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  • Dossiers
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    • Senses of Cinema-Going: Brief Reports on Going to the Movies Around the World

      Alex Ling
      March 2011
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
    • Bee and Bresson: Pickpocket and its Painting

      Leonard Schwartz
      July 2026
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      Jens Andermann
      May 2026
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      Alex Ling
      October 2020
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      Gary M. Kramer
      July 2026
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      Amanda Barbour
      July 2026
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      Tùng Bạch Đăng
      July 2026
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      Arindam Sen
      July 2026
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      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      Alex Ling
      October 2003
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      Florian Zappe
      July 2026
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      Patrick F. Campos
      July 2026
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      Sherry Johnson
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Alex Ling
      May 2022
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      Tony Williams
      May 2026
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      Andy Hageman
      January 2026
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      Indigo Bailey
      November 2025
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      Colette de Castro
      July 2025
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      Tony Williams
      May 2025
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      Tony Williams
      May 2025
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      Alex Ling
      January 2021
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      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
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      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      A Long Hard Look at ‘Psycho’ by Raymond Durgnat

      Alex Ling
      January 2003
      Book Reviews
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    • Feeling the Screen Story’s Pulse: Karen Pearlman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
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      Scott Robinson
      May 2026
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    • Afflictions of Pain and Desire: The River (Tsai Ming-liang, 1997)

      Alex Ling
      May 2023
      CTEQ Annotations on Film
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      Inge Fossen
      September 2026
    • The Girl Who Knew Too Much

      Alexia Kannas
      September 2026
    • Rabid Dogs

      Darragh O’Donoghue
      September 2026
    • Playful Provocation: Hypermediacy in Mario Bava’s Danger: Diabolik

      Kyle Sossamon
      September 2026
    • Kill, Baby… Kill!

      Ian Olney
      September 2026
    • The Faces of Mario Bava’s Black Sabbath

      Kristian Ramsden
      September 2026
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Author Alex Ling

Alex Ling

Alex Ling teaches in the Cinema Studies Department at the University of Melbourne. He has published widely on film and philosophy and is the author of Badiou and Cinema (forthcoming from Edinburgh University Press).

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Screen Theorizing Today: A Celebration of Screen’s Fiftieth Anniversary edited by Annette Kuhn

Alex Ling
July 2010
Book Reviews
It is difficult to overstate the impact the British journal Screen has had on the discipline of film and television studies. For the past 50 years, the journal has consistently been at the centre of debates aro...

The New Face of Political Cinema: Commitment in French Film Since 1995 by Martin O’Shaughnessy

Alex Ling
December 2009
Book Reviews
The relationship of cinema to politics has a rich and chequered history, effectively dictating the form of many of cinema’s most vibrant configurations (Russian cinema in the wake of the 1917 revolution, Italia...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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