozarinsky, 1983)

      Jytte Holmqvist
      June 2021
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Author Felicity Chaplin

Felicity Chaplin

Felicity Chaplin is an academic and translator. She currently teaches cinema and culture in French Studies at Monash University, and European cinema at the Monash Prato campus in Italy. Her book, La Parisienne in cinema: between art and life (2017), is published by Manchester University Press. Her work appears in Australian Journal of French Studies, Celebrity Studies, Colloquy, Lola, Metro, Peephole, Screening the Past, and Senses of Cinema. Her book on Charlotte Gainsbourg will be published by Manchester University Press in 2019.

Revealing the Soul of a Cinematic Passeur: Mysteries of Cinema: Reflections on Film Theory, History and Culture 1982-2016, by Adrian Martin

Felicity Chaplin
March 2019
Book Reviews
Mysteries of Cinema, an anthology of the major essays by prolific and internationally-recognised Australian-born film critic Adrian Martin, takes its readers on a whirlwind journey through aesthetics, cinephili...

The Forgotten Auteur: Julien Duvivier by Ben McCann

Felicity Chaplin
June 2018
Book Reviews
“Duvivier is ripe for rediscovery”, declares Ben McCann in the opening to his book on French filmmaker Julien Duvivier and indeed the cineaste is a welcome addition to the French Film Directors series published...
troubled everyday

From the Banal to the Extreme… and Back Again: Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema by Alison Taylor

Felicity Chaplin
March 2018
Book Reviews
The sustained critical success of auteur directors like Michael Haneke and Lars von Trier, the emergence in the 1990s and 2000s of the “new extremism” particularly in French cinema, and the rise in recent years...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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César Albarrán-Torres • Amanda Barbour • Michelle Carey • Daniel Fairfax • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

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