• Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Great Actors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
Search
Senses of Cinema logo
  • Dossiers
  • Features
    Random
    • Carnal Spirituality: the Films of Carlos Reygadas

      Laleen Jayamanne
      July 2010
      Feature Articles
    Recent
    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
    • Bee and Bresson: Pickpocket and its Painting

      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
  • Interviews
    Random
    • Slow Fireworks: The Films of Amy Halpern

      Laleen Jayamanne
      January 2023
      Interviews
    Recent
    • An Interview with Giulio Bertelli

      Gary M. Kramer
      July 2026
    • Mahboobeh Kalaee: Creation as Antidote to Destruction during American and Israeli airstrikes

      Amanda Barbour
      July 2026
    • Time and Tide: In Conversation with Director Vee Shi and Cinematographer-Producer Nicholson Ren

      Tùng Bạch Đăng
      July 2026
    • Lee Anne Schmitt: An Anthropology of Americanism

      Arindam Sen
      July 2026
    • “What is a complete image of oil?”: An Interview with Sanaz Sohrabi

      Botagoz Koilybayeva
      July 2026
    • Interview with Pierre le Gall

      Gary M. Kramer
      July 2026
  • Great Directors
    Random
    • Chambers, Jack

      Laleen Jayamanne
      May 2002
      Great Directors
    Recent
    • Ferrara, Abel

      Florian Zappe
      July 2026
    • Khavn

      Patrick F. Campos
      July 2026
    • Yuasa, Masaaki

      Nicholas Buccheri
      July 2026
    • Corbucci, Sergio

      Sherry Johnson
      May 2026
    • Fisher, Terence

      Steve Johnson
      January 2026
    • Dutt, Guru

      Ashish Dwivedi
      November 2025
  • Great Actors
    Random
    • Caine, Michael

      Laleen Jayamanne
      May 2022
      Great Actors
    Recent
    • Kuz’mina, Elena

      Tony Williams
      May 2026
    • Lindsay, Margaret

      Andy Hageman
      January 2026
    • Lavant, Denis

      Indigo Bailey
      November 2025
    • Swinton, Tilda

      Colette de Castro
      July 2025
    • Yeoh, Michelle

      Tony Williams
      May 2025
    • Gelovani, Mikheil

      Tony Williams
      May 2025
  • Festival Reports
    Random
    • article placeholder

      Minimalism and Maximalism: The 42nd New York Film Festival

      Laleen Jayamanne
      February 2005
      Festival Reports
    Recent
    • Korean Cinephilia and Its Possible Futures: The 27th Jeonju International Film Festival

      Marc Raymond
      July 2026
    • What is the honour of cinema? – The 79th Cannes Film Festival

      Daichi Ogi
      July 2026
    • Coming of age does not happen overnight: IndieLisboa turns 23

      Susana Bessa
      July 2026
    • The hottest ticket in town: the 40th Il Cinema Ritrovato

      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
    • Sundance 2026: Watching on the go

      Botagoz Koilybayeva
      May 2026
  • Book Reviews
    Random
    • article placeholder

      Screen Theorizing Today: A Celebration of Screen’s Fiftieth Anniversary edited by Annette Kuhn

      Laleen Jayamanne
      July 2010
      Book Reviews
    Recent
    • Feeling the Screen Story’s Pulse: Karen Pearlman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
  • CTEQ
    Random
    • Property is No Longer a Theft

      Laleen Jayamanne
      March 2013
      CTEQ Annotations on Film
    Recent
    • Lisa and the Devil

      Inge Fossen
      September 2026
    • The Girl Who Knew Too Much

      Alexia Kannas
      September 2026
    • Rabid Dogs

      Darragh O’Donoghue
      September 2026
    • Playful Provocation: Hypermediacy in Mario Bava’s Danger: Diabolik

      Kyle Sossamon
      September 2026
    • Kill, Baby… Kill!

      Ian Olney
      September 2026
    • The Faces of Mario Bava’s Black Sabbath

      Kristian Ramsden
      September 2026
  • Support Senses
  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Latest
  • Past Issues
  • World Poll
  • Podcast
  • Advertisers
  • Proposals
  • Call for Contributions
  • Shop
  • Subscribe
more articles... more articles... more articles... more articles... more articles...

Author Laleen Jayamanne

Laleen Jayamanne

Laleen Jayamanne taught Cinema Studies at the University of Sydney. She wrote Poetic Cinema and the Spirit of the Gift: In the Films of Pabst, Parajanov, Kubrick and Ruiz (Amsterdam University Press, 2021) and directed the film A Song of Ceylon (Australian Film Commission, 1985). Her recent writings on art and politics in Sri Lanka for The Island newspaper are being translated into Sinhala.

Is the Earth Fucked? Lars von Trier’s Melancholia (2011) & Albrecht Durer’s Melencolia 1 (1514)

Laleen Jayamanne
May 2024
Film and the Nonhuman
Real depression is boring, there’s not usually a lot of cinematic stuff going on. And Lars had a very creative way of making it not boring. – Kirsten Dunst ‘Why is it’, the author asked ‘that all men who ...

Film Criticism and the Grotesque: A Very American Tár & an Oz Elvis

Laleen Jayamanne
August 2023
Feature Articles
Cate Blanchett: “There’s so much to talk about.” Todd Field: “There’s a lot to talk about.” CB: “In fact, it’s very hard to pin the movie down, which is its strength.” CB: “…a film that is asking big metaphy...

Values of Baz Luhrmann’s Elvis: A Carnival Ride

Laleen Jayamanne
January 2023
Feature Articles
“It was the greatest Carnival Attraction I’d ever seen… His Super Power was Music.” - Colonel Tom Parker An Australian Film Brand With just six films over thirty years (1992-2022), Baz Luhrmann and his crea...

Segregation and Film Pedagogy: Aboriginal Kids Nullah and Dujuan

Laleen Jayamanne
October 2020
Feature Articles
“…I am dispended”, says Dujuan Hoosan, the Arrente/Garrwa little Aboriginal boy at the centre of the documentary, In My Blood it Runs (2020). “… suspended”, corrects his mother. But “dispended” like “Desperance...

Story of Home: The Paternal Legacy of Black Panther

Laleen Jayamanne
October 2018
Feature Articles
We hear the voices of a father and a son talking to each other over a black screen (accompanied by soft string music), in the very opening moments of Ryan Coogler’s Black Panther (2018, Marvel Studios). But we ...
article placeholder

Mother India by Gayatri Chatterjee

Laleen Jayamanne
December 2002
Book Reviews
(London: British Film Institute, 2002) Gayatri Chatterjee's book on the Indian epic film Mother India (Mehboob Khan, 1957) is one of a series of books that the British Film Institute has commissioned on the ...
article placeholder

The Ornamentation of Nicole Kidman (Eyes Wide Shut) and Mita Vashisht (Kasba): a Sketch

Laleen Jayamanne
December 2002
The Female Actor
Jayamanne argues that, drawing on traditions of painting and eliciting a brand of performance, Kubrick and Shahani mobilise ornamentation to create femininity as a metamorphic force.
article placeholder

Va Savoir! (Who Knows!, 2001, Jacques Rivette)

Laleen Jayamanne
May 2002
Feature Articles
Six characters in search of (variously) a lost play, a stolen ring, has-been and would-be lovers and who knows what, finally converge on a stage set for Pirandello's play, As you desire me. Such a mix of ob...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

Staff Members

Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

Contributing Partner

Donate to Senses

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

 

Search

  • Facebook
  • Instagram
  • Twitter
  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff