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      Underground Features of Yesterday and Today: Palmer & Weisman, Fotopoulos, Jolly, Packard

      Charles Leary
      May 2003
      Feature Articles
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    • Bigger than life, or stranger: Pedro Costa’s Vitalina Varela: Part II

      Thomas Austin
      May 2022
    • Fire Machines: Titane and the Pyrotechnics of Love

      Emmalea Russo
      May 2022
    • Cringing Violently: Reparative Watching, Phenomenology and Discomfort in Australian Cinema

      Caitlin Wilson
      May 2022
    • Deleuzian Rumblings: Residue by Desire Machine Collective

      Vedant Srinivas
      May 2022
    • Acts of Faith: On Benedetta (Paul Verhoeven, 2021)

      Peter Verstraten
      May 2022
    • ‘Is The Power of the Dog a New Zealand film? National Identity, Genre and Jane Campion’

      Alfio Leotta & Missy Molloy
      May 2022
  • Interviews
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    • Do you feel lonely standing here? A conversation with Na Jiazuo

      Charles Leary
      January 2022
      Interviews
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    • Human is only human when vulnerable: An Interview With Michel Franco

      Savina Petkova
      May 2022
    • ‘I Was Taunting the Western’: An Interview with Alejandra Márquez Abella

      Silvia Spitta & Gerd Gemünden
      May 2022
    • “The Act of Filming is an Inner and Physical Journey in Itself”: Interview with Helke Misselwitz

      Victor Paz
      May 2022
    • Information as a music video, comedy as a diagram: Beny Wagner & Sasha Litvintseva in conversation

      Madeleine Collier
      May 2022
    • Interview with Albert Birney & Kentucker Audley

      Nolan Kelly
      May 2022
    • The Creative Leap to Fluid Consciousness: An Encounter with Ashley McKenzie

      Brigitta Wagner
      May 2022
  • Great Directors
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    • Soderbergh, Steven

      Charles Leary
      October 2003
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      Sanya Osha
      May 2022
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      Darragh O’Donoghue
      May 2022
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      Jeremy Carr
      January 2022
    • Lau, Kar-leung

      Tom Cunliffe
      January 2022
    • Tahimik, Kidlat 

      Charles Fairbanks
      January 2022
    • Lucas, George

      Dan Golding
      July 2021
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    • Lansbury, Angela

      Charles Leary
      May 2022
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      Wheeler Winston Dixon
      May 2022
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      Jeremy Carr
      May 2022
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      Mark Lager
      May 2022
    • Cage, Nicolas

      Jessica Balanzategui
      January 2022
  • Festival Reports
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      Sydney Asia Pacific Film Festival - Welcome amidst a Welter

      Charles Leary
      July 2001
      Festival Reports
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    • Day by Day: IFFR 2022

      Madeleine Collier
      May 2022
    • Stuck in traffic: IFFR 2022

      Tara Judah
      May 2022
    • Absence and Presence at Internationale Kurzfilmtage Oberhausen. 68.

      Tara Judah
      May 2022
    • From Within the Umbra of History: A Few Things about the Films of Rainer Komers, Sohrab Hura and Sylvia Schedelbauer

      Anuj Malhotra
      May 2022
    • Film Goes On (?): The 23rd Jeonju International Film Festival

      Marc Raymond
      May 2022
    • Play-Doc 2022: António Campos, a secret filmmaker

      Ricardo Vieira Lisboa
      May 2022
  • Book Reviews
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      Mining the Home Movie: Excavations in Histories and Memories edited by Karen L. Ishizuka and Patricia R. Zimmermann

      Charles Leary
      February 2009
      Book Reviews
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    • How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan

      Kyle Barrowman
      May 2022
    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021
    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by Richard Barrios

      Adrian Schober
      July 2021
    • Foraging in a Transforming Mediascape: Cinemas Dark and Slow in Digital India, by Lalitha Gopalan

      Megan Carrigy
      July 2021
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    • Decalogue 5

      Dekalog, pięć

      Charles Leary
      September 2013
      CTEQ Annotations on Film
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    • Shockproof (Douglas Sirk, 1949): The Insanity of Romantic Desire

      Wheeler Winston Dixon
      May 2022
    • The Grotesque Loves of Jealousy, Italian Style (Ettore Scola, 1970)

      Tiia Kelly
      May 2022
    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022
    • Fritz Lang’s Spione (1928)

      Shari Kizirian
      May 2022
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Author Charles Leary

Charles Leary

Charles Leary is a Ph.D. candidate in Cinema Studies at New York University.

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Hustle with Speed: The 29th Hong Kong International Film Festival

Charles Leary
July 2005
Festival Reports
March 22–April 6, 2005 The Hong Kong International Film Festival (HKIFF), finishing its 29th installment this past April, has long been a sophisticated locus not only for Hong Kong film culture and cin...
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Permanent Satisfactions: The Last Great American Picture Show: New Hollywood Cinema in the 1970s edited by Thomas Elsaesser, Alexander Horwath, and Noel King

Charles Leary
October 2004
Book Reviews
I'll tell you one thing. There's nothing like building up an old automobile from scratch and wiping out one of these Detroit machines. That'll give you a set of emotions that'll stay with you. Know what I mean?...
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What is the Matrix? Cinema, Totality, and Topophilia

Charles Leary
July 2004
Beyond the Grave of Genre
Leary maps the vertiginous images of “totality” presented in The Matrix and its sequels.
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Johnny Staccato: “The Shop of the Four Winds”

Charles Leary
April 2004
CTEQ Annotations on Film
Johnny Staccato: “The Shop of the Four Winds” (1959 USA 26 mins) Prod Co: Revue Studios Prod: Everett Chambers Dir: Boris Segal Scr: Sidney Michaels Phot: John F. Warren Ed: Edward Haire Mus: Elmer Berns...
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What Goes Around, Comes Around: Infernal Affairs II and III and Running on Karma

Charles Leary
February 2004
Feature Articles
Jumping back and forward in time, these recent blockbusters offer multiple allegories of Hong Kong's past, present and future.
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The People Are Missing: The 25th Taipei Golden Horse International Film Festival (and 40th Golden Horse Awards)

Charles Leary
February 2004
Festival Reports
Sometimes the third world film-maker finds himself before an illiterate public, swamped by American, Egyptian or Indian serials, and karate films, and he has to go through all this, it is this material that h...
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Performing the Documentary, or Making It To the Other Bank

Charles Leary
July 2003
Feature Articles
A recent, unconventional Chinese documentary blurs the lines between cinema, theatre and ‘reality.’
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Infernal Affairs: High Concept in Hong Kong

Charles Leary
May 2003
Feature Articles
Hong Kong's most ambitious blockbuster reveals shifts in the industrial logic of world cinema.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

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