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    • Hugo, Remediation, and the Cinema of Attractions, or, The Adaptation of Hugo Cabret

      Andy Reischling
      July 2012
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    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
    • The New-Ark: trying to disavow anti-blackness

      Andrew Brooks
      October 2020
    • Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020
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      Steffanie Ling
      October 2020
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    • Queer and Australian Features at the 2020 Adelaide Film Festival

      Andy Reischling
      January 2021
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      Sucheta Chakraborty
      January 2021
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      Leonardo Goi
      January 2021
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      Marc Raymond
      January 2021
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      Saige Walton
      January 2021
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      Kohei Usuda
      January 2021
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      Maja Korbecka
      January 2021
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      Experimental Cinema in the Digital Age (BFI 2001) by Malcolm Le Grice

      Andy Reischling
      March 2002
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    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
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      Wheeler Winston Dixon
      January 2021
    • “Memories Are Made of This”: Juliane Lorenz and Lothar Schirmer’s R.W. Fassbinder: Film Stills, 1966-1982

      Eric Gudas
      January 2021
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      Tom Ryan
      January 2021
    • Anarchist Cinema: A Dream of Resistance: The Cinema of Kobayashi Masaki by Stephen Prince

      Karthick Ram Manoharan
      January 2021
    • Trade Follows the Film: Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson

      Daniel Fairfax
      October 2020
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    • The Melancholy Dance of the (Un)Masked Soul: I fidanzati (Ermanno Olmi, 1963)

      Andy Reischling
      October 2019
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      David Melville
      October 2020
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      Darragh O’Donoghue
      October 2020
    • German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

      Donovan Renn
      October 2020
    • Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

      David Heslin
      October 2020
    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020
    • A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

      Martyn Bamber
      October 2020
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    • Jodorowsky, Alejandro

      Andy Reischling
      February 2007
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      Jeremy Carr
      October 2020
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      Brendan Black
      October 2020
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      Adrian Schober
      April 2020
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      Abel Muñoz Hénonin
      April 2020
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author Andy Reischling

Andy Reischling

Andy Reischling is currently working on the series 'POV' on PBS, the longest-running documentary showcase on television. You can find all of his writing on downweek.com.

Criminals Against Decoration: Modernism as a Heist

Andy Reischling
October 2020
Feature Articles
The first thing you see in Jean-Pierre Melville’s 1966 film, Le Samouraï, is an apartment. It’s a bare studio, undecorated and almost wholly bereft of any trace of human life. On the bed, a cigarette dangling o...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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