• Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Great Actors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
Search
Senses of Cinema logo
  • Dossiers
  • Features
    Random
    • Making Space

      Andrew James Horton
      December 2010
      Feature Articles
    Recent
    • Film Criticism and the Grotesque: A Very American Tár & an Oz Elvis

      Laleen Jayamanne
      August 2023
    • The aesthetics and politics of melodrama, reconsidered: Delitto d’amore / Crime of Love

      Thomas Austin
      August 2023
    • Horse-People and White Voices: Neoliberalism and Race in Sorry to Bother You

      Thomas Austin
      May 2023
    • The Exorcism of Sinister Ghosts: Saralisa Volm’s The Silent Forest

      Peter Verstraten
      May 2023
    • Spectatorial Labour: The Political Vision of Sergei Loznitsa’s Documentaries

      Santasil Mallik
      May 2023
    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
  • Interviews
    Random
    • Surviving You, Always: An Interview with Director Morgan Quaintance

      Andrew James Horton
      May 2021
      Interviews
    Recent
    • “Can You Prefigure Reality?”: A Conversation with Christoph Hochhäusler on his new film, Bis ans Ende der Nacht (Till the End of the Night)

      Marco Abel
      August 2023
    • The Klezmer Project (Adentro Mío Estoy Bailanado): A Conversation with Leandro Koch and Paloma Schachmann

      Maria Giovanna Vagenas
      August 2023
    • Chunky Shrapnel: A Conversation with John Angus Stewart

      C.S. Harper
      August 2023
    • A Cinematic Sojourn to the Land of Awe and Astonishment: Interview with Laura Citarella about El Pampero Cine and Trenque Lauquen

      Hamed Sarrafi
      August 2023
    • Here: An Interview with Bas Devos

      Maria Giovanna Vagenas
      May 2023
    • A Different Kind of Love Story: An Interview with Dustin Guy Defa

      Brigitta Wagner
      May 2023
  • Great Directors
    Random
    • Lindsay Anderson

      Anderson, Lindsay

      Andrew James Horton
      December 2017
      Great Directors
    Recent
    • Thompson, J. Lee

      Jeremy Carr
      May 2023
    • Beresford, Bruce

      Benjamin Kooyman
      May 2023
    • Fosse, Bob

      Sherry Johnson
      January 2023
    • Cimino, Michael

      Giampiero Frasca
      January 2023
    • Sorrentino, Paolo

      Jeremy Carr
      October 2022
    • Craven, Wes

      Hal Young
      October 2022
  • Great Actors
    Random
    • Garbo, Greta

      Andrew James Horton
      May 2022
      Great Actors
    Recent
    • Stanwyck, Barbara

      Eloise Ross
      August 2023
    • Bogart, Humphrey

      Wheeler Winston Dixon
      May 2023
    • Divine

      Jacob Agius
      October 2022
    • Lansbury, Angela

      Joy McEntee
      May 2022
    • Caine, Michael

      Wheeler Winston Dixon
      May 2022
    • Magee, Patrick

      Mark Lager
      May 2022
  • Festival Reports
    Random
    • Ghost Cities: The 58th Viennale

      Andrew James Horton
      January 2021
      Festival Reports
    Recent
    • Towards A Domestic Cinephilia: The 24th Jeonju International Film Festival

      Marc Raymond
      August 2023
    • Direct Cinephilia: Play-Doc 2023

      Fedor Tot
      August 2023
    • Stardust chronicle, a report from the 69th Internationale Kurzfilmtage Oberhausen

      Arindam Sen
      August 2023
    • Rising from the ashes: The 47th Hong Kong International Film Festival

      Maja Korbecka
      August 2023
    • The 22nd Transilvania International Film Festival: Open-world Stimulations

      Peter Virginas
      August 2023
    • Searching for Eros: the 76th Cannes Film Festival

      Savina Petkova
      August 2023
  • Book Reviews
    Random
    • Anarchist Cinema: A Dream of Resistance: The Cinema of Kobayashi Masaki by Stephen Prince

      Andrew James Horton
      January 2021
      Book Reviews
    Recent
    • The Rebellious and the Rigorous: The Red Years of Cahiers du cinéma (1968-1973), by Daniel Fairfax

      Tony McKibbin
      August 2023
    • A Journey through Serge Daney’s Cinema House

      Emmanuel Bonin
      August 2023
    • Bloody, Raging Females: Five Books Examine Contemporary Feminist Horror Films

      Holly Willis
      May 2023
    • Cinematic Bottom-Feeding: Why It’s OK to Love Bad Movies, by Matthew Strohl

      Sam Woolfe
      May 2023
    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
    • Dennis Lim’s Tale of Cinema: A Meta-Monograph

      Marc Raymond
      January 2023
  • CTEQ
    Random
    • article placeholder

      Greetings

      Andrew James Horton
      August 2008
      CTEQ Annotations on Film
    Recent
    • Czechoslovakia’s King and Queen of Comedy: Anny Ondra and Vlasta Burian in An Old Gangster’s Molls (Svatopluk Innermann, 1927)

      Shari Kizirian
      September 2023
    • It’s About Time We All Met a Happy End (Oldřich Lipský, 1967)

      Cerise Howard
      September 2023
    • Heave Ho! (Martin Frič, 1934)

      Faith Everard
      September 2023
    • Tomorrow I’ll Wake Up and Scald Myself with Tea (Jindřich Polák, 1977)

      Danica van de Velde
      September 2023
    • The Woman Suffers: “South Australia’s greatest film production” (Raymond Longford, 1918)

      Stephen Gaunson
      September 2023
    • The Sentimental Bloke (Raymond Longford, 1919)

      Darragh O’Donoghue
      September 2023
  • Support Senses
  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Latest
  • Past Issues
  • World Poll
  • Podcast
  • Advertisers
  • Proposals
  • Call for Submissions: Film and the nonhuman
  • Shop
  • Subscribe
more articles... more articles... more articles... more articles... more articles...

Author Andrew James Horton

Andrew James Horton

Andrew James Horton is Editor-in-Chief of Kinoeye.

article placeholder

Bleak Optimism: Balkan film at the 45th Thessaloniki International Film Festival

Andrew James Horton
February 2005
Festival Reports
November 19–28, 2004 Even before the 1990s, the Balkans was infamous for inter-ethnic tensions, and the word Balkanisation was a derogatory term to describe disintegration into squabbling factions unab...
article placeholder

Making a Song and Dance of It – 34th Hungarian Film Week

Andrew James Horton
March 2003
Festival Reports
28 January – 4 February When cinema first appeared at the end of the 19th century, there was a huge debate as to whether it could be considered a valid art form or just a rather gimmicky form of sideshow...
article placeholder

An Industry of Philanthropy – Balkan film at the 43rd International Thessaloniki Film Festival

Andrew James Horton
January 2003
Festival Reports
8-17 November 2002 Festival website: www.filmfestival.gr “I have always thought that European cinema should protect themselves…” said Nae Caranfil introducing his latest film Filantropica (Philanthropy...
article placeholder

Ordinary Lives in Extraordinary Times – Márta Mészáros interviewed

Andrew James Horton
October 2002
Feature Articles
Long-time director Meszáros talks about filmmaking both during and post the Communist regime.
article placeholder

Inhaling a Unique Atmosphere – Central and East European Film at the 37th Karlovy Vary

Andrew James Horton
October 2002
Festival Reports
4-13 July 2002 Festival website: www.iffkv.cz In the 1970s and ‘80s, a film in competition at the Karlovy Vary International Film Festival was lucky to gain any more than a handful of viewers. But now t...
article placeholder

The 13th Trieste Film Festival: “Alpe Adria Cinema”

Andrew James Horton
March 2002
Festival Reports
Though geographically located in Italy, the Trieste Film Festival showcases many films from the former communist countries.
article placeholder

The Outskirts Becoming the Centre – Balkan Film at the 42nd International Thessaloniki Film Festival

Andrew James Horton
December 2001
Festival Reports
Greek cinema sits alongside its international counterparts in this major East European festival.
article placeholder

A Window Both Ways – Central and East European Film at the 36th Karlovy Vary International Film Festival

Andrew James Horton
September 2001
Festival Reports
A comprehensive and highly informative overview of what is an important European film festival, especially symbolic is its balanced programming between films from the West and the East.
article placeholder

A Report on the 48th Pula Film Festival and the Current State of the Croatian Film Industry

Andrew James Horton
July 2001
Festival Reports
The Pula Film Festival, 22-30 June 2001 The film ended, and the spotlights came on. As the director (along with several other members of the crew) mounted the stage, the Festival audience burst into spon...
article placeholder

Just Who Owns the Shop? Identity and Nationality in Obchod na korze

Andrew James Horton
December 2000
Eastern European Cinema
Czech or Slovak? When consideration of a film's origin becomes a complicated affair.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

Staff Members

Editors:

César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

Contributing Partner

Donate to Senses

 

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

 

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff