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    • Concrete Vanities: Terrence Malick’s Knight of Cups

      Felicity Chaplin
      March 2015
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      Khatuna Maisashvili
      January 2023
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      Laleen Jayamanne
      January 2023
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      Bruce Jackson
      January 2023
    • More than Mimicry: On Puppets and Interdependency in Annette and The Double Life of Véronique

      Indigo Bailey
      January 2023
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      Arindam Sen
      January 2023
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      Dirk de Bruyn
      January 2023
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      Felicity Chaplin
      May 2021
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      Tara Judah
      January 2023
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      Maria Giovanna Vagenas
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      Toby Wu
      January 2023
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      David A. Gerstner
      January 2023
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      Arindam Sen
      January 2023
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      Hamed Sarrafi
      January 2023
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      Felicity Chaplin
      January 2003
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      Sherry Johnson
      January 2023
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      Giampiero Frasca
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      Jeremy Carr
      October 2022
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      Hal Young
      October 2022
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      Sara Delshad
      October 2022
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      Sanya Osha
      May 2022
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      Felicity Chaplin
      May 2022
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      Jacob Agius
      October 2022
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      Joy McEntee
      May 2022
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      Mark Lager
      May 2022
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      Jessica Balanzategui
      January 2022
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      Dead End Kids: The 16th Human Rights Watch International Film Festival

      Felicity Chaplin
      July 2005
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      Leonardo Goi
      January 2023
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      Kohei Usuda
      January 2023
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      Marc Raymond
      January 2023
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      Glenn D'Cruz
      January 2023
    • All the Pain and Exploitation: 66th London Film Festival

      Tara Judah
      January 2023
    • BABY, THE RAIN MUST FALL … on the Claude Sautet retrospective at the 70th San Sebastian International Film Festival

      Neil Young
      January 2023
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      Dying to Belong: Gangster Movies in Hollywood and Hong Kong by Martha P. Nochimson

      Felicity Chaplin
      March 2008
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    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
    • Dennis Lim’s Tale of Cinema: A Meta-Monograph

      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
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      Corey P. Cribb
      October 2022
    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022
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      Au Hasard, Balthazar and Mouchette

      Felicity Chaplin
      June 2000
      CTEQ Annotations on Film
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    • I Remember: Amarcord (Federico Fellini, 1973)

      Jacob Agius
      February 2023
    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
    • Nosferatu: Eine Symphonie des Grauens (Nosferatu: A Symphony of Horror, F.W. Murnau, 1922)

      Martyn Bamber
      November 2022
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Author Felicity Chaplin

Felicity Chaplin

Felicity Chaplin is an academic and translator. She currently teaches cinema and culture in French Studies at Monash University, and European cinema at the Monash Prato campus in Italy. Her book, La Parisienne in cinema: between art and life (2017), is published by Manchester University Press. Her work appears in Australian Journal of French Studies, Celebrity Studies, Colloquy, Lola, Metro, Peephole, Screening the Past, and Senses of Cinema. Her book on Charlotte Gainsbourg will be published by Manchester University Press in 2019.

Revealing the Soul of a Cinematic Passeur: Mysteries of Cinema: Reflections on Film Theory, History and Culture 1982-2016, by Adrian Martin

Felicity Chaplin
March 2019
Book Reviews
Mysteries of Cinema, an anthology of the major essays by prolific and internationally-recognised Australian-born film critic Adrian Martin, takes its readers on a whirlwind journey through aesthetics, cinephili...

The Forgotten Auteur: Julien Duvivier by Ben McCann

Felicity Chaplin
June 2018
Book Reviews
“Duvivier is ripe for rediscovery”, declares Ben McCann in the opening to his book on French filmmaker Julien Duvivier and indeed the cineaste is a welcome addition to the French Film Directors series published...
troubled everyday

From the Banal to the Extreme… and Back Again: Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema by Alison Taylor

Felicity Chaplin
March 2018
Book Reviews
The sustained critical success of auteur directors like Michael Haneke and Lars von Trier, the emergence in the 1990s and 2000s of the “new extremism” particularly in French cinema, and the rise in recent years...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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