• Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
Search
Senses of Cinema logo
  • Features
    Random
    • Stray Images, Inside-Outside: On Tsai Ming Liang’s Stray Dogs

      Daniel Fairfax
      October 2014
      Feature Articles
    Recent
    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
    • The New-Ark: trying to disavow anti-blackness

      Andrew Brooks
      October 2020
    • Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020
    • Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

      Steffanie Ling
      October 2020
  • Festival Reports
    Random
    • State of the Nation: Portuguese Short Film at the 20th Vila do Conde International Short Film Festival

      Daniel Fairfax
      August 2012
      Festival Reports
    Recent
    • The 34th Cinema Ritrovato Has Full Resuscitation under COVID

      Roger Macy
      October 2020
    • Women at the 2020 Toronto International Film Festival

      Alexandra Heller-Nicholas
      October 2020
    • Lest We Forget: the 31st FID Marseille

      Leonardo Goi
      October 2020
    • A Vitalising Cinema in an Agitated Age: The 58th New York Film Festival

      Jake Pitre
      October 2020
    • Locarno 2020: The Open Doors Experience

      Maria Giovanna Vagenas
      October 2020
    • Your Daughters Come Back to You: The 28th Pan African Film and Arts Festival

      Bérénice Reynaud
      July 2020
  • Book Reviews
    Random
    • Jedda by Jane Mills

      Daniel Fairfax
      March 2013
      Book Reviews
    Recent
    • Trade Follows the Film: Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson

      Daniel Fairfax
      October 2020
    • War, Community, and the Cinema: Front Lines of Community: Hollywood Between War and Democracy by Hermann Kappelhof and Five Came Back: A Story of Hollywood and the Second World War by Mark Harris

      Joshua Sperling
      October 2020
    • The Perfect Conditional: Philippe Garrel by Michael Leonard

      Tony McKibbin
      October 2020
    • Creating the Appearance of Being: The Art of American Screen Acting 1960 to Today, by Dan Callahan

      Tony McKibbin
      July 2020
    • The Restless Spectator: Anxious Cinephilia: Pleasure and Peril at the Movies, by Sarah Keller

      Joshua Heaps
      July 2020
    • Engaged Vision: Critical Mass: Social Documentary in France from the Silent Era to the New Wave, by Steven Ungar

      Ivan Cerecina
      July 2020
  • CTEQ
    Random
    • article placeholder

      Naked Youth/Cruel Story of Youth

      Daniel Fairfax
      May 2007
      CTEQ Annotations on Film
    Recent
    • Stairways to Paradise: Youssef Chahine and Alexandria…Why?

      David Melville
      October 2020
    • At Home Among Strangers (Свой среди чужих, чужой среди своих, Nikita Mikhalkov, 1974)

      Darragh O’Donoghue
      October 2020
    • German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

      Donovan Renn
      October 2020
    • Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

      David Heslin
      October 2020
    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020
    • A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

      Martyn Bamber
      October 2020
  • Great Directors
    Random
    • Polonsky, Abraham

      Daniel Fairfax
      April 2005
      Great Directors
    Recent
    • Scott, Tony

      Jeremy Carr
      October 2020
    • Menzel, Jiří

      Brendan Black
      October 2020
    • Wise, Robert

      Adrian Schober
      April 2020
    • Fernández, Emilio “Indio”

      Abel Muñoz Hénonin
      April 2020
    • Fei Mu

      Jasper Mäkinen
      October 2019
    • Huston, John

      Bruce Jackson
      July 2019
  • World Poll
  • Support Senses
  • Shop
  • Subscribe
  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Latest
  • Past Issues
  • Special Dossiers
  • Interviews
  • Podcast
  • Advertisers
  • Proposals
  • Call for Submissions
more articles... more articles... more articles... more articles... more articles...

Tagged Vienna

Home
Vienna

October Love Song: the 51st Viennale

Daniel Fairfax
November 2013
Festival Reports
There are festivals that are objectively deemed to be ‘major’, and then there are festivals that have a special place in our individual hearts. The Viennale certainly occupies this latter position for me, but I...

The Politics of Body Parts, Programming and the Redistribution of Land: The 49th Viennale

Barbara Wurm
February 2012
Festival Reports
In a state in which politics are generally considered synonymous with proportional representation (and that is a nice and rather euphemistic way of describing the Austrian “proporz”), it should be taken as a go...
article placeholder

Vienna’s Prater District on Film, or: Looking at the World Again

Martina Lunzer
April 2009
Feature Articles
This article examines the filmic representation of Vienna’s famous Prater district and the many discourses around its historical significance.

Our Beloved Month of October (or, Do the Hurch-Lurch!): The 46th Viennale – Vienna International Film Festival

Neil Young
April 2009
Festival Reports
  17-29 October 2008 “The ideal form of government, Karl Valentin said, is anarchy – with a strong anarchist in charge.” Thus the philosophy of Hans Hurch – starken Anarchen an der Spitze of the Vien...

Read the Senses of Cinema World Poll 2019

INTRODUCTION

PART 1

PART 2

PART 3

PART 4

PART 5

PART 6

PART 7

PART 8

Join Us

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

© Senses of Cinema 2019

Staff Members

Editors:

Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

Contributing Partner

Donate to Senses

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff