• Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Great Actors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
Search
Senses of Cinema logo
  • Dossiers
  • Features
    Random
    • article placeholder

      “Colorado Death Trip”: The Surrealist Recontextualisation of Farm Security Administration Photos in Dogville

      Anastasia Kostina
      February 2005
      Feature Articles
    Recent
    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
    • Bee and Bresson: Pickpocket and its Painting

      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
  • Interviews
    Random
    • “It is a paradox: repression produces excess”: Su Hui-Yu on Re-shooting History

      Anastasia Kostina
      January 2026
      Interviews
    Recent
    • An Interview with Giulio Bertelli

      Gary M. Kramer
      July 2026
    • Mahboobeh Kalaee: Creation as Antidote to Destruction during American and Israeli airstrikes

      Amanda Barbour
      July 2026
    • Time and Tide: In Conversation with Director Vee Shi and Cinematographer-Producer Nicholson Ren

      Đăng Tùng Bạch
      July 2026
    • Lee Anne Schmitt: An Anthropology of Americanism

      Arindam Sen
      July 2026
    • “What is a complete image of oil?”: An Interview with Sanaz Sohrabi

      Botagoz Koilybayeva
      July 2026
    • Interview with Pierre le Gall

      Gary M. Kramer
      July 2026
  • Great Directors
    Random
    • Walsh, Raoul

      Anastasia Kostina
      July 2002
      Great Directors
    Recent
    • Ferrara, Abel

      Florian Zappe
      July 2026
    • Khavn

      Patrick F. Campos
      July 2026
    • Yuasa, Masaaki

      Nicholas Buccheri
      July 2026
    • Corbucci, Sergio

      Sherry Johnson
      May 2026
    • Fisher, Terence

      Steve Johnson
      January 2026
    • Dutt, Guru

      Ashish Dwivedi
      November 2025
  • Great Actors
    Random
    • Bogart, Humphrey

      Anastasia Kostina
      May 2023
      Great Actors
    Recent
    • Kuz’mina, Elena

      Tony Williams
      May 2026
    • Lindsay, Margaret

      Andy Hageman
      January 2026
    • Lavant, Denis

      Indigo Bailey
      November 2025
    • Swinton, Tilda

      Colette de Castro
      July 2025
    • Yeoh, Michelle

      Tony Williams
      May 2025
    • Gelovani, Mikheil

      Tony Williams
      May 2025
  • Festival Reports
    Random
    • Tigrero (Mika Kaurismaki, 1994)

      Inside the Outsides: The Half-Year in Documentary Festivals

      Anastasia Kostina
      June 2018
      Festival Reports
    Recent
    • Korean Cinephilia and Its Possible Futures: The 27th Jeonju International Film Festival

      Marc Raymond
      July 2026
    • What is the honour of cinema? – The 79th Cannes Film Festival

      Daichi Ogi
      July 2026
    • Coming of age does not happen overnight: IndieLisboa turns 23

      Susana Bessa
      July 2026
    • The hottest ticket in town: the 40th Il Cinema Ritrovato

      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
    • Sundance 2026: Watching on the go

      Botagoz Koilybayeva
      May 2026
  • Book Reviews
    Random
    • Trafic at 30, End of a Film Journal

      Anastasia Kostina
      July 2022
      Book Reviews
    Recent
    • Feeling the Screen Story’s Pulse: Karen Pearlman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
  • CTEQ
    Random
    • Of What is Merata Mita/Mauri the Name?

      Anastasia Kostina
      July 2023
      CTEQ Annotations on Film
    Recent
    • Le jour se lève: Along the noir continuum

      Shari Kizirian
      October 2026
    • Thérèse Raquin

      Daniel Phuoc Wilson
      October 2026
    • Les Portes de la nuit

      Brad Weismann
      October 2026
    • Trouble in Paradise: Ikarie XB 1’s Music and Sound

      Austin Lancaster
      October 2026
    • Lisa and the Devil

      Inge Fossen
      September 2026
    • The Girl Who Knew Too Much

      Alexia Kannas
      September 2026
  • Support Senses
  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Latest
  • Past Issues
  • World Poll
  • Podcast
  • Advertisers
  • Proposals
  • Call for Contributions
  • Shop
  • Subscribe
more articles... more articles... more articles... more articles... more articles...

Author Anastasia Kostina

Anastasia Kostina

Anastasia Kostina is a PhD student in the joint program in Film and Media Studies & Slavic Languages and Literatures at Yale University. Anastasia’s academic interests lie within documentary history and theory with particular focus on the relationships between documentary and ideology. Prior to joining Yale University, Anastasia worked as a documentary film editor for the state-sponsored Russian news TV-channel RT.

Esfir Shub

1927: The Fall of the Romanov Dynasty (Esfir Shub)

Anastasia Kostina
December 2017
100 Years of Soviet Cinema
Compiling History for Masses: The Fall of the Romanov Dynasty In August 1926, Sovkino, the Soviet state body in control of cinema production, commissioned Esfir Shub to make a film commemorating the tenth anni...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

Staff Members

Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

Contributing Partner

Donate to Senses

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

 

Search

  • Facebook
  • Instagram
  • Twitter
  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff