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    • Concrete Vanities: Terrence Malick’s Knight of Cups

      Alexander Horwath
      March 2015
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      Andy Reischling
      October 2020
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      Andrew Brooks
      October 2020
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      Zoë Almeida Goodall
      October 2020
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      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
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      Salvador Carrasco
      October 2020
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      Steffanie Ling
      October 2020
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      Pellucid Pique: The 27th Vancouver International Film Festival

      Alexander Horwath
      February 2009
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      Roger Macy
      October 2020
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      Alexandra Heller-Nicholas
      October 2020
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      Leonardo Goi
      October 2020
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      Jake Pitre
      October 2020
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      Maria Giovanna Vagenas
      October 2020
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      Bérénice Reynaud
      July 2020
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      Alexander Horwath
      December 2011
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      Daniel Fairfax
      October 2020
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      Joshua Sperling
      October 2020
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      Tony McKibbin
      October 2020
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      Tony McKibbin
      July 2020
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      Joshua Heaps
      July 2020
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      Ivan Cerecina
      July 2020
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      Alexander Horwath
      April 2001
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      David Melville
      October 2020
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      Darragh O’Donoghue
      October 2020
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      Donovan Renn
      October 2020
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      David Heslin
      October 2020
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      Cerise Howard
      October 2020
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      Martyn Bamber
      October 2020
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      Alexander Horwath
      April 2020
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      Brendan Black
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      Adrian Schober
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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      Jeremy Carr
      July 2019
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more articles... more articles... more articles... more articles... more articles...

Author Alexander Horwath

Alexander Horwath

Alexander Horwath is a writer and curator based in Vienna and the director of Oesterreichisches Filmmuseum, the Austrian Cinémathèque.

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Singing in the Rain – Supercinematography by Peter Tscherkassky

Alexander Horwath
October 2003
Peter Tscherkassky & the Austrian Avant-Garde
Tscherkassky's career, which ranges from work on Super 8 to 35mm, is distinctly post avant-garde, characterised by a unique approach to traditions of filmmaking, film theory, the physicality of film, the self and the history of cinema.
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BANG BANG – Encounters with Romuald Karmakar and his films

Alexander Horwath
July 2002
Feature Articles
An informed, revealing discussion of contemporary German cinema that highlights the work of Romuald Karmakar as a maverick in the tradition of Cassavetes and Hellman.
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BANG BANG – Begegnungen mit Romuald Karmakar und seinen Filmen

Alexander Horwath
July 2002
Feature Articles
(In German.) An informed, revealing discussion of contemporary German cinema that highlights the work of Romuald Karmaker as a maverick in the tradition of Cassavetes and Hellman.
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The Man with the Magnétoscope – Jean-Luc Godard’s Monumental Histoire(s) du cinéma as SoundImageTextBook

Alexander Horwath
July 2001
Garrel & Godard (Pt 2)
With passion and insight, Horwath discusses the "baroque" logic of the Histoire(s).
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Der Mann mit dem Magnetoskop – Jean-Luc Godards monumentale “Geschichte(n) des Kinos” als TonBildTextBuch

Alexander Horwath
July 2001
Garrel & Godard (Pt 2)
Der folgende Text wurde im Dezember 1998 verfaßt und veröffentlicht in: TAZ (Berlin), Basler Zeitung (Basel), Die Presse (Wien). * * * "Die Erlebnisse unserer Sinne sind nämlich beinahe ebenso konservativ...

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Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

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