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Dossiers
Features
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Leighton Pierce: Master Miniaturist
Rachel Brown
May 2002
Feature Articles
Recent
Horse-People and White Voices: Neoliberalism and Race in
Sorry to Bother You
Thomas Austin
May 2023
The Exorcism of Sinister Ghosts: Saralisa Volm’s
The Silent Forest
Peter Verstraten
May 2023
Spectatorial Labour: The Political Vision of Sergei Loznitsa’s Documentaries
Santasil Mallik
May 2023
When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films:
The Other Bank
,
Tangerines
, and
Corn Island
Khatuna Maisashvili
January 2023
Fellini’s Memory:
Amarcord
Bruce Jackson
January 2023
Values of Baz Luhrmann’s
Elvis
: A Carnival Ride
Laleen Jayamanne
January 2023
Interviews
Random
“You Cannot Whitewash the Truth”- A Conversation with Arie and Chuko Esiri
Rachel Brown
July 2020
Interviews
Recent
Here
: An Interview with Bas Devos
Maria Giovanna Vagenas
May 2023
A Different Kind of Love Story: An Interview with Dustin Guy Defa
Brigitta Wagner
May 2023
Family as a Film Collective: An interview with Huang Ji and Ryûji Otsuka
Maja Korbecka
May 2023
Biting comedy: An Interview with Japanese director Hyûga Fumiari
Purple Romero
May 2023
When in Love, Make a Film: Interview with Alexandre O. Philippe
Hamed Sarrafi
May 2023
“I Needed to See Light”: An Interview with Tatiana Huezo
Silvia Spitta & Gerd Gemünden
May 2023
Great Directors
Random
Richardson, Tony
Rachel Brown
August 2007
Great Directors
Recent
Thompson, J. Lee
Jeremy Carr
May 2023
Beresford, Bruce
Benjamin Kooyman
May 2023
Fosse, Bob
Sherry Johnson
January 2023
Cimino, Michael
Giampiero Frasca
January 2023
Sorrentino, Paolo
Jeremy Carr
October 2022
Craven, Wes
Hal Young
October 2022
Great Actors
Random
Magee, Patrick
Rachel Brown
May 2022
Great Actors
Recent
Bogart, Humphrey
Wheeler Winston Dixon
May 2023
Divine
Jacob Agius
October 2022
Lansbury, Angela
Joy McEntee
May 2022
Caine, Michael
Wheeler Winston Dixon
May 2022
Garbo, Greta
Jeremy Carr
May 2022
Cage, Nicolas
Jessica Balanzategui
January 2022
Festival Reports
Random
Defining Independence: Independence Days at International Thessaloniki Film Festival
Rachel Brown
May 2006
Festival Reports
Recent
Generational Feminisms: the 45th Festival International de Films de Femmes
Sian Mitchell
May 2023
GoEast: the 23rd Festival of Central and Eastern European Film
Carmen Gray
May 2023
CPH:DOX 2023: At World’s End
Will DiGravio
May 2023
Punto de Vista 2023: Dust No Longer Clouds Our Eyes
Jay Kuehner
May 2023
All the world’s a stage IFFR Critics’ Choice 9: PLAY
Tara Judah
May 2023
Sweet Madness: the 2023 Berlinale
Daniel Fairfax
May 2023
Book Reviews
Random
Wolf Creek
by Sonya Hartnett
Rachel Brown
December 2011
Book Reviews
Recent
Bloody, Raging Females: Five Books Examine Contemporary Feminist Horror Films
Holly Willis
May 2023
Cinematic Bottom-Feeding:
Why It’s OK to Love Bad Movies
, by Matthew Strohl
Sam Woolfe
May 2023
For a Double-Edged Theory: Christian Metz’
Essais sur la signification au cinéma
at 50
Abel Muñoz Hénonin
January 2023
Dennis Lim’s
Tale of Cinema
: A Meta-Monograph
Marc Raymond
January 2023
In search of a Global Filipino Auteur:
Sine ni Lav Diaz
, edited by Parichay Patra and Micheal Kho Lim
Pujita Guha
January 2023
Philosophy for the Blockbuster Audience:
Christopher Nolan: Filmmaker and Philosopher
, by Robbie B. H. Goh
Tom Boniface-Webb
October 2022
CTEQ
Random
German Yearnings, East and West:
The Sons of Great Bear
(Josef Mach, 1966)
Rachel Brown
October 2020
CTEQ Annotations on Film
Recent
Days
(Tsai Ming-liang, 2020)
Jacob Agius
May 2023
Afflictions of Pain and Desire:
The River
(Tsai Ming-liang, 1997)
Alex Williams
May 2023
The Wayward Cloud
(Tsai Ming-liang, 2005)
Amelia Leonard
May 2023
Goodbye, Dragon Inn
(Tsai Ming-liang, 2003)
Andrew Le
May 2023
The Skywalk is Gone
(Tsai Ming-liang, 2002)
Digby Houghton
May 2023
What Time is it There?
(Tsai Ming-liang, 2001)
Jessica Balanzategui
May 2023
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